Songwriting heavyweight Bre Kennedy winds down for the cooler months with her acoustic track ‘Where Did Summer Go’, a nostalgic ballad that symbolises the passing and loss of time and dreams that never got to see the heat of summer.
Dark-pop artist Izza chronicles the ups and downs of dealing with anxiety and depression in a world where people are obsessed with the perceived perfection of their online selves, in new single ‘Lows’.
What happens when some talented artists team up? A song destined for success, that’s what!
Dutch producer Boris Deckers de Breda aka BODÉ release ‘Wiz’ with San Antonio, Texas singer/songwriter Billy Vena – an honest record about being destined for music success, but with the price that comes with it, aka empty pockets.
Hard working London lads, Hoofa, share their anthemic new single, ‘Alone’.
With comparisons to indie band contemporaries such as Larkins and Sea Girls, as well and lyrical influences from more nostalgic acts such as The Beautiful South and PEACE, this is a perfect slice of jangly pop.
Sounds like: Kodaline, Larkins, Sea Girls, PEACE, The Beautiful South, Little Comets
Toronto vocalist/producer Tom Probizanski – aka Zanski – has an almost emo twist to his electronic take on R&B and alt-pop.
His new single ‘Consequence’ explores the theme of self-acceptance in the face of overwhelming internal struggle, a continual theme throughout his music, which varies in sound from gritty lo-fi electronica to vocal-rich, synth-heavy production, tailored with emotional lyrics and heavy themes.
Scottish band, Dancing on Tables, explores a more melancholic side in ‘Not To Need You’.
Written in Nashville alongside legendary songwriter Liz Rose (TaylorSwift, LittleBigTown, CarrieUnderwood), the hopeful song encapsulates the uphill battles everyone goes through in life but reminds us that there is always a light at the end of the tunnel.
Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975, Rat Boy, Circa Waves, The Amazons, Blossoms, Wild Nothing, Cassia, Catfish and the Bottlemen
Another Newcastle band for us this week – Llovers.
Releasing the infectious new cut, ‘Feeling Sound’, it’s clear that anyone listening to the track will be enamoured by their immense potential, thanks to their irresistible anthemic tendencies with sparkling riffs, sing-along choruses and playful songwriting.
London baroque pop band Weird Milk shares ‘Is That Love?’.
Having already supported indie risers Alfie Templeman and Pip Blom, and about to support APRE on their UK tour, their latest offering doesn’t disappoint.
Songwriter and drummer Charlie Glover-Wright explains, “The song itself is about a relationship turning sour as a lemon and the main character realising that they don’t need it anymore and they’ll be better off on their own.”
Sounds like: FEET, Sports Team, The Magic Gang, Genghar, The Last Shadow Puppets
You may recognise Kelli-Leigh’s vocals from such hits as ‘More Than Friends’ by Jame Hype, ‘I Got U’ by Duke Dumont and Second City‘s ‘I Wanna Feel’, but it’s time for the British singer/songwriter to step out into the light and reveal her first solo music of the decade.
The uptempo pop song, ‘Cotton Clouds’ describes a blissed out relationship. Lovely.
Dutch DIY duo The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg.
Sharing the fancy-free video for their cover of ‘Tenderfoot’ by The Lemonheads / Smudge, the latest release is inspired by their youth, as the dream-pop band continue their tasteful take on original classics.
Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.
Charlee has put together a playlist together for Indietronica. Check it out below!
Troye Sivan – SUBURBIA
I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.
Lorde – Homemade Dynamite
Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.
Hayley Kiyoko – Sleepover
This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.
Ariana Grande – Thinking Bout You
I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.
Aly and AJ – Take Me
This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.
FLETCHER – You Should Talk
I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”
Katelyn Tarver – You Don’t Know
Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.
John Mayer – In Your Atmosphere
The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.
Taylor Swift – Call it What You Want
A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.
Lord Huron – Lost in Time and Space
I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.
RKCB is Los Angeles-based twosome comprised of Riley Knapp and Casey Barth.
Their single ‘Know Love’ is about accepting change, inspired by a book written by Alan Watts during the duo’s time in London, and is full of R&B leaning pop melodies and waves of synths loops and impassioned vocals.
It’s not long until the end of the year, and what better way to see 2017 through with a playlist from Chelsea Lankes. This one goes out to all the ladies, and is probably one of the best playlists we’ve ever had! Lucky you!
“Here are some favorites over the last couple months including songs from favorite albums this year: SZA, Phoebe Bridgers, YOUTH, Lorde and Wolf Alice. Also I put a few singles from female pop artists I love and respect! To be enjoyed while driving at night, at low key parties, showering or anywhere you might sing really loud alone. 🙂”
…And whilst we have you, give Chelsea’s new track a spin too.
Sounds like: MUNA, Wet, Evvy, Ghost Beach, Kyla La Grange, Ji Nilsson, Tove Styrke, Carousel, Kitten, Nina, Mikky Ekko, Remmi, Cappa
Bien is a Nashville-based dream-pop trio comprised of Jessie Early, and Angela & Tim Lauer (Kaleo, Taylor Swift, The Civil Wars, Foy Vance, Mikky Ekko).
Bien could be categorised into both lo-fi and hi-fi genres, thanks to their clever blend of synthetic and organic sounds, taken from an amalgamation of synths, strings and vocals.
Bien says about new track, ‘Spinning On Blue’,
“There’s so much going on in the world right now, and we really wanted to write something that encouraged people to remember we’re all sharing this planet. It’s our kind of ‘seize the day’ song that reminds us to take in the beauty and wonder of the world and the people around us.”