UK-based Georgie shares the expressive ‘Chasing Kites’ taken from her album, out now. Georgie was the first signing to Soul Kitchen Recordings (the label set up by Jake Bugg’s management company: Soul Kitchen), and it’s the only song on the album that she didn’t write or produce during the lockdown. Listen below for that uplifting feel.
Swedish artist and producer Kasbo shares his emotionally-charged new single ‘Play Pretend’. Featuring Ourchives’ soaring vocals, the track marks a new chapter ahead of his second studio album ‘The Making of a Paracosm’ will be out on 23 October via Foreign Family Collective / Counter Records, and features a passionate embrace amongst nature.
American-born French residing Jesse Hite combines music from the West Coast of the US with synth-laden electro inspired by his French antics. His new single ‘I’m Glad You Called Me’ combines poppy hooks with a generous nod to 80s disco.
A new wave of rockstars are taking over, and with Billie Eilish‘s seal of approval, Dominic Fike is making huge waves with his modern take on emo-pop. The track ‘Double Negative (Skeleton Milkshake)’ is one of the more indietronica-friendly tracks taken from his genre-bending new album, ‘What Could Possibly Go Wrong’.
Glass Animals shares the David Wilson (Tame Impala, Christine and the Queens) directed video for new single, ‘It’s All So Incredibly Loud’. Written about three seconds of life, in which during that short heartbreaking moment, devastation creates a deafening silence, followed by a point of no return.
Sounds like: alt-J, Tender, Pale Hands, Foreign Air, Everything Everything, Son Lux
Releasing her first single of 2020, Josefine delights us with her alt-pop track, ‘Let It Go’. Living in Los Angeles, the Rytmus Music High School (Stockholm) graduate is in good company, with previous alumni including global pop icons Robyn, Tove Lo and Icona Pop.
Produced by Martin René (Meghan Trainor, H.E.R, Snoop Dogg, Madcon) the L.A. beach chill track could be her most popular song to date, although this is no easy feat, having racked up over nine million streams from her previous seven singles.
Montreal-based electronic artist CRi is quickly becoming a household name within the ambient electronic scene.
Having already released on TOKiMONSTA’s label, Young Art, and Anjunadeep, his new single ‘Never Really Get There’ is driven by his anxieties and desires for introspection, represented in expansive synths and Jesse Mac Cormack‘s elegant vocals.
Local Crawley band TALU share their new single ‘Take You Home’.
Recording the drums in a warehouse and everything else in their living room and kitchen, the band captures the joy in everyday moments, offering a delightful slither of nostalgia that you’d desire from a modern day indie-pop band.
The musical landscape in 2020 is full of high and heavy production, layers and layers and processed sound to please the listener, and in general, this sounds great. However, it’s a special moment when you can really appreciate a song for its raw authenticity, and that’s exactly what Bjorn Rydhog provides with his latest single, ‘Into Your Heart’.
The track introduces itself slowly, allowing you as the listener to settle into its vibe before Bjorn stuns us with his blissful vocals. Recorded in the legendary Tambourine Studios in Bjorn’s hometown of Malmö (Sweden), the singer takes us on an emotional and relaxing journey with the help from featured vocalist Moa McAllister from Peach Baby.
The video for the melodic track is soft in its visual presentation with gentle beams of colours. Watch below.
Psychedelic-glamour duo Juno Francis shares ‘Queen’s Anthem’, a glistening song with lush disco synth-scapes and dreamy vocals.
The now Berlin-based duo (originally from Sweden) enjoy ocean kissed winds and musical trips to the woods, and the new single is a nostalgic swim in the memory river, back to the roots in the north of Sweden.
Taking a step back is important during these times.
Luckily for us, Charlotte Perrier – aka Big Fox – has released her sophomore album ‘See How The Light Falls,’ an effortless slice of sophisticated pop and melodic folk.
Discussing her new release, the Malmö born artist says, “I thought a lot about the unsaid. All the words that I constantly avoided, held back, and how they slowly created a wall between me and others. As if I was underwater, looking at the sun through the surface. And I finally realized that I was the one stopping myself. So, I think I subconsciously wrote this song to push myself off that cliff, to let love in.”
The album was initially due for release in May 2018 but had to be postponed when the singer received a shocking Lymphoma diagnosis. “It all happened very quickly, and it was almost like entering a parallel world with a different time scale, rules and priorities,” she said.
18 months down the line, Charlotta is better and “slowly reclaiming my life back.” The period of gestation gave the finished album more gravity and significance for the songwriter. “When I listen to it now, I actually like the album even more,” she says. “I have some distance from it. When you’re in the middle of the process, it’s easy to get caught up in the details and not really hear the song anymore.”
The single ‘Let Love In’ is one our favourites from the album – layered with hazy synths, string melodies, and soft effortless vocals, it signifies the feeling of desperately longing to be more open with others and taking new steps to change that.
Sounds like: Cate Le Bon, Aldous Harding, Alice Boman, First Aid Kit, Warpaint
Introducing the new project by Pietro Filippone – aka uomo.
His latest release, ‘All I Hear’, is the first song that Filippone has written by himself for the project. A decent bit of autotune in there, the softer house elements give the song a gorgeously gentle uplift.
Sounds like: Henry Green, Roosevelt, Goldroom, Hayden James, Elderbrook
DJ and producer Amtrac has teamed up with Grammy Award-winning British musician, DJ and producer Alex Metric on vocals in new single, ‘So Afraid’.
Looping vocals contemplate a simple question, “why you so afraid of love?” as Alex Metric’s breathy, enunciated voice lends an edge to the droning synths beneath, forming a steady crescendo of sound and passion that blooms.
UK duo Dirty Nice releases ‘100,000 Heartbeats’. A synth-wave pop at the core, it’s the perfect counterpart to the more lo-fi B-side, ‘Love Team’.
Originally presented as a special Valentines Day release, Dirty Nice sent a number of personalised cards to fans. Continuing this theme on their Instagram, an intergalactic cartoon epic has unfolded with a new card revealed every day.
Sounds like: Elder Island, Camel Power Club, Gorillaz, Everyone You Know, 10 O’Clock Chemical
Rising Danish pop songstress ELBA is making waves.
Starting her musical journey in the local choir at the age of six, it was clear her destiny was singing. Her new single ‘Remember Me’ showcases her powerful vocal range, and perfectly fits with the electro-pop production.
The Norweigan artists are smashing it this week, and it’s truly great to see Emilie Nicolas return.
Showing a new side to her music – less “cool pop” and more reflective – ‘Who’s Gonna Love You’ is centred around the difficulties of letting go of a relationship, succinctly capturing despair, unbridled joy, and the desire to dance.
Young Swedish songwriter Francis Novotny shares the beautiful ‘Someone I Wanted To Be’.
With modern rings of The Cinematic Orchestra‘s ‘To Build A Home’, the cinematic approach to this stripped-back song – about love, regret, and new perspectives – is delicately composed with an emotional piano progression, whilst his vocals take centre stage.
After months of anticipation, Swedish artist STRØM finally unveils his earnest chops, whilst, ironically sharing his new single called ‘Blurred Out’, taken from his debut album, ‘Immortal’ out now via This is Scandinavia / Sony Music.
With a cascading beat of drums and vocal loops, the track gives us an intriguing glimpse into the album.
Sounds like: Ben Khan, TENDER, Solomon Grey, James Blake
Dublin-born Christian Cohle shares his haunting and melancholic debut single, ‘Breathe’.
Mixing majestic synthesizers and driving rhythms, ‘Breathe’ explores the emotional struggle of feeling interlinked with something that turns out to be artificial. Discussing the inspiration behind his new record, Cohle says: “Breathe was predominantly informed by experiences I was going through at the time, but also very much influenced by the neo-noir science fiction film, Blade Runner 2049.”
Sounds like: James Blake, Sampha, Jai Paul, Solomon Grey