One of our favourite bands of all time, Vök, have released the visuals for the title single off the new album ‘Night & Day’.
Their most comfortable space is in continuing to push boundaries, but with the video for ‘Night & Day’, the trio go back to old school roots to really capture the essence and atmosphere of their sound.
Sounds like: Björk, Kate Boy, Poliça, Death Rattle, MUNA, The Knife
London duo IDER today share the inspiring visuals for ‘Mirror,’ a breakup anthem reviewing the loss of self-identity following a breakup, which almost always ends in a triumphant celebration of your own personal strength.
Shot by Lily Rose Thomas on Bromley High Street, the visuals are simplistic and honest, perfectly echoing the vulnerability of the song and the instinctive harmony of the girls.
Sounds like: The Japanese House, Imogen Heap, Oh Wonder, Shura, The 1975, Tegan and Sara, MUNA, Aurora, Tourist, Wet, London Grammar
We do like a good festival, and after hearing that NOS Alive in Lisbon, Portugal is up there as one the world’s best music festivals, we decided to plan a trip in July to find out what all the fuss is about!
In the mean time, buckle up and check out our ones to watch within the indietronica genres (looks like we’ll mainly see you at the Sagres Stage then!).
THURSDAY 12 JULY
Friendly Fires, Sagres Stage
Energetic Brit boys Friendly Fires return to the festival circuit after a hiatus.
Having already had massive success with hits such as ‘Paris’, ‘Jump In The Pool’ and ‘Skeleton Boy’, their new single ‘Love Like Waves’ doesn’t disappoint and continues the theme of tropical-tinged synth sounds.
Expect a highly fun and bold performance at NOS Alive.
One artist we are super stoked to check out live is Khalid.
The American singer/songwriter originally started writing music during his college years, where he was also declared prom king. Amalgamating an array of sounds from classical, pop to hip hop, Khalid shows a real sense of urgency in his music.
We can’t get enough of his track with Billie Eilish, and can’t wait to see him perform at NOS Alive.
Sounds like: Kendrick Lamar, A$AP Rocky, Father John Misty, Frank Ocean, Chance the Rapper, Lorde, James Blake, Billie Eilish
Indie rockers Wolf Alice have been our firm favourites from the UK for some time now. They never disappoint at a live show, fronted by a fresh-faced Ellie Rowsell’s seemingly blasé but endearingly nervous attitude.
Expect a set full of their most brilliant tunes…so that’s all of them then!
Sounds like: Black Honey, Peace, Superfood, Foals, Circa Waves, Harry
Sampha is to be one of the UK’s best musical exports in 2018.
He has a knack for writing songs with deep and personal lyrics of pain and reflection, some of which have unfortunately has stemmed from health hardships suffered with his family at home, and we can’t help but think we are supporting him on this journey.
Truly thought-provoking stuff, definitely worthy of a slot at NOS Alive.
Sounds like: Jessie Ware, Frank Ocean, Solange, Moses Sumney, James Blake, Chet Faker, SBTRKT, Dallas Green
Future Islands‘ front man Samuel T Herring’s dancing is reason enough to go watch these guys at NOS Alive. And of course, the US synthpop band are wildly brilliant in as many unique, refreshing and inspiration ways possible.
Kicking off Saturday’s ones to watch are Lisbon natives, Lotus Fever.
They fit somewhere in-between Alt-J and Pink Floyd and it’s really refreshing to hear. We are expecting a super tight performance, thanks to their longstanding stint together since 2011 and it being their local city.
Their music has tendencies to sway in the 60’s, psychedelic market – imagine riding on a surfboard in space. However, we expect their set at NOS Alive to be a relaxed affair, where you can chill out and have a cider…or ride a surfboard in space, whatever takes your fancy!
Synthpop sisters REYNA may want you to forget it, but baby please don’t!
Comprised of Victoria and Hannah Gabriela, the girls have already worked with the likes of Drew Pearson (Kesha) and performed with CHVRCHES.
Speaking of their new single ‘Baby Forget It’, Vic says,
“The song is about a former love who kept something of mine after a dramatic breakup. I wasn’t the best version of myself in this relationship and I can admit that I really messed up. That’s why I was so surprised when I saw that she would wear my jacket, I was like hmm maybe it wasn’t so bad, maybe every time she puts the jacket on she thinks about the good times instead of the bad. This song is for everyone who has had their heart broken then somehow muster the courage to put their hearts out there again. It’s learning from those sour episodes in your life and making them part of who you are like a scar you’re proud of.”
The Los Angeles-based pop angel takes control with her defiant anthem ‘This Body’. A song inspired by personal experiences with cat calling and a struggle with an eating disorder, it sends a hugely empowering message.
“One morning, while I was walking to the USC practice rooms on South Figueroa, I got aggressively cat called about my “fat ass.” I’m a fiery person. I talk back. I’m “sassy” and I’m not shy around strangers. I’m typically not someone who is great at “taking the higher road” or letting things go, but in that situation, I felt like a delicate flower. When a man confronts you without batting an eyelash, verbally scrutinizing your body, you feel like nothing. This man was asserting his dominance over me, letting me know that he was entitled to my body — looking, commenting, maybe even touching. So, I went inside the practice rooms with my face red and hot. I grew up in New York City. This was not the first time I had been cat called on a street corner, but for some reason it particularly bothered me that day. It was kind of a perfect storm because I felt like I wanted to yell or cry or something, and I had literally just stepped into a practice room with a piano. I started saying things that I wanted to hear — “I got my power,” “this body is my home” etc. Looking back on that experience, I guess writing the song was my way of getting my power back in the moment.
I recovered from an eating disorder in the summer of 2016, which is when I wrote this song. My whole life I grew up completely buying into the media’s definition of beauty. I thought that I needed to be rail thin (not my body type) and utterly despised any fat on my stomach. I started my first diet around the age of ten, and my battle with food, guilt, and self loathing continued on throughout the next ten+ years. For me, performing “This Body” is a reminder to myself that I’m sexy and I’m beautiful and I have all of my confidence. That’s why I start every show with it. It’s not just like I’m telling these lyrics to other people, but I’m sort of talking to myself as well.
My sophomore year of college, I was extremely lucky in that so many positive elements aligned themselves in my life. I had a boyfriend who loved my body and reassured me while I put on much needed weight and got increasingly healthier. I moved into an apartment with friends who were like family and were more supportive than I could have ever hoped for. That year, I also found the body positivity movement on social media. I read articles and watched videos of women talking about the stuff I had never been able to articulate and would never have felt comfortable articulating. All of these factors in my life came together and really allowed me to grow and to love myself. That kind of opened a door for me and inspired me to write about being a woman in very literal terms.
Honestly, my hope for this song is just that someone, somewhere can listen to it and feel what I feel hearing powerful women talk about loving themselves. When I see a quote that makes smile or a picture of someone owning their body, I feel companionship, knowing that we’re all in it together, and I feel empowered myself. If I can do that for someone else, then I will know I have accomplished something huge.”
It’s not long until the end of the year, and what better way to see 2017 through with a playlist from Chelsea Lankes. This one goes out to all the ladies, and is probably one of the best playlists we’ve ever had! Lucky you!
“Here are some favorites over the last couple months including songs from favorite albums this year: SZA, Phoebe Bridgers, YOUTH, Lorde and Wolf Alice. Also I put a few singles from female pop artists I love and respect! To be enjoyed while driving at night, at low key parties, showering or anywhere you might sing really loud alone. 🙂”
…And whilst we have you, give Chelsea’s new track a spin too.
Sounds like: MUNA, Wet, Evvy, Ghost Beach, Kyla La Grange, Ji Nilsson, Tove Styrke, Carousel, Kitten, Nina, Mikky Ekko, Remmi, Cappa
Los Angeles native BAUM hits the right notes with her new single ‘Effortless’.
Taking inspiration in the romantic pitfalls of a close friend of the singer-songwriter, who was cheated on by an ex-beau, an “awful dude,” says BAUM, “I saw him do it and it broke my heart.”
BAUM immediately wrote the song after the event – originally a sad song, that soon turned into an angry one,
“I got to the chorus and just got so wildly angry and that tempo change and scream thing came out. I guess I turned the song into how I wanted her reaction to be: empowered, focused more on her anger than her sadness. I wanted her to realize her own strength and self-worth, so I wrote that into the song.”
Another Montreal-based band to be included in this week’s SubmitHub gems.
Meet indie folk band, The Franklin Electric, who have shared their video for ‘Burning Flame’, a cinematic showpiece filmed in Toronto.
“This was a spontaneous last minute addition to the record about the fire that feeds us and brings us to do all the things we do, or ignore the things we don’t do but wish we had. A voice inside most of us that can easily be ignored but the burn is a constant reminder. This video was all about the casting! I walked in the day of the shoot and met George, who plays the main role in this music video. He is the most endearing, honest, pure, yet driven 17 year old kid I have ever met. From that moment I was sold on the director’s story & concept. I invite you to meet George for yourself.”
It’s taken from their sophomore album, ‘Blue Ceilings’.