Norwegian grammy-winning artist, Marie Ulven – aka girl in red – shares the video from her album favourite, ‘hornylovesickmess’.
A directorial debut from Euphoria star, Hunter Schafer, the video sees Ulven laying in a bus bed, savaged by self-reflective flashbacks depicted through tangles of red tape amongst a construction site.
Rising pop artist Magsy releases ‘Truth Is’, out now.
Firmly routing himself nicely amongst the pop heartthrobs of 2022, it follows on from the phenomenal ‘Noisy Mind’ and once again showcases Magsy’s passionate vocals over a plush instrumental of relaxing synths and groovy beats. A recipe for pop perfection.
Lake District-based, Scottish-born, her musical world is an ethereal-pop landscape bathed in folklore and soaring cinematic melodies. You can listen to her spell binding new single ‘When The Gods Dance’ below.
Nashville bootgaze/indie-rock outfit Creature Comfort share the fuzzy ‘Arcade Fire’.
Not to be confused with the track ‘Creature’ Comfort’ by the band Arcade Fire (a cheeky nod to Arcade Fire unexpectedly releasing ‘Creature Comfort on the same day Clark and his bandmates performed at Bonnaroo Music and Arts Festival in 2017), this is a psychedelic explosion with wavy electric guitar and unrelenting percussion.
Young Australian-based artist Lola Scott transports us to Scandi-pop territory with her new song ‘Take Me Back’.
Written from the perspective of being at the end of a long term relationship, it’s easy to reminisce at how easy it was to dive right into love with no fears.
This frankness in her songwriting is thanks to Scott’s hard work over the last 12 months, as well as learning piano and guitar at an early age, courtesy to her dad’s record collection of new-wave, post-punk synth-pop and alternative rock.
Sounds like: Lykke Li, Billie Eilish, Susanne Sundfør, HAIM, Clairo, Niki & The Dove, Oh Land, The Knife, Broods
Young Midlands-based quartet JupiterMoon is causing a bit of a ruckus.
Their energetic choruses and Asian influenced guitar hooks are written for sweaty, intimate venues. Conjuring up homegrown rock anthems at Blank Studios in Nercastle, their strongest track to date ‘The Reason’ is all the justification you need.
Nashville’s John-Luke Carter, aka Mokita, is a singer/songwriter/producer known for his lyrical and buoyant electronic-based pop.
Classically trained in piano in his youth, he later taught himself to play guitar and eventually transitioned into electronic music production. Taking a rewind to his classical routes, Mokita shares an orchestral version of ‘colorblind’ and it’s spellbounding.
An introvert at heart, Dräger creates unabashed synth pop bangers born from a modern heartbreak.
Co-produced by House producer LEFTI, the single ‘New Life’ marks a fresh start for the singer, multi-instrumentalist, and producer Spencer Draeger, as he uses sounds of the past to channel themes of the modern age, taking a satirical approach to the narcissisms and anxiety illuminated through technology.
Sounds like: New Order, Soft Cell, Holy Ghost!, Dansu, The Cure, White Lies, Cocteau Twins
Following a stint of live shows last year, including Latitude Festival, Caswell releases ‘Surface’, a song of self-discovery and re-empowerment to reach a potential she didn’t realise she had the whole time.
It’s a crisp and clear rendition with definite musical intentions, and sets the tone for her second EP, to be released in April.
Sounds like: Låpsley, Skott, Lorde, Charlotte Cardin, Jorja Smith, JONES, Ray BLK, Sigrid, Maggie Rogers
Meet O Future (fka OOFJ), an electronic duo mixing electronics with symphony orchestra and voice consisting of Jens Bjornkjaer originally from Denmark and Katherine Mills Rymer from South Africa, now located in Los Angeles.
O Future’s new single ‘VOYEUR’ gains pleasure in watching other people’s vanity from afar in what the duo calls a “global turn on”, and with a gorgeously, exciting looping bass line throughout, what’s not to enjoy?
After landing support from the Arts Council England’s International Development fund, Leaone found himself working from Transmitter Park Studios in Brooklyn New York, alongside multi-instrumentalist and producer Tom Marsh (of Lana Del Rey’s band) and Abe Seiferth (Yeasayer, Bears In Heaven, James Murphy), on a body of new material.
The result is ‘Prairie Fires’, a deeply devastatingly emotive song that Leaone wrote at a time when he had to leave behind a blossoming romance.
Last but definitely not least is Girl Crush, the music and fashion project of Swedish/British duo, Ottilia Kjulsten and David Sugar.
These two have a special interest in lost youth, lust-stricken heartbreak and a future that never arrived, which they define as “promcore”. Their new single ‘Baby Steps’ is out now via Brilliance Records.
p.s. Want to be as cool as these guys? Then buy one of their limited edition pieces of merchandise which they offer with every track release.
Sounds like: Niki & The Dove, LOVE SICK, So Below, Ralph, Anna of the North, Call Me Loop, SUMif
RKCB is Los Angeles-based twosome comprised of Riley Knapp and Casey Barth.
Their single ‘Know Love’ is about accepting change, inspired by a book written by Alan Watts during the duo’s time in London, and is full of R&B leaning pop melodies and waves of synths loops and impassioned vocals.
Rising pop artist ADAL shares his new single ‘Synthesize’, featuring the vocals of Alexanderson of XY&O.
It oozes nostalgia combine with forward-thinking pop sensibilities, and there are even more exciting times ahead for ADAL – he is currently writing a debut album, with an array of featuring vocalists which include FREJA, Indiana, Farida and NINA.
UK trio STITCH are giving London Grammar a run for their money with ‘Goodbye Highline’.
The mid-tempo track is about that tricky middle moment where you look back nostalgically on a love lost, but also welcome the bright future ahead. It contains 150 layers of strings, all of which were recorded by band member Kye in their shared living room.
Expect their ‘Welcome To The Dream’ EP in March.
Sounds like: London Grammar, Jessie Ware, Nimmo, Kudu Blue