Our babies SOFI TUKKER are back with more childlike and rampant energy than ever before!
Inspired by all things magical and youthful, SOFI TUKKER are on a mission to inspire, encourage and play with others and ‘Baby I’m A Queen’ does just that.
“Just because you are vulnerable, doesn’t mean you have to let yourself be belittled or infantilized (why is “baby” the default nickname?)” the band says of the song. “We are strong and empowered because we cry, because we desire, and because of what is chaotic about us. This song is about standing up as strong and powerful, because of that courage to share ourselves. It’s about being both a baby and a queen at the same time.”
Their forthcoming debut full-length ‘Treehouse’ comes out on 13 April.
Brixton-based Sam Frankl is making waves with his groovy new number ‘Patina’.
Also a thin layer that forms on various metals due to oxidisation, ‘Patina’ is a song about a girl inconspicuously enquiring about her ex-boyfriend’s new relationship, scraping away at the surface to discover the boy’s true emotional state.
Wow, does this 21 year old have natural soul or what!
Brett Castro fuses folk music and timeless R&B to tell stories about growing up in a small town. His new single ‘Much About Sadness’ is written to a girl in his hometown who was diagnosed with depression, letting her know she is never alone.
Sounds like: Fleet Foxes, Tame Impala, Bon Iver, Prince
We are loving these two – a former X Factor winner who goes by the name of Alex Lee Kinsey, and a Swedish songwriter/producer Johan Lindbrant. They both run the Los Angeles-based project BoTalks, creating catchy and melodic electronic pop through fluid but fun songwriting processes.
Their sophomore release, ‘Fuck It’ featuring the legendary vocals of singer/songwriter Caroline Pennell, is about letting love slip through your fingers, but somehow embracing all the feelings you tried to ignore.
Tiaryn is an exciting Australian artist who is making waves this side of the world.
Her new single ‘Falling’ is the first single off an upcoming EP. It’s laid back and feel-good song that reflects on the evolution of a young relationship; from initial infatuation to the thrilling discovery of true connection.
A refreshing break appears to be just what Alexx Mack needed, because she is back with a song of epic proportions, and something that we all can relate to – ‘Wine In Bed’.
Inspired by her own toxic coping mechanisms, Alexx explains,
“Wine in Bed is about me learning that my coping methods were adding to the toxicity in my life and relationships. I would drink and cross my fingers to feel better, and almost every time I’d end up making another mistake. I thought that every sign was pointing to me needing to be alone, the truth was that I was pushing everything good in my life away.”
Sounds like: Charli XCX, Julia Michaels, Halsey, Kate Boy, The 1975, The Magnettes
It’s a battle of the pop songs this week, that was until we heard ‘Not Really’ by SAGE. There really is no competition!
The feminist pop track has been produced by double-diamond producer PJ Bianco (Nick Jonas, Demi Lovato, Fifth Harmony, ARIZONA) and written by SAGE alongside famously rumoured actual Britney Spears vocalist, Myah Marie Langston.
Stockholm-based KIDDO is following in the cool Scandi footsteps of Dagny and Sigrid.
Her brazen new single is a song about escaping relating, as KIDDO reminisces “about a time when I knew I had lost everything but it was too painful to face it so I tried to ignore the truth for a little longer in every possible way.”
It’s out now via Stockholm-based independent label BLNK Music.
Sounds like: Kesha, Billie Eilish, Sigrid, Dagny, Soleima, Icona Pop
Time to get funky and sexy with Knox White‘s new single ‘You’ve Been My Girl’.
Following some unexpected advice from music kings, Lionel Ritchie and Paul McCartney, the Los Angeles-based Knox decided to hit up New Orleans to gain some creative perspective. Upon his return to Los Angeles, Knox started collaborating and touring with producer Josh Legg aka Goldroom, and the result is an exciting throwback style of chill wave pop.
Stage Republic is a two-person music project based in The Netherlands.
Citing a strong influence from the 80’s, the duo’s new single ‘Rise and Fall’ started as a one minute piece of improvisation to test a new synthesiser and the end result now showcases a brilliant way to bridge the gap between indie and pop.
BBC 6 favourite, breezy indie band High Hazels share their new single ‘Days Of No One’.
Fighting an ever-losing battle of love and being lonely, lead singer James admits that despite the conflicting themes in their music, he is a fan of people; “Weirdly that’s why I think loneliness pops up in our music quite a lot, I suppose it’s more the fear of it.”
Sounds like: The Last Shadow Puppets, Miles Kane, Arctic Monkeys, Babyshambles, Richard Hawley, The Coral, Beach House, Cocteau Twins, My Bloody Valentine
The Los Angeles-based pop angel takes control with her defiant anthem ‘This Body’. A song inspired by personal experiences with cat calling and a struggle with an eating disorder, it sends a hugely empowering message.
“One morning, while I was walking to the USC practice rooms on South Figueroa, I got aggressively cat called about my “fat ass.” I’m a fiery person. I talk back. I’m “sassy” and I’m not shy around strangers. I’m typically not someone who is great at “taking the higher road” or letting things go, but in that situation, I felt like a delicate flower. When a man confronts you without batting an eyelash, verbally scrutinizing your body, you feel like nothing. This man was asserting his dominance over me, letting me know that he was entitled to my body — looking, commenting, maybe even touching. So, I went inside the practice rooms with my face red and hot. I grew up in New York City. This was not the first time I had been cat called on a street corner, but for some reason it particularly bothered me that day. It was kind of a perfect storm because I felt like I wanted to yell or cry or something, and I had literally just stepped into a practice room with a piano. I started saying things that I wanted to hear — “I got my power,” “this body is my home” etc. Looking back on that experience, I guess writing the song was my way of getting my power back in the moment.
I recovered from an eating disorder in the summer of 2016, which is when I wrote this song. My whole life I grew up completely buying into the media’s definition of beauty. I thought that I needed to be rail thin (not my body type) and utterly despised any fat on my stomach. I started my first diet around the age of ten, and my battle with food, guilt, and self loathing continued on throughout the next ten+ years. For me, performing “This Body” is a reminder to myself that I’m sexy and I’m beautiful and I have all of my confidence. That’s why I start every show with it. It’s not just like I’m telling these lyrics to other people, but I’m sort of talking to myself as well.
My sophomore year of college, I was extremely lucky in that so many positive elements aligned themselves in my life. I had a boyfriend who loved my body and reassured me while I put on much needed weight and got increasingly healthier. I moved into an apartment with friends who were like family and were more supportive than I could have ever hoped for. That year, I also found the body positivity movement on social media. I read articles and watched videos of women talking about the stuff I had never been able to articulate and would never have felt comfortable articulating. All of these factors in my life came together and really allowed me to grow and to love myself. That kind of opened a door for me and inspired me to write about being a woman in very literal terms.
Honestly, my hope for this song is just that someone, somewhere can listen to it and feel what I feel hearing powerful women talk about loving themselves. When I see a quote that makes smile or a picture of someone owning their body, I feel companionship, knowing that we’re all in it together, and I feel empowered myself. If I can do that for someone else, then I will know I have accomplished something huge.”