Rising star Emanuel shares the powerful new visuals for his latest single, ‘Black Woman’, out now on Universal Music Canada.
Shining a light on Black women, the Jamar Harding-directed video in Los Angeles features women of various ages, shades and lifestyles, as the resilience, beauty and uniqueness of the Black woman’s spirit is portrayed.
“‘Black Woman’ is about reconciliation and also celebration – celebrating how strong our women are and how they hold us up,” says Emanuel. “People might think this song was written as a response to the moment right now but it’s saying the exact same thing it was saying when it was written a year ago – ‘I see you, I recognize you, I appreciate you and I love you’.”
It forms part of Emanuel’s “I AM BLACK WOMXN” portrait series, creatively directed by Ashley McKenzie-Barnes, that puts five influential Black women from Toronto’s artistic and advocacy communities in the spotlight. View the portrait series and vignettes HERE.
Sounds like: John Legend, Dylan Sinclair, Son Little, Michael Kiwanuka
Very much a leftfield psychedelic visual and auditorial journey, former Jamie T guitarist Attawalpa shares the timeless hand-painted visuals for ‘Done Hanging On’, by modern visionaries Alex Gamsu Jenkins and Joe Taylor.
Sounds like: Jude Shuma, Alfie Templeman, Muck Spreader, Leonard Cohen
Strongly influenced by 90’s French touch and techno, two French characters from Annecy, namely Low Bird (vocals) and Jimmy Q (guitars, synthesizers, production) – aka Caspian Pool, blast their contagious electronic cold wave in ‘Special Way Reloaded’.
British singer-songwriter Lissy Taylor shares her alluring single, ‘High’. Echoes of Lana Del Rey ooze from untamed Lissy, amongst the soft guitar riffs, driving rock percussions, and jangling tambourine.
German multi-instrumentalist turned producer, Felix Räuber‘s bold new video aims to turn the preconceptions surrounding autism on its head, as it tells the story of an autistic character, deemed to be an outsider.
Sounds like: Aquilo, Solomon Grey, Son Lux, Nils Frahm, Ulrich Schnauss