Tag Archives: Nashville

Spazz Cardigan – S.O.S.

Spazz Cardigan

Spazz Cardigan is another exciting artist from Nashville who leans on the slight left side of pop, and it’s no surprise considering his wide array of influences spanning Queen, NSYNC, Kanye West to Björk, David Bowie to Sun Ra.

A classically trained piano player, Spazz Cardigan is also self-taught at guitar, bass, drums, and production. His new single ‘S.O.S.’ is catchy indietronica with popular vocal chants and a steady and highly contagious clap that ticks gently throughout the song.

Listen below:

Expect his ‘Vulnerabilia’ EP out on 22 March.

Sounds like: FUN, Myylo

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Myylo – Jonesing

Myylo - Jonesing

We are loving Nashville-based artist Myylo and his finely-tuned, unique take on pop.

With a series of releases under his belt, the emerging pop act looks to cement himself as a consistently genuine artist with his latest offering ‘Jonesing’. After participating in a week-long Telluride, Colorado writing trip with Mike Posner, and another with Baby Face and Spotify Secret Genius, he shares his rhythmic and playful take on a typical love story, about a boy who is ” just too damn far away”

Sounds like: FUN

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Playlist: Charlee Remitz

Charlee Remitz

Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

Charlee has put together a playlist together for Indietronica. Check it out below!

Troye Sivan – SUBURBIA

I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.

Lorde – Homemade Dynamite

Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.

Hayley Kiyoko – Sleepover

This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.

Ariana Grande – Thinking Bout You

I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.

Aly and AJ – Take Me

This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.

FLETCHER – You Should Talk

I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”

Katelyn Tarver – You Don’t Know

Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.

John Mayer – In Your Atmosphere

The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.

Taylor Swift – Call it What You Want

A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.

Lord Huron – Lost in Time and Space

I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.

Sounds like: Dominique, CAPPA

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CAPPA – Waste My Time

CAPPA - Waste My Time

CAPPA doesn’t like people wasting her time, and we don’t blame her. There are too many time wasters in this goddamn industry.

But how does CAPPA manage to declare this so elegantly in her new single ‘Waste My Time’? It’s gotta be because of her distinguished soft voice, which we love her for.

Listen below.

It’s out now via Congo Records.

Sounds like: Lorde, Lana Del Rey, HOLYCHILD, Purity Ring, Washed Out, Say Lou Lou, The Knife, M83, KLOE, Druzy, Taylor Swift, The Knife

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New Carnival – Solid Gold

New Carnival

Bristol quartet New Carnival have just dropped ‘Solid Gold’.

‘Solid Gold’ a luscious indie rock ballad with a fiery underbelly. Much like the fascination of gold itself, the track draws listeners in, immediately turning them into a hypnotic state as lead singer Max Radford purrs “come a little closer, move a little nearer”.

You can catch them at the Omeara in London on 21 September.

Sounds like: Arcade Fire, Foals, The Maccabees, Coldplay

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Mushroom People – Wisdom Talk

Mushroom People

Mushroom People is a German electronic trio who all used to be in rock bands.

With some decent remixes under their belt (including XYLØ, NoMBe, Rainsford), Mushroom People have released their own track called ‘Wisdom Talk’, which sways more towards the contemporary pop sound than rock, although if you listen carefully you may find some powerful influences in there.

Sounds like: Salt Ashes, NoMBe

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Swim Season – Collide

Swim Season

Melbourne-based five piece, Swim Season, share their most addictive track yet.

A synth pop explosion, ‘Collide’ invites listeners to join singer James on a journey of escapism.

Listen below.

Sounds like: Honne, ISLE, Skies, Two Door Cinema Club, The Wombats, High Tyde, The Griswolds

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JOME – Crystalline

JOME

JOME is the project of Los Angeles-based songwriter, Jesse Marc.

He has teamed up with New Orleanian writer/producer Christoph Andersson (G-Eazy, Olivia O’Brien, Monopol) on ‘Crystalline’.

JOME explains, “Crystalline is a song about getting away from our modern addictions to technology and immediacy. It was written for someone really close to us who was going through a tough time, as a reminder that everything will settle in time.”

Sounds like: Washed Out, Summer Heart

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Trevor James Tillery – Lonely With You

Trevor James Tillery

Nashville-based artist Trevor James Tillery shares ‘Lonely With You’.

It’s another enriched pop track with delicate production techniques that encourage new fans to take listen.

Expect his album ‘Together.Alone’ very soon.

Sounds like: Youngr, James Blake

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Bien – Flashback

Bien - Flashback

Nashville-based dream pop trio, Bien share the beautiful new single, ‘Flashback’ with a distinct Scandinavian feel.

Elegant pop hooks and an amalgamation of lo-fi and hi-fi sounds perfectly encompass the sensory-overload of emotion you find when, out of nowhere, you are hit with memories that remind you of a person or time in your life.

Sounds like: Lykke Li, First Aid Kit, Susanne Sundfør

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Trevor James Tillery – Numb

Trevor James Tillery

Introducing your next favourite electronic act, 28 year old Trevor James Tillery.

Whilst he currently resides in Nashville, TJT has moved across the US, and there is no denying that this has influenced his sound, which blends raw instrumentation with enriched electronic pop.

His new track, ‘Numb’, is a shout out to the oppressive powers that be. It has been co-written with Grayson Proctor (Biyo) and produced by Joshua D. Niles.

Sounds like: James Blake

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Bien – Spinning On Blue

Bien - Spinning on Blue

Bien is a Nashville-based dream-pop trio comprised of Jessie Early, and Angela & Tim Lauer (Kaleo, Taylor Swift, The Civil Wars, Foy Vance, Mikky Ekko).

Bien could be categorised into both lo-fi and hi-fi genres, thanks to their clever blend of synthetic and organic sounds, taken from an amalgamation of synths, strings and vocals.

Bien says about new track, ‘Spinning On Blue’,

“There’s so much going on in the world right now, and we really wanted to write something that encouraged people to remember we’re all sharing this planet. It’s our kind of ‘seize the day’ song that reminds us to take in the beauty and wonder of the world and the people around us.”

Sounds like: Lykke Li, First Aid Kit

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Jake McMullen – Falling

Jake Mcmullen

Imagine if Ben Howard was transported back to the 80’s in a time machine and you’d be pretty close to imagining what Jake McMullen sounds like.

‘Falling’ maybe a little more upbeat than his last track, ‘Giving Up’, but it still has Jake’s classic folk-inspired lyrics. The honesty found in Jake’s music is something that beautifully shrines through alongside his engaging vocals and retro synths.

It has been produced by MYZICA’s Micah Tawlks.

This is the third track off of his new album that’s set for release on 21 April.

Sounds like: Ben Howard, Foals, Blood Orange

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Charity – Metal Boy

Charity - Metal Boy

Charity – Metal Boy

That’s it. We’re saying it. Nashville is the new city of electro-pop.

Cue Charity, a singer and self-taught producer.

Taking inspiration from ‘Blade Runner’, her new release, ‘Metal Boy’, has lush, whispering vocals layered over some sweet analog synths. Listen below.

Sounds like: Monogem, Noosa, Evvy, CAPPA, Chela, Kimbra, Dominique

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