It’s a shout out to everyone who struggles with anxieties of daily life, a supportive song that urges you to maintain your passion and drive, something that LOVE SICK are very much doing within the music industry.
Vintage keys and delicate vocals highlight ‘Eventually’ by Me Not You as a short and sweet song that is straight to the point.
Speaking of the track, “…it’s a personal song for me… a sort of hyping up of myself to the idea of squashing the beef with someone. the baggage of relationships can linger, and it does no one any good to keep that shit around.”
Do not be deceived, ‘Strange But True’ by Western Scene is not a Christmas song, despite the countless bells and chimes in the song. Instead, it is a call for decent music.
Formed by front man Tom Pritchard in Los Angeles, Western Scene is an indie rock band through and through, spending years self-producing music that has been written and recorded in bedrooms and studios across the coast.
‘Strange but True’ is out now via Grand Jury Music.
Melbourne-based folktronica artist BATTS returns with her beautiful new single ‘Somedays’.
Using space as a reference (specifically the NASA recording of Saturn’s rings), ‘Somedays’ showcases BATTS’ knack of creating psych-tinged pop that is extremely grounding, but also feels otherworldly at the same time.
Expect her mesmerising and melancholic debut EP ’62 Moons’, to be released through the newly announced THAA Records.
Sounds like: London Grammar, Ficci, GEMS, MS MR, Daughter, James Blake, Jon Hopkins, MØ, SOHN, Broods, M83
Wow, ‘You’ is some serious spine tingling stuff from Dream Estate, an exciting ambient pop outfit on the scene.
The band was originally founded by William Tse in 2015, but later was joined by Dan Hvorostovsky (bass, backing vocals), Dan Noble (lead guitar, backings vocals), and Joe Dawson (drums) in 2017. Since then, the band have been working alongside producer Sam Winfield (Fickle Friends, Pixel Fix, Amber Run, Motherhood).
Introducing Los Angeles-based duo LAYNE (aka lead-singer/guitarist Layne Putnam and drummer Alex Rosca).
Their new song ‘The Fog’ follows on from the viral success of their previous two singles, ‘Good’ and ‘Somebody’, and has everything you’d want from a decent electro pop track – lush vocals, bright lyrics, and catchy hooks sculptured around modern production.
Moscow based Boneage share curious new track ‘G.N.P.M’ which stands for ‘Good Nights – Pale Mornings’. It follows on from the spiritual single, ‘Crystal Rainbows’.
Speaking to the duo, we were told ‘G.N.P.M’ is about MDMA (also the name of their EP – ‘My Dreams Mean All’, out now) – that feeling you have when you are high, followed by the downward spiral of reality the following morning.
We’ve been fans of New Zealand talent, So Below, for a while now.
We wanted to find out what helps So Below write her incredibly reflective, dark electronic pop, so what better way than her expressing it in a playlist?
“In this playlist I feel like a have a memory or feeling associated with each song, they all have a nostalgic quality to them. Like The Dodos track for example makes me think of sitting on my mums roof at her old house in Auckland and drinking beers with my friends in summer. Or the Trentemoller track makes me think of waiting at the bus stop for the bus to go to work and its pouring down with rain. All such great songs!”
Sounds like: Raindear, Kate Boy, The Naked And Famous, MUNA, Ofelia K, Monogem, Bo Rocha
RAINSFORD is the solo project of Los Angeles-based Rainey Qualley.
Don’t worry, she doesn’t have a penchant for elderly people getting it on in a park – as seen in the video for her new single, synth pop gem ‘Rendezvous’ – but rather enjoys seeking inspiration everywhere,
“I wrote Rendezvous with my best friend/producer Nick Dungo last summer in Prospect park. We were taking a break from the studio to get a little sunshine and fresh air when we stumbled upon something very inspirational. Less than 20 yards away from us there was a couple who were very hot for each other, passionately making out, rolling around on top of each other in the grass…only they were probably in their late 60’s. Which we found equally delightful, intriguing, and kind of gross. We playfully messed with them from a distance for a while singing Marvin Gaye, and coming up with pretend scenarios which could have led them here (Were they cheating on their spouses? Probably.) Ultimately we went back to the studio with our eyes and minds deliciously stimulated, and Rendezvous is the result.”