Weekly Gems 49

Sasha – Ouch!

Sasha

Self-described “tragic” songstress Sasha is speaking a lyrical frankness in her new single, ‘Ouch!’, written about foreseeing being stung in a relationship.

The single blends unique and interesting soundscapes with sweet pop production and has elements of ‘Pure Imagination’ featured in Willy Wonka & the Chocolate Factory. Tasty.

Sounds like: Billie Eilish, VÉRITÉ, Rae Morris, The Japanese House

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Bohnes – Raging On A Sunday

Bohnes

Introducing the new project called Bohnes by Alex DeLeon from the band The Cab.

His new single ‘Raging On A Sunday’ is a frenetic two middle fingers to religion, caught up with an anthemic rock backdrop, glitches of grungy electronica and a retro-inspired, R&B-tipped vocal range.

Get yourself to the mosh pit this Sunday.

Sounds like: The Weeknd, Twenty One Pilots

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The Beamish Boys – Don’t Flatter Yourself (Acoustic Version)

The Beamish Boys

The Beamish Boys are two brothers from Australia who combine uplifting songwriting with harmonious elements of folk, pop and soul.

What started out as jamming sessions in their garage soon turned out to working with international artists and labels, and tours.

The acoustic version of ‘Don’t Flatter Yourself’ is a generous nod to the Ed Sheerans and Emma McGraths of this world.

Sounds like: Ed Sheeran, Emma McGrath

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Maeve – Eden

Maeve

Caymanian-born, London-based R&B newcomer Maeve shares the striking visuals for her new single ‘Eden’.

Directed by Black Dog Films‘ filmmaker Jade Jackman, choreographed by Liv Lockwood and styled by designer Asai (Dazed 100), the hallucinogenic and bestial video borders between what is real and what is not, conveying a sense of abandonment and isolation found in a toxic relationship.

The song is taken from her debut EP ‘Beasts’, out now.

Sounds like: AuRa, The 1975, FKA Twigs, Daughter

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Katy Tiz – Life Feat. Ed Drewett

Katy Tiz

Katy Tiz has teamed up with esteemed songwriter Ed Drewett on new single, ‘Life’, which has a Bonnie & Clyde context.

Recorded whilst suffering with laryngitis, this is a testament to Katy Tiz’s determination, and the result is a raw and enchanting song that is upfront and honest.

Sounds like: Ella Eyre, Meghan Trainor, Aly & AJ, Bonnie McKee

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Golden Vessel – MOONSTONE Feat. Elkkle & Akurei

Golden Vessel

Golden Vessel (aka Max Byrne) returns with ‘Moonstone’, featuring friends Elkkle and Akurei.

The upbeat track once again incorporates Byrne’s signature cross-genre style, and futuristic production.

‘Moonstone’ is inspired by the historical investigation of missing moon rocks from NASA trips into space on Apollo 11. Legend has it that the specimens once brought back to earth in 1969 were distributed across the world in the famous Goodwill Moon Rocks initiative, only to, nearly 30 years later, have mostly vanished or become untraceable.

Sounds like: MØ, Brolin, The National, Gang of Youths, Bon Iver, Alex Vargas, TENDER, Kanyon, REFS

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Lincoln Jesser – Undone

Lincoln Jesser - Undone

American producer Lincoln Jesser produces indie synth-pop with sky-high aspirations.

Growing up at school, Jesser would often play in jazz sessions during the breaks, but it wasn’t until he listened to The Strokes that his passion for music was spiked.

Moving slowly into the electronic realms of production brings us to Jesser’s release today, called ‘Undone’, which you can listen to below:

Sounds like: Summer Heart, Joe Goddard, Goldroom

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Little People – Skies Turn Blue Feat. Tif Lamson

Little People - Skies Turn Blue Feat. Tif Lamson

Little People is the beautiful project of Laurent Clerc, who has just returned to the UK following a stint of residing in Portland, US.

Little People combines elements of tech with lush instrumental landscapes, which will rightfully draw comparisons to ODESZA (who he supported on their US tour), Little Dragon and Maribou State.

‘Skies Turn Blue’ is the second single taken from his upcoming ‘Landloper’ album and features Tif Lamson of the band GIVERS.

It’s out now on his own label, Future Archive Recordings, which was co-founded with Sun Glitters, Arms and Sleepers and CNJR. It is a collaboratively minded label, that looks to empower artists to release music as they see fit with the help, clout and structure of a label.

Sounds like: Little Dragon, The xx, Bonobo, Maribou State, ODESZA, RJD2

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Lo Lo – Convenient (TRU Concept Remix)

Lo Lo - Convenient (TRU Concept Remix)

We don’t usually share remixes but this one landed in our inbox and we couldn’t resist sharing.

It’s the TRU Concept remix of Toronto-based pop artist, Lo Lo‘s ‘Convenient’, in which she thanks TRU Concept for “reimagining my F#@K you pop song and turning it into a banging F#@K you dance track.”

Listen below.

Sounds like: Dominique, CAPPA

Lo Lo
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Sounds like: Gryffin, Blonde, Le Youth, Pat Lok, Just Kiddin, Kygo

TRU Concept
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Amethysts – How It Is / Imitate me

Amethysts

Suffolk school friends turned band mates Amethysts release double A-side ‘How It Is / Imitate Me’

Amethysts have worked with esteemed producers Shuta Shinoda (Daughter, Ghostpoet) and Matt Miligan to create two tracks that are looped by energetic synths, harmonies and guitars – the perfect indietronica combination.

Speaking on ‘Imitate me’, the duo state;

“Imitate me delves into the cut throat world of the music industry. This is our first diss track. It alludes to the competitive side of the industry, and how often ego’s get in the way, and bands try to get one up on each other, instead of working together to make the scene a nicer place.”

Sounds like: OH Wonder, Paperwhite, IYES, Fickle Friends

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Misty Mtn – We’ll Call It Even

Misty Mtn

There’s a gentle buzz surrounding Brooklyn boy-girl duo Misty Mtn. Comprised of Morissa Trunzo and Lucas Segall, Misty Mtn create “dark mountain pop”, which we can only assume, judging by their music, means enchanting synth-pop and organic harmonies.

Their new single ‘We’ll Call It Even’ is co-produced by Ariel Loh (Yoke Lore), illuminates a narrative that at its core is about the age-old adage: “fake it till you make it”. The band had this to say about the song:

“‘We’ll Call it Even’ is about the hustle of being a creative person in a city you can’t afford. We started the band after meeting in a restaurant where we both worked so this one is extremely personal for us. It’s about the joys of making something out of nothing and remembering where you came from.”

Sounds like: Maggie Rogers, Gabrielle Aplin, Kllo, Oh Wonder, Sylvan Esso

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Gabrielle Aplin – My Mistake

Gabrielle Aplin - My Mistake

Gabrielle Aplin returns with her most empowering message yet, in ‘My Mistake’.

A beautiful ballad, Aplin bares her soul, as the song builds alongside the accompanying piano chords, and we truly get a sense of Aplin’s acceptance of self-deprecation and self-mistakes.

Regarding the single Gabrielle says, “I’m really excited to release My Mistake. I’ve always found writing a therapeutic escape from real life, but this song gently forced me to be brutally honest. This is a song about finding a strange sense of comfort in admitting to yourself that you’re not feeling 100% and completely owning it.”

Expect Aplin’s forthcoming third album due for release next year.

Sounds like: MONOGEM, Ellie Goulding, Chlöe Howl

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Playlist: Charlee Remitz

Charlee Remitz

Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

Charlee has put together a playlist together for Indietronica. Check it out below!

Troye Sivan – SUBURBIA

I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.

Lorde – Homemade Dynamite

Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.

Hayley Kiyoko – Sleepover

This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.

Ariana Grande – Thinking Bout You

I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.

Aly and AJ – Take Me

This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.

FLETCHER – You Should Talk

I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”

Katelyn Tarver – You Don’t Know

Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.

John Mayer – In Your Atmosphere

The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.

Taylor Swift – Call it What You Want

A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.

Lord Huron – Lost in Time and Space

I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.

Sounds like: Dominique, CAPPA

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Kllo – Candid

Kllo

We’ve been longtime supporters of Kllo and honestly didn’t think they could impress anymore. That was until ‘Candid’ came along.

Evolving as artists, Kllo is a frank song about maturing emotions within a relationship, laden with slow beats and soulful vocals, courtesy of Chloe Kaul.

Listen below.

Sounds like: The xx, Jamie xx, Jessie Ware, Kudu Blue, Disclosure, Jorja Smith

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Weekly Gems 48

GINEVRA – Forest

GINEVRA

We love a bit of Italian indietronica.

Born surrounded by Turin, and now residing in the city of Milan, singer/songwriter GINEVRA uses conflicting atmospheres of these two worlds to create exposing music with no obvious path.

‘Forest’ is about love and is out now via Factory Flaws.

Sounds like: Billie Eilish

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Billie Black – After All

Billie Black

With comparisons to soul heavyweights, Jessie Ware and Jorja Smith, it’s difficult not to stop and listen to London-based Billie Black.

Taking a slightly different direction to her former releases (including those with Mura Masa), Billie’s ‘After All’ has strings and delicate vocals, perfectly showcasing vulnerability, passion and desire.

Her new EP, ‘The Last Time’ is out now.

Sounds like: Jessie Ware, Jorja Smith, Jack Garratt, Mura Masa, Banks

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Paul Cook & The Chronicles – Selfies

Paul Cook & The Chronicles - Selfies

People need to stop driving and taking selfies. Look at the road, take in the scenery and put this track by Paul Cook & The Chronicles on.

Inspired by a road trip, Cook wrote the slow-drive track, ‘Selfies’ over a 24 hour period during the heatwave in London in 2018. Expect a new full length in 2019.

Sounds like: Paul Simon, Kurt Vile

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Loyal Lobos – Burn

Loyal Lobos

Loyal Lobos is stripping away her ego and embracing the sadness in ‘Burn’.

The Los Angeles-based singer and songwriter crafts raw, alt-folk songs that break convention, imbued with a hazy melancholy.

Sounds like: First Aid Kit, Maggie Rogers, Laurel, Lana Del Rey

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Rain on Monday – Fever Dream

Rain on Monday

Swedish solo act Rain on Monday shares ‘Fever Dream’, a song about a couple on the run from daily responsibilities.

The song has dreamy and husky vocals laced in washed out lo-fi, retro futuristic sounds. Perfect for a lazy Sunday afternoon.

Sounds like: Washed Out, Summer Heart, Yoke Lore, Still Parade

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Taylor Grey – Heathers

Taylor Grey

Twenty one year old Taylor Grey is getting poetic in her new single ‘Heathers’.

With pop melodies, this girl reminds us of an early VÉRITÉ, using songwriting as a form of therapy and a way to empower the younger generation with her vulnerability.

Sounds like: VÉRITÉ, Selena Gomez, Sabrina Carpetner, Dua Lipa

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Bryony Dunn – I Can’t Look Away

Bryony Dunn

Introducing young singer songwriter Bryony Dunn.

Her new single ‘I Can’t Look Away’ addresses the positive effects of a romantic interest in a blissful manner.

Citing her main influence as being Christine and The Queens, we also sense a huge influence from Marina & The Diamonds in the tone of Dunn’s music as well.

Sounds like: Marina & The Diamonds, Kelly Clarkson, Christine and The Queens, VÉRITÉ

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LOVE SICK – Predictable

LOVE SICK

We are quite frankly obsessed with LOVE SICK, especially their latest and greatest release, ‘Predictable’, which is anything but.

LOVE SICK is the dark and mysteriously infectious pop project of Glaswegian Shaun and Julie.

Taken from their four-track ‘No Sleep’ EP, ‘Predictable’ is 1/4 snapshot of where they are today, following endless sleepless nights writing the EP culminating in a sweet exhaustion of creativity.

The ‘No Sleep’ EP is out now via B3SCI Records/Aesop.

Our ones to watch for 2019.

Sounds like: ASTR, Dagny, COSBY

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