He’s Australian. Based in Los Angeles. And has made a distinctly European turn in his new song.
Harry Nathan‘s ‘Frontin Me’, ladies & gentlemen.
Speaking about the new lo-fi house track, he explains,
“The song was recorded into a 1984 SONY M-10 microcassette recorder. I wasn’t really sure what I was singing, I was just jamming and mumbling, stream of consciousness kind of thing. When entering this kind of trance, my lyrics tend to reflect unsurfaced emotions, and it wasn’t until after I had finished recording that I realised the song was about people that are fake, putting up a façade trying to impress all the time.”
We can’t quite work out if this is filmed before, during or after the party, but with visuals as quirky and comedic as always, we suggest you go check it out!
‘Frontin Me’ is available everywhere now via French tastemaker label, Kitsuné.
Sounds like: Moby, Joe Goddard, Roosevelt, Classixx, Goldroom, Hayden James
Dan Croll returns with the release of double A-side single ‘Yesterday’ and ‘Stay In L.A.’ through Communion Records.
Following a transition to California from Liverpool two years ago, Croll’s writing has taken a more sunny demeanor, although there still remains a contemplative undercurrent with a gentle nod to his home town.
Sounds like: Sufjan Stevens, The Beatles, Elton John, Bombay Bicycle Club
Started by London-based Zygmunt Day, Joe Hyam and Nathan Kerntiff in 2019, Bad Progress is an experimental and refreshingly practical project that focuses on “the blend of musical styles playing in pubs and out of car windows in London” in a timeless and often scrappy style.
Their philosophy is “just make it easy”, which can be seen in their EP, ‘Moody Bangers’, out now.
Sounds like: Fontaines D.C., Black Midi, The Clash, Black Country New Road
Los Angeles-based Australian artist Harry Nathan shares his blissed-out new single, ‘Sweet Release’.
It comes as a surprise to us how much Nathan loves house music. He grew up wanting to be a house DJ, and the new single sees a fluidic connection between soulful lyricism and a stripped-back house influence within the instrumentation.
It’s the first taste of his upcoming second EP, his new lo-fi house project, about a psychedelic relationship.
Harry Nathan has once again teamed up with actress Odeya Rush (Ladybird, Goosebumps, Dumplin’) on their third music video together, for ‘Alright’.
The quirky ‘Alright’ involves a tasty disco-filled sandwich falling in love with a croissant – who wouldn’t want to take a nibble on that?
The two have worked side-by-side before, winning 24 independent short film awards worldwide for ‘Fool For Your Love’ and ‘Rooftops’.
The love story was a home-made effort that proved harder than the team had originally thought. Odeya says, “It started off with a simple idea to have Harry make a delicious sandwich. I pitched it as ‘something super easy to make.’ Though, as we got closer to shooting, the idea grew and I knew we couldn’t make something that didn’t excite or challenge us.”
Dream-pop story teller Harry Nathan has just shared his debut EP, ‘Songs About Dreams About Her’, a piece of work true to himself.
A complete DIY project, the Australian producer/singer/songwriter/DJ ends the five-track EP with ‘Blue Eyed Girl,’ a closing and contemplation on the relationship as well as a little peek into the sound and direction of Harry’s production evolution on his next project.
Introducing 22 year old Swedish songwriter Naah, who has dropped an absolute banger with C. Gold, called ‘Wake Up’.
A background in the indie rock and pop world, Naah’s release is refreshingly catchy. Not wanting to be pigeonholed as pop or electro, Naah has born a love child of modern dance-music and old-fashion disco.
Sounds like: Whethan, Daft Punk, Tove Lo, Terror JR, Ninajirachi
Máni Orrason – I Swear It’s True by Yannic Pöpperling
We are extremely excited about the first of this week’s gems! The Icelandic “cowboy baby angel” Máni Orasson returns with a reflective video about love in ‘I Swear It’s True’.
The visuals typify the hardships Orrason bravely struggles – agonizing fears for the future, unfulfilled longings, obstacles that life throws in the way of those in love – all within a beautiful, glitter-filled backdrop.
Australian singer/songwriter Harry Nathan releases his new single, ‘Sweet Vanilla Sky’.
Created following a break-up, the bohemian dream-pop song has bittersweet energy, which effortlessly resides between the lines of reality and fantasy, as Nathan explores love, loss, longing and remembrance.
…and what a way to finish off this week’s gems! Gorgeous, driving disco-pop courtesy of Finnish artit Onni Boi.
It’s rare to get a warm euphoric feeling that can instantly take over the body, but ‘Tides’ does just that. Boi has achieved the ability to make the whole room dance with his playful machine beats, as well as offering a shoulder to cry on.
Sounds like: Flight Facilities, Joe Goddard, Prince