Altamina was originally a side project from US-based, Francois Graham and French-Canadian, Marco Gervais of Montreal’s Surface of Atlantic, but it soon developed into a fully-fledged, international band, following the enlistment of Australian, Matt Davis on drums and French-Canadian, Roxanne Miller on bass in 2014.
Sincere lyrics touched with baritone vocals, steady drum beats, and ambient riffs make ‘Under The Black Sea’ a stand out track from an equally as impressive band.
Their album, ‘Tomorrow Morning Will Be Tonight’ is out now.
Sounds like: The National, War On Drugs, Nick Cave, Joy Division, Phoria
Sticking their middle fingers up to social media, rising four-piece October Drift are causing a stir amongst the gigging scene.
Kiran from October Drift has put together a really great playlist together for us.
Nick Drake – Hazy Jane II
Got this album (Bryter Layter) for a birthday sometime in my early teens. Took me a couple of years to really get into it, I don’t think it was instant enough for me to appreciate its subtleties at the time. Nick Drakes music gets better the more you hear it – which is the right way round, obviously.
The Velvet Underground & Nico – Sunday Morning
Easily one of the most important records of all time in my opinion. And this track is the go to for me. Not sure what it is about it but its so warm and dreamy. I’ve found myself the owner of one of the early editions of the vinyl where Andy Worhols banana peels. Apparently it could be worth some money, although I’ve accidentally ripped it a little trying to peel it!
Bob Dylan – Don’t Think Twice, It’s Alright
Bob Dylan’s songwriting constantly surprises and impresses me with every listen (not ALL of his stuff, I have to say). The intricacy to his story telling from song to song and the imagery and descriptions can blow my mind and make me smile.
Simon and Garfunkel – America
Simon and Garfunkel have such a clarity and innocence in their style and again are instantly recognisable. The imagery and story of this young couple hitchhiking their way across the states is full of hope and optimism and as the song progresses maybe a sense of disillusionment creeps in as they try to ‘Look for America’ – trying to chase a false American dream perhaps.
Neil Young – Down By the River
Neil Young – Also extremely nostalgic for me, Neil Young got played a lot in the house while I was growing up. His voice is thin and kind of winey but its really emotive, the same goes for his guitar playing – he’s not the best in the world but he’s got a really distinctive sound and style which is far more important than being technically good. That’s important. His songwriting and melodies seem really natural and not over thought if that makes sense.
David Bowie – Five Years
The opening track to one of my favourite albums by one of the most inspiring, iconic and important artists ever.
Leonard Cohen – Suzanne
Leonard Cohen’s baritone voice and sad songs have without question directly influenced us and many more of our biggest musical influences (NickCave, TheNational to name a few).
The Beach Boys – I Just Wasn’t Made for These Times
A look into the messed up genius head of Brian Wilson. It’s a really sad song, but its got The Beach Boys happy sheen on it. I think there’s something really interesting in that – the juxtaposition of the care free surfer kid image and the troubled reality. I read his autobiography a few years ago, it’s really sad.
Steve Harley – That’s My Life In Your Hands
I heard this song for the first time in years and years not too long ago and it really took me back to my childhood, my dad used to play this album and this song I particularly liked. Really great melodies and an emotive chorus.
Sammy Davis, Jr. – Mr. Bojangles
I really like the story telling of this song. I don’t think it is originally Sammy Davis Jr’s but it fits perfectly with his character. It’s a sad story really of an old alcoholic dancer or entertainer Mr. Bojangles who from within a prison cell tells the story of his life and does a dance. I guess it could be a worry of most performers, be it bands, musicians or whatever that they’ll end up washed up, telling story’s of what they used to be.
Johnny Cash – I Walk the Line
The man in blacks influence on modern rock and pop music is un-chartable. There’s something so sincere and confident about this particular song. His work with Rick Ruben too at the last part of his life is so powerful and cemented that he will never be forgotten.
Syd Barrett – Baby Lemonade
I loved Pink Floyd growing up and they certainly have an influence on what we do, although it may not be as direct as other artists. They can be at times a bit too cliche druggie stadium-y but that came much later than Syd. This song is from after he left the band and put out some solo records. His story is very sad, yet has this (false) romantic side – the tortured artist kind of thing. He was very out there and original for the time and at the forefront of psychedelia.
JULY 2016 9th / LIVERPOOL CALLING FESTIVAL, LIVERPOOL
15th / HUDDERSFIELD, THE PARISH
16th / HARWORTH, THE BLACKSMITHS
17th / BLACKPOOL, BOOTLEG SOCIAL
18th / EDINBURGH, THE ELECTRIC CIRCUS
19th / HULL, THE ADELPHI
21st / DERBY, THE VENUE (Radar Love Club Night)
22nd / NOZSTOCK FESTIVAL, THE HIDDEN VALLEY
23rd / TRAMLINES FESTIVAL, SHEFFIELD (Crystal Stage)
24th / THE SUMMER WESTIVAL, ALDERSHOT
25th / TUNBRIDGE WELLS, THE FORUM
26th / LONDON, THE LEXINGTON
28th / ST ALBANS, THE HORN
29th / PLYMOUTH, UNDERGROUND
30th / READING, OAKFORD SOCIAL
AUGUST 2016 6th / KAYA FESTIVAL, PORT TALBOT
Sounds like: Interpol, The National, Editors, White Lies, Future Islands, Spector
Solomon Grey have unveiled the new video for ‘Sweet 84’, the latest release taken from their self-entitled LP.
Always offering up cinematic production with expansive electronica, the video for ‘Sweet 84’ features the world through a young child’s eyes growing up in the 80’s.
In their own words; “We wanted to create something with the breadth of emotion and depth that some of our favourite albums encompass. The music and songs just naturally became more and more layered the more we worked on them and bit by bit we learnt how to self-produce and carve out the sound we wanted. The album touches on a lot of things but put together the whole thing ended up reflecting our journey from a very dark place and the metamorphoses we went through over the years of writing and travelling, trying to get it finished.”
The album is out now via Decca Records.
Solomon Grey have also announced a support tour with Above & Beyond and will be appearing live at The Royal Albert Hall on May 5th 2016 amongst other UK dates:
Sunday 3rd April – Eagle Inn, Manchester
Monday 4th April – Green Door Store, Brighton
Tuesday 5th April – The Louisiana, Bristol
Wednesday 6th April – Electrowerkz, London
Sounds like: Heaven 17, Depeche Mode, Ásgeir, Chet Faker, James Vincent McMorrow, Hozier, Lane 8, The National, Son Lux, M83
Feasting on a rich blend of all things Americana, Harriet have unveiled another album track gem called ‘Bring Me When You Go’.
The forthcoming album, ‘American Appetite’, is produced by Sean O’Brien (The National, Jeff Bridges) and (Nickel Creek, The Replacements), and seeks inspiration from the American condition; the controversy, alienation and fear that it ensues.
Pre-order ‘American Appetite’ on iTunes. It will be released worldwide on 29 January on HarvestRecords.
Sounds like: Bad Sounds, MRCH, Local Natives, The National, TW Walsh, Still Corners
Former high school friends and now housemates Edvard Hakansson, Gilbert Hulme and Jack McKenzie are Melbourne-based band, Osaka. They spend all of their spare moments practising in their own attic studio, and the result is an adhesive and energetic sound.
Whilst Osaka cites musicians and bands they look up to as The Strokes, Foals, Phoenix, Taylor McFerrin and The National, lead singer Edvard says this:
“We try not to directly listen to what our influences are doing. Instead, we know what we like to hear and always aim to make the music we want to hear – to be that band that we can never find in our library. In our writing, we want you to be able to hear an emotion, and feel it when you listen at a deeper level to the songs.”
‘Vessel’ was recorded with Malcolm Besley (Client Liaison, City Calm Down, Snakadaktal) and is out today.