Caymanian-born, London-based R&B newcomer Maeve shares the striking visuals for her new single ‘Eden’.
Directed by Black Dog Films‘ filmmaker Jade Jackman, choreographed by Liv Lockwood and styled by designer Asai (Dazed 100), the hallucinogenic and bestial video borders between what is real and what is not, conveying a sense of abandonment and isolation found in a toxic relationship.
The song is taken from her debut EP ‘Beasts’, out now.
Golden Vessel (aka Max Byrne) returns with ‘Moonstone’, featuring friends Elkkle and Akurei.
The upbeat track once again incorporates Byrne’s signature cross-genre style, and futuristic production.
‘Moonstone’ is inspired by the historical investigation of missing moon rocks from NASA trips into space on Apollo 11. Legend has it that the specimens once brought back to earth in 1969 were distributed across the world in the famous Goodwill Moon Rocks initiative, only to, nearly 30 years later, have mostly vanished or become untraceable.
Sounds like: MØ, Brolin, The National, Gang of Youths, Bon Iver, Alex Vargas, TENDER, Kanyon, REFS
London duo IDER today share the inspiring visuals for ‘Mirror,’ a breakup anthem reviewing the loss of self-identity following a breakup, which almost always ends in a triumphant celebration of your own personal strength.
Shot by Lily Rose Thomas on Bromley High Street, the visuals are simplistic and honest, perfectly echoing the vulnerability of the song and the instinctive harmony of the girls.
Sounds like: The Japanese House, Imogen Heap, Oh Wonder, Shura, The 1975, Tegan and Sara, MUNA, Aurora, Tourist, Wet, London Grammar
Surprisingly, we’d not heard of Nashville-based singer/songwriter, Daniella Mason, before today, and quite frankly, we are blown away by her talent for crafting beautiful and intelligent pop music.
A journey of loss, Mason’s new record stands as one of four EPs that she’ll be releasing over the course of the next year as part of her State of Mine sound series. Each album — Emotional State, Physical State, Mental State, and Spiritual State — will explore the different parts of our humanity that we tend to suppress and have difficulty embracing.
Sounds like: Imogen Heap, The Japanese House, Robyn, Maggie Rogers, Billie Eilish
Charlee Remitz creates synth pop full of big dreams.
Having recently moved from Nashville to Los Angeles, the singer/songwriter’s music shines. Her new single ‘Forever Like This’ has lashings of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.
It is the third single from her upcoming sophomore album, ‘Sad Girl Music’, out on 9 November.
We featured his new single, ‘Obsessed’ featuring Clara Hurtado, not that long ago and he’s come back with a lively new video for it. These two don’t take themselves too seriously, which is pretty refreshing.
If you follow CUB’s Twitter you will see more videos of him and Clara goofing around.
Finnish sister duo LCMDF release ‘Waterfalls’, taken from their ‘Sad Bangers’ album, out now.
Don’t be misled by the ironically positive pop keys and resulting euphoric climax in ‘Waterfalls’, as this is an ode to Generation Y, the modern day “baby boom” generation who were born in the 1980s and 1990s…and the ones who struggle in today’s society.
London artist Austel creates highly emotive music, so we thought it would be worth asking her to put together a playlist for us of the same! The result is below, and includes her brand new single ‘Crows’.
Crows – Austel
Our debut single, which we’re very excited to be able to share with the world.
Love Me In Whatever Way – James Blake
I had this album on repeat for months after it came out. I love the recurring vocal riff and building tension in the first half of this track. The drop is immense – that saw bass synth riff… so good.
‘Tell me when I have to go / And then love me there’
The End – Daughter
This track embodies everything I love about Daughter – Elena’s cutting lyrics, their trademark washes of guitar and ever-evolving sections and poignant vocal chants.
‘Let’s spend the future talking about the past’
Dry and Dusty – Fever Ray
I’m a big fan of the self-titled Fever Ray record and Karin Dreijer’s androgynous vocal style. On ‘Dry and Dusty’, she combines her tribal voice with developing synth motifs and simple percussion, conjuring a surreal, dream-like mood.
‘I am a capsule of energy’
Sugar Pill – The Japanese House
This track opens with delicate, melancholic piano chords but soon evolves – introducing Amber Bain’s washes of vocoder-treated vocals, glitchy beats and expansive synths.
‘You can use my ribcage as a pillow’
Hazmat Suits – Kyle Dixon & Michael Stein
I went through a stage of being a bit obsessed by the Stranger Things soundtrack – it’s so hypnotic. The bass synth glide on ‘Hazmat Suits’ is huge and hits me in the stomach every time.
Form By Firelight – Jon Hopkins
Jon Hopkins’ Immunity is a huge sonic influence on us; it has so much life amongst all the electronic sounds. It’s just brilliant.
This Mess We’re In – PJ Harvey
One of my favourite songs of all time, on one of my favourite albums of all time. The addition of Thom Yorke’s ghostly vocals are a dream collaboration.
‘I have seen the sunrise over the river, the freeway / Reminding of this mess we’re in’
Outlier – Bonobo
Bonobo’s music has a great driving, energetic feel to it. Adam and I were both obsessed with Migration when it came out. The track ‘Outlier’ builds really strongly adding layer after layer. Tracks like this really influenced the Austel production process.
Sleaze – Klangstof
One of my more recent discoveries – I love the expansive space Klangstof create with those pulsing synths and soaring hooks.
‘The tide needs a night to set up and collide’
Europe Is Lost – Kate Tempest
Kate Tempest is one of the most powerful performers of our time – the rising tension and cutting message of this track is profoundly resonant, and a haunting reflection of the days we’re living in.
‘We have learned nothing from history / The people are dead in their lifetimes’
Silhouettes (I, II & III) – Floating Points
Adam’s a big Floating Points fan. ‘Silhouettes (I, II & III)’ has this amazing string part in the middle section which is a wonderful merger of electronic and acoustic instrumentation.
The Eraser – Thom Yorke
This whole record is incredible, another one of my favourites. The opening title track is Thom Yorke at his best – trademark moody piano chords, glitchy rhythms and those beautiful, haunting vocals.
‘You know the answer so why do you ask?’
Teardrop – Massive Attack
‘Teardrop’ was my entry ticket into trip hop. Elizabeth Fraser is one of the greatest singers of all time and this track perfectly exhibits how much power you can create with moments of fragility and dynamic range.
Brixton-based Sam Frankl is making waves with his groovy new number ‘Patina’.
Also a thin layer that forms on various metals due to oxidisation, ‘Patina’ is a song about a girl inconspicuously enquiring about her ex-boyfriend’s new relationship, scraping away at the surface to discover the boy’s true emotional state.
Wow, does this 21 year old have natural soul or what!
Brett Castro fuses folk music and timeless R&B to tell stories about growing up in a small town. His new single ‘Much About Sadness’ is written to a girl in his hometown who was diagnosed with depression, letting her know she is never alone.
Sounds like: Fleet Foxes, Tame Impala, Bon Iver, Prince
Melbourne-based folktronica artist BATTS returns with her beautiful new single ‘Somedays’.
Using space as a reference (specifically the NASA recording of Saturn’s rings), ‘Somedays’ showcases BATTS’ knack of creating psych-tinged pop that is extremely grounding, but also feels otherworldly at the same time.
Expect her mesmerising and melancholic debut EP ’62 Moons’, to be released through the newly announced THAA Records.
Sounds like: London Grammar, Ficci, GEMS, MS MR, Daughter, James Blake, Jon Hopkins, MØ, SOHN, Broods, M83
Wow, ‘You’ is some serious spine tingling stuff from Dream Estate, an exciting ambient pop outfit on the scene.
The band was originally founded by William Tse in 2015, but later was joined by Dan Hvorostovsky (bass, backing vocals), Dan Noble (lead guitar, backings vocals), and Joe Dawson (drums) in 2017. Since then, the band have been working alongside producer Sam Winfield (Fickle Friends, Pixel Fix, Amber Run, Motherhood).