Los Angeles-based singer/songwriter Phil Good has unveiled an official remix of his latest single ‘Everything’s Good’ from DJ and producer Slow Magic.
He’s kindly taken time out of his busy schedule and put together an ace playlist, which you can listen to below.
Charli XCX, BJ Burton – 7 years
I’ve been falling hard for Charli’s music in the last few years. It’s so aggressively pop and so aggressively experimental, and I feel like no one can do it like she does. This song blows my mind.
Sylvan Esso – Ferris Wheel
Sylvan Esso is one of my favorite bands. I loved their last record “what now?” and was so excited to hear this song “Ferris Wheel” as their first single off the upcoming album. its everything I love about them wrapped into 2:58.
Deaton Chris Anthony – I love all my friends
This song gives me Francis and the Lights vibes but in such a cool and youthful way. I think Deaton Chris Anthony is such a creative force and I love this song.
Flume, Toro Y Moi – The Difference
This song makes me feel all of my feelings and memories from this life and my past 236 lives combined. Something about the sounds and Toro’s voice just gets me goin’.
Phil Good – Everything’s Good (Slow Magic Remix)
This is my song remixed by Slow Magic. I love how he took the previously upbeat and guitar-driven song to a totally new world. makes it a bit sadder and I love me a sad song.
Dijon – rock n roll
I’ve never heard anything like this before and every time I listen there’s something new and fresh for me to discover. The guitar is amazing and his vocals melt my soul.
Toro Y Moi – Who I Am
This is one of my favs on Toro’s latest album “Outer Peace”. I love that this song is so upbeat and simple but the closer you listen to it, the more that gets revealed. It makes me want to party.
Caribou – like I loved you
Another sad bop with the craziest production. I love the synthesized bass/guitar sound and the drums hit harder than a 20-foot bong.
Jim-E Stack, Empress Of – Note To Self
I found Jim-E Stack less than a year ago and then proceeded to listen to his whole discography non-stop for a few weeks. This song embodies everything I love about his production and sound. Makes me feel like going on a road trip.
The 1975 – I Like America & America Likes Me
I love The 1975. I didn’t really care for this song when listening to their album “a brief inquiry..” the first few times, but then I saw them play this live and watched him scream his soul into autotune and it made me cry. Now this song is one of my all-time favs.
Sounds like: Honne, Joseph Salvat, Miike Snow, Glass Animals, Joywave, Just Kiddin’, San Holo
Edinburgh duo Super Inuit make dreamy electronic pop that is also on an experimental plane.
Their music, crafted from mangled samples and synthetic melodies, immediately captures the listener. The latest single, ‘Mothering Tongue’ – which we also think is their strongest to date – is about the truths and untruths we tell ourselves.
Take a listen below.
Sounds like: Chvrches, Kelly Lee Owens, Four Tet, Sylvan Esso, Luna Pines
Dark mountain pop duo Misty Mtn (pronounced misty mountain) shares new single ‘Drive’, taken from their debut EP ‘Missed Your Call’.
As with the rest of the EP, the song is absorbed with lavish synth-pop productions and effervescent vocals. Using five natural elements – moon, fire, water, mountains, forest – Misty Mtn creates a melancholic soundscape full of reflective storytelling.
Sea Girls is smashing it at the moment, getting bigger and bigger gig slots and playing to larger crowds. But perhaps this was the band’s destiny, following front man Henry Camamile’s fateful decision to start a band and play KOKO in London.
The new single ‘Damage Is Done’ is yet another blazing anthem, and perhaps the new soundtrack for the best night of your life.
Sounds like: The Kooks, The Maccabees, Bombay Bicycle Club, Swimming Tapes, Slow Riot, Two Door Cinema Club
There’s a gentle buzz surrounding Brooklyn boy-girl duo Misty Mtn. Comprised of Morissa Trunzo and Lucas Segall, Misty Mtn create “dark mountain pop”, which we can only assume, judging by their music, means enchanting synth-pop and organic harmonies.
Their new single ‘We’ll Call It Even’ is co-produced by Ariel Loh (Yoke Lore), illuminates a narrative that at its core is about the age-old adage: “fake it till you make it”. The band had this to say about the song:
“‘We’ll Call it Even’ is about the hustle of being a creative person in a city you can’t afford. We started the band after meeting in a restaurant where we both worked so this one is extremely personal for us. It’s about the joys of making something out of nothing and remembering where you came from.”
Comprised of Robin French (Cuckoo) and Antonia Thomas (Misfits, Lovesick), these two creatives write seductive bossa nova music paired with calypso pop sensibilities that would fit well on the soundtrack of ‘The End of the F***ing World’.
On the motivation behind Bethnal Green Blues, Robin states,
“Sometimes you write a sad song from a happy moment. This came to me while I was flying to South America to see a girl I’d fallen for. It’s about the emotional ice age after a romance fails, but it was written as that ice melted under the Argentine sun..”
We love an indie anthem, so thank you to five-piece pop-rock, Dancing On Tables.
The band, school friends from school in Dunfermline, a small town just outside Edinburgh, have released ‘Colour Me Good’ – a groove-laced, vintage indie-pop track that encapsulates sun-drenched, dance-able songwriting with a distinct Scottish charm.
Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975
Slenderbodies is a California-bred duo who write forward-thinking, dreamy synth-pop.
Their new single ‘The One’ is intricately subtle musical medication, shared in preparation of their upcoming EP, ‘SORAYA’, to be released through Los Angeles indie label Avant Garden, which is also home to Emotional Oranges.
From summer season to ‘Sad Season’ with former professional cyclist Gavin Haley‘s latest single.
While competing with the national cycling team, Haley suffered an injury that resulted in a collapsed lung, setting back his travel by several months. During his recovery, he explored and found inspiration in Europe’s underground music scene, becoming enamored with energetic live performances filled with a grit and energy.
Starting with a simple West Coast-inspired guitar riff, ‘Sad Season’ soon picks up and exposes determined pop and R&B.
Canadian songstress ROYAL debuts with ‘Vessel’, the first of six new tracks that appear on her upcoming album, ‘Heart of Shadows’.
Covering the topic of heartbreak, loss of identity and raw self-reflection, this is electro-pop at its finest in 2018.
Speaking about ‘Vessel,’ ROYAL says,
“This song is about heartbreak – having to let go of someone you love, and then realizing the emptiness and loss of identity that ensues. I wrote this song it while trying to find myself after getting lost within a relationship for many years and then feeling shattered by the loss of a love I thought would last a lifetime.”
Sounds like: VÉRITÉ, Lana Del Rey, Evvy, Noosa, Dominique, The xx
Last but not least, our favourite breakthrough act – self-taught producer, singer-songwriter and multi-instrumentalist, Von Sell.
After a bout of vocal pain and subsequent treatment, we are pleased to say that Von Sell is on the mend and returning to our stereos with ‘Scene OF A Crime’.
Taken from his forthcoming sophomore EP, ‘Digital Sleep’, the song reflects on unrequited love, but, due to its uptempo nature, it will ultimately leave a taste of confusion in your mouth because you can’t help but dance despite the disconcerting subject matter.
Sounds like: Summer Heart, Hazel English, Teen Daze, Peter Gabriel, Alt-J, Thomas Azier
We do like a good festival, and after hearing that NOS Alive in Lisbon, Portugal is up there as one the world’s best music festivals, we decided to plan a trip in July to find out what all the fuss is about!
In the mean time, buckle up and check out our ones to watch within the indietronica genres (looks like we’ll mainly see you at the Sagres Stage then!).
THURSDAY 12 JULY
Friendly Fires, Sagres Stage
Energetic Brit boys Friendly Fires return to the festival circuit after a hiatus.
Having already had massive success with hits such as ‘Paris’, ‘Jump In The Pool’ and ‘Skeleton Boy’, their new single ‘Love Like Waves’ doesn’t disappoint and continues the theme of tropical-tinged synth sounds.
Expect a highly fun and bold performance at NOS Alive.
One artist we are super stoked to check out live is Khalid.
The American singer/songwriter originally started writing music during his college years, where he was also declared prom king. Amalgamating an array of sounds from classical, pop to hip hop, Khalid shows a real sense of urgency in his music.
We can’t get enough of his track with Billie Eilish, and can’t wait to see him perform at NOS Alive.
Sounds like: Kendrick Lamar, A$AP Rocky, Father John Misty, Frank Ocean, Chance the Rapper, Lorde, James Blake, Billie Eilish
Indie rockers Wolf Alice have been our firm favourites from the UK for some time now. They never disappoint at a live show, fronted by a fresh-faced Ellie Rowsell’s seemingly blasé but endearingly nervous attitude.
Expect a set full of their most brilliant tunes…so that’s all of them then!
Sounds like: Black Honey, Peace, Superfood, Foals, Circa Waves, Harry
Sampha is to be one of the UK’s best musical exports in 2018.
He has a knack for writing songs with deep and personal lyrics of pain and reflection, some of which have unfortunately has stemmed from health hardships suffered with his family at home, and we can’t help but think we are supporting him on this journey.
Truly thought-provoking stuff, definitely worthy of a slot at NOS Alive.
Sounds like: Jessie Ware, Frank Ocean, Solange, Moses Sumney, James Blake, Chet Faker, SBTRKT, Dallas Green
Future Islands‘ front man Samuel T Herring’s dancing is reason enough to go watch these guys at NOS Alive. And of course, the US synthpop band are wildly brilliant in as many unique, refreshing and inspiration ways possible.
Kicking off Saturday’s ones to watch are Lisbon natives, Lotus Fever.
They fit somewhere in-between Alt-J and Pink Floyd and it’s really refreshing to hear. We are expecting a super tight performance, thanks to their longstanding stint together since 2011 and it being their local city.
Their music has tendencies to sway in the 60’s, psychedelic market – imagine riding on a surfboard in space. However, we expect their set at NOS Alive to be a relaxed affair, where you can chill out and have a cider…or ride a surfboard in space, whatever takes your fancy!
Sonic production leads the way for Francis Novotny‘s new single ‘The Wire’.
It’s a brooding, electro-soul song by the Swedish multi-instrumentalist that is extremely reminiscent of JackGarratt or Asgeir, and captures that addictive quality of a nonetheless-toxic relationship, and the feeling (says Francis) “when a person leaves you hanging on without answers – and you know you should get out of it – but you keep winding back towards them.”
NYC-based duo Glassio share ‘Back For More’, a song for anytime of the day!
Built on an orchestral-electronic backbone that nods to the likes of MassiveAttack and Air, the pining, heartsick anthem is a penned love letter to a paramour after a strained relationship has come to a close.
Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs
Rising Canadian R&B artist Ruben Young shares the ever so smooth ‘Bad Habits’.
Speaking of the single, Ruben says,
“I wrote it in the fall of 2015, following my “relapse” for a girl I’d been chasing since I was 16 years old. She’s never been good for me, and I’ve known it all along. We kept our ‘relationship’ a secret, and it became more of an affair. She was my forbidden secret – my bad habit. 7 years later, it all came crashing down. I think everyone’s guilty of falling for someone who they couldn’t get over; even though they knew they needed to. For me, she was dangerous, and I loved that about her.”
First dates are always awkward, even with someone who is as musically experienced as Phil Moore of Bowerbirds.
His solo project, Tuskha, was created with no real intent to release, but for Moore to find reconnect with his songwriting.
“I was feeling stifled by living as this caricature of a songwriter who seemed to have many similarities to me, but was lacking the actual nuance of being a human. I wanted to ignore that guy for a while and figure out what else was inside, and so I spent countless hours with headphones, in the dark, lit by a screen, staying up later than everyone. It took me three years to figure out what I was supposed to be doing, working piecemeal in only the stolen moments of my increasingly busy, scattered days. Coming home and having this music consume me became a way to escape the guts of my daily life.”
7/18 – Phoenix, AZ – Crescent Ballroom*
7/29 – Norman, OK – The Opolis*
7/30 – Kansas City, MO – Record Bar*
7/31 – Minneapolis, MN – Fine Line Music Café*
8/2 – Milwaukee, WI – Turner Hall*
8/3 – Chicago, IL – Thalia Hall*
8/4 – Detroit, MI – Loving Touch*
8/5 – Toronto, ON – Lee’s Palace*
8/6 – Pittsburgh, PA – Club Café*
8/7 – Cincinnati, OH – Southgate Revival*
8/9 – Houston, TX – The Raven Tower*
8/10 – Dallas, TX – Club Dada*
8/11 – Austin, TX – The Mohawk*
8/13 – Eau Claire, WI – Eaux Claires Music Festival
9/10 – Raleigh, NC – Hopscotch Music Festival #