The Australian duo MidnightPoolParty are back doing what they do best – bringing classic disco to the fore.
The new single – influenced by PNAU‘s remix of EltonJohn and DuaLipa‘s ‘Cold Heart’ – is a heavy dose of pop, making even the weariest of heads feel undefeated.
London-based multi-instrumentalist and singer George Gretton takes a turn in genre in ‘Morning’ featuring theMIND, ahead of his new EP, ‘Ordinary Life’ out in August.
Made during “a bit of a 90s boom-bap phase,” ‘Morning’ is about the predictability of taking some time out which ultimately leads to becoming a bit of a recluse.
Essex band Black Pines shares ‘SAINT,’ a hugely personal song about grief and loss.
Used as a therapy for the band, it is jam-packed with raw and passionate emotion and continues that rich and shimmering alt-rock direction the band have cultivated for themselves.
Expect their eagerly-awaited new EP ‘Talk Of The Devil’ on 29 July.
British teen and born creative, Griff teams up with Honne on the sincere ‘1,000,000 X Better’. Once again tackling an array of important issues for generations, we say make some room Dua Lipa.
Ed Prosek‘s new single ‘Now and Then’ marks the first chapter in a compelling new story for the talented solo artist. Picking up the folks riffs from his roots, he looks ahead with a fondness towards growing old.
Rising Norwegian alt-pop production duo Jimmy Smash let us loose on their tranquil and groove-rich piece of electronic pop, ‘Under’. For fans anywhere between Jungle and Roosevelt.
Berlin-based Wolf & Moon shares ‘Eyes Closed’. In doing this invigorates some sort of superpower, according to the duo, an ability to awaken the senses that were once sleeping. Try it for yourself.
Sounds Like: James Vincent McMorrow, Lea Porcelain, Xul Zolar, The xx, Bryde
‘Take Your Time’ and smell the flowers. That’s the message in Beau Turrentine‘s latest song, with its woozy and enticing demeanour that channels sweet and blissful dream-pop tones. It’s out now via Terrible Records.
Chillhum shares ‘Waste My Time’ featuring a vocal duet with Devyn Sawyer. It’s another slice of intricate and experimental bedroom pop with acoustic-electric R&B from the budding singer-songwriter/guitarist/producer.
Our favourite producer Roosevelt (aka Marius Lauber) returns with the first new single since his sophomore album ‘Young Romance’ in 2018, and we are OBSESSED.
The new single ‘Sign’ focuses on all things digital, as luscious drum and vocal loops lead us into his spine-tingling world of early house and vintage synth-pop. Sparse and dazzling at the same time, ‘Sign’ is a prime example of Roosevelt’s deft craftsmanship.
Speaking about the emotive new track, he explains,
“I wanted to make something intimate, so I started with these spherical Juno 60 chords. When I added rhythmical elements, I realised that the track could work in a dance music world – I normally record a lot of real drums but stripped this one back to just an 808 beat. A nice contrast between the intimate feeling of the synth and the dancefloor qualities of the vocal sample, bass line and 808 started to emerge. I found it really inspiring to make something that’s initially made for listening alone on your headphones, but that hopefully can come alive in the near future when played out at a dance club or festival and create a form of unity again.”
Sounds like: Cut Copy, Goldroom, Day Wave, The Whitest Boy Alive, Caribou, Tourist, Jagwar Ma, Washed Out, Neon Indian, Du Tonc, Joe Goddard, Classixx
Introducing the new project by Pietro Filippone – aka uomo.
His latest release, ‘All I Hear’, is the first song that Filippone has written by himself for the project. A decent bit of autotune in there, the softer house elements give the song a gorgeously gentle uplift.
Sounds like: Henry Green, Roosevelt, Goldroom, Hayden James, Elderbrook
Bristol-based quartet Tungz combines effortless funk riffs with infectious vocal melodies and indie-pop sounds in new single, ‘Can’t We Just Be Friends Again’, out now via Heist or Hit.
It speaks of the confusion and the weird frustration that comes with wanting to snap back to being happy with someone you’ve only ever really been cool with before.
Sounds like: Ben Khan, Christine & The Queens, Patawawa, Bamily
DJ and producer Amtrac has teamed up with Grammy Award-winning British musician, DJ and producer Alex Metric on vocals in new single, ‘So Afraid’.
Looping vocals contemplate a simple question, “why you so afraid of love?” as Alex Metric’s breathy, enunciated voice lends an edge to the droning synths beneath, forming a steady crescendo of sound and passion that blooms.
UK duo Dirty Nice releases ‘100,000 Heartbeats’. A synth-wave pop at the core, it’s the perfect counterpart to the more lo-fi B-side, ‘Love Team’.
Originally presented as a special Valentines Day release, Dirty Nice sent a number of personalised cards to fans. Continuing this theme on their Instagram, an intergalactic cartoon epic has unfolded with a new card revealed every day.
Sounds like: Elder Island, Camel Power Club, Gorillaz, Everyone You Know, 10 O’Clock Chemical
Norwegian native, singer/songwriter and producer Rebekka Danielsson – aka EKKO – shares the visuals for ‘Off My Mind’.
Highly energetic, glorious pop with addictive melodic hooks and immaculate production this tune ticks all the boxes to be a serious club anthem and floor filler.
Expect her debut EP ‘Symptoms’ out later in the year.
Sounds like: Tove Lo, Chelsea Lankes, Allie X, ALMA, Kim Petras
Rising Danish pop songstress ELBA is making waves.
Starting her musical journey in the local choir at the age of six, it was clear her destiny was singing. Her new single ‘Remember Me’ showcases her powerful vocal range, and perfectly fits with the electro-pop production.
The Norweigan artists are smashing it this week, and it’s truly great to see Emilie Nicolas return.
Showing a new side to her music – less “cool pop” and more reflective – ‘Who’s Gonna Love You’ is centred around the difficulties of letting go of a relationship, succinctly capturing despair, unbridled joy, and the desire to dance.
Stockholm siblings Alva & August Heldt are The Endorphins.
As their name suggests, their feel-good future pop is set to induce endorphins. As they put it – “It’s about love, friendship, parties and sex“, and what’s wrong with that!
Listen to self-expressive ‘Dead Or Alive’ below.
Sounds like: The Magnettes, Banks, Fabich, Pastel, Midnight Pool Party, Keljet
He’s Australian. Based in Los Angeles. And has made a distinctly European turn in his new song.
Harry Nathan‘s ‘Frontin Me’, ladies & gentlemen.
Speaking about the new lo-fi house track, he explains,
“The song was recorded into a 1984 SONY M-10 microcassette recorder. I wasn’t really sure what I was singing, I was just jamming and mumbling, stream of consciousness kind of thing. When entering this kind of trance, my lyrics tend to reflect unsurfaced emotions, and it wasn’t until after I had finished recording that I realised the song was about people that are fake, putting up a façade trying to impress all the time.”
We can’t quite work out if this is filmed before, during or after the party, but with visuals as quirky and comedic as always, we suggest you go check it out!
‘Frontin Me’ is available everywhere now via French tastemaker label, Kitsuné.
Sounds like: Moby, Joe Goddard, Roosevelt, Classixx, Goldroom, Hayden James
Los Angeles-based Australian artist Harry Nathan shares his blissed-out new single, ‘Sweet Release’.
It comes as a surprise to us how much Nathan loves house music. He grew up wanting to be a house DJ, and the new single sees a fluidic connection between soulful lyricism and a stripped-back house influence within the instrumentation.
Listen below.
It’s the first taste of his upcoming second EP, his new lo-fi house project, about a psychedelic relationship.
With its luring bassline and nostalgic vocal-led melodies, ‘Honey Do List’ by Lonely Benson and Low Talker is a heavy, down-tempo and synthy Bossa Nova number.
Combined with the witty, introspective songwriting and instantly memorable melodies of Lonely Benson, the result is a truly collaborative output.
Sounds like: RAC, Goldroom, Tame Impala, Roosevelt
Harry Nathan has once again teamed up with actress Odeya Rush (Ladybird, Goosebumps, Dumplin’) on their third music video together, for ‘Alright’.
The quirky ‘Alright’ involves a tasty disco-filled sandwich falling in love with a croissant – who wouldn’t want to take a nibble on that?
The two have worked side-by-side before, winning 24 independent short film awards worldwide for ‘Fool For Your Love’ and ‘Rooftops’.
The love story was a home-made effort that proved harder than the team had originally thought. Odeya says, “It started off with a simple idea to have Harry make a delicious sandwich. I pitched it as ‘something super easy to make.’ Though, as we got closer to shooting, the idea grew and I knew we couldn’t make something that didn’t excite or challenge us.”
San Diego-based dream-pop band Inspired & The Sleep shares new single, ‘Getting Through’.
With an addictive piano-led melody throughout, ‘Getting Through’ tackles the moment when two formerly close individuals become disassociated and detached from each other.
Swedish feminist and LGBTQ advocate, Ellen Krauss shares her bright video for the country-tinged pop song, ‘On The Bus’; a story full of heartbreak that has a kind of teenage nostalgia to it.
Since the age of four, Ellen has been secretly writing songs in her room in Stockholm, or in South Africa where her family occasionally lived. This is the first song released via BMG Recorded Music through a new partnership with the indie label, Tiller Inc..
Taking cues from modern pop bands The 1975 and Pale Waves, Irish four-piece Milk. creates music that considers many genres, ranging from RnB, to electronic and pop.
The band’s new single ‘Temperature’, does exactly what it says on the tin – raises the heat in a reflection about the unity that’s felt between two people during sex.
Songwriter, producer, vocalist and budding-polymath Bevan shares ‘P.T.L’ featuring the luscious vocals of Holly Moore.
His experimental, disco-infused electronic project seems a far cry from teaching in the coastal town of Bournemouth. Inspired by track catchphrases in 80’s tunes, Bevan decided to create his own catchy number…’Part Time Lover’.
Sounds like: Friendly Fires, Midnight Pool Party, Ok Go, Roosevelt
Introducing super chilled out indie synth-pop trio, Couch Prints.
Originating in various apartments across the world and finally finding a home in Queens, New York, the song ‘Tell U’ reflects a feeling of transience and movement and leaving the past behind; whether that’s moving homes or ending a relationship or just changing yourself day by day.
So stop for a minute. Recline, listen, enjoy.
Sounds like: Porches, Men I Trust, Beach House, The Knife
