School of X (aka Rasmus Littauer) shares the visuals for new single, ‘Forgot Me on the Moon’.
What starts off as a sombre beginning, soon turns into an uplifting slice of pop.
Ten years ago, a much younger Littauer first wrote the chorus to an unfinished song out of anger, unable to take the initiative of moving on from a fading love. However, the song now shows a newfound sense of resolve in the face of heartbreak and confusion.
His debut album ‘Armlock’ is out next week.
Sounds like: Augustine, MØ, Máni Orrason, Soleima, Goss, Mura Masa, Clairo, Röyksopp, Lo Moon, Mew, Thomas Azier
Following the extremely well-received release with Lord Silva, School of X releases ‘Bad Love’.
Inspired by Eks-skolen – an anti-establishment art collective that was based in Copenhagen in the 1960s – the emo-tinged song by School of X’s Rasmus Littauer (MØ, Liss, Clairo) is about the loss of trust or faith.
Born from a remote connection via Instagram and a mutual love of big cats, London-based Welsh/Finnish electro-pop duo Rochelle and Vee are Tigerpunsh.
Brand new onto the scene, their single ‘Shade’ holds a bursting energy throughout, with delicate Eastern synths and experimental pop elements. A great start to what could be a very exciting future for the girls!
Sounds like: Broods, EXES, MS MR, Vera Blue, RAINDEAR, Nova Club, Georgia
Having entered the music scene from the early age of 17, this rising star has already received national recognition within the UK.
In his signature soul-infused, pop sound, HUDSUN’s latest offering ‘Shutdown’ speaks of the frustration in attempting to break someone out of an emotional prison they have created for themselves wrapped up.
The multi-faceted talents create infectious, experimental pop in their basements studio in a London warehouse. They also run their own underground audiovisual club nights, as well as producing and remixing for other artists.
Napoleon Gold – Love Don’t Cut Me Down (feat. Haiva Ru)
French-born Antoine Honorez aka Napoleon Gold returns with his latest single ‘Love Don’t Cut Me Down’ featuring the vocals of Haiva Ru’s Allie Merril.
The track can be compared to an 80’s Fleetwood Mac song that’s been given an electronic boogie re-skin.
Speaking of the unique late-night feel of his music, Napoleon credits his life-long struggle with insomnia, “During my first year in Brussels for university, my insomnia became more and more frequent. I remember staying awake night after night, making music, watching the sunrise from my music desk – it had this beautiful orange and golden colour, I knew seeing this colour meant I had once again failed to sleep, but it also symbolised a new day, a new beginning. I decided to name that colour ‘Napoleon Gold'”.
Sounds like: Goldroom, Chela, RAC, Le Youth, JackLNDN
Grammy-Award nominated producer and vocalist, and Mura Masa collaborator, Tom Tripp returns with his latest single ‘TAM’, the first release off his forthcoming project ‘FLAG’.
The electro-laced funk track started life back in 2016, undergoing various iterations on Tom’s Laptop until a session with Grades earlier this year led to a final version that the self-proclaimed perfectionist was finally happy to share with the world.
Nashville-based alternative pop act, Daniella Mason, is back with a dreamy new visual that continues her ‘Mental State’ EP and ‘State of Mine’ sound series in which she aims to explore different parts of our humanity.
With her latest music video release – shot and edited by Dylan Reyes – Mason aimed to create a dream sequence that visualises the feeling of wandering throughout her mind and expands on its aimlessness.
Sounds like: Imogen Heap, The Japanese House, Robyn, Maggie Rogers, Billie Eilish, George Gretton, Luna Pines
This is an absolute banger – ‘Afterglow’ by Tailor featuring Lizzy Land.
Tailor is a Birmingham based songwriter who has collaborated with the likes of MØ, Peking Duk, BETSY, Blithe and CallMeLoop, and now Los Angeles-based singer/songwriter Lizzy Land.
The track showcases Tailor’s innate ability to lay down addictive vocal productions and toplines in a refined pop manner.
Speaking about the track, he states:
“Afterglow is about being in the moment with someone, but with the bittersweet feeling that comes with knowing it might all end. You want to re-assure them that you’ll still be there after the party stops, but can’t really know for sure… so you stay with it for as long as you can.”
Amille might be a new name on your lips, but the Stockholm-based pop artist-in-the-marking has been writing and producing her songs for nearly a decade, even if her best friends didn’t know about it.
Her sound is vocal-focused, self-empowering pop with a moody slant, coming from a place of meaning. You can listen to her single ‘Detox’ below – it’s about the bittersweet taste of an unhealthy relationship.
Sounds like: Sigrid, Years & Years, Harlee, MØ, Tove Lo, ALMA
The first time listening to Uffie‘s ‘Pop The Klock’ was nine years ago and it simply blew our minds. We couldn’t get enough of the French-American’s experimental and nonconformist pop sound. The original modern pop star.
Fast forward nine years and Uffie has definitely not lost her sparkle. Listen to her straight-up pop single, ‘No Regrets’ below.
One of our ones to watch for 2019 is Wild Moccasins, a beautifully crafted band fronted by the magnificent Zahira Gutierrez with her notable soaring pop melodies.
Their new single ‘Doe-Eyed Dancer’ is taken from the ‘Look Together’ album, which is a resilient and volatile break-up record co-written by Gutierrez and guitarist Cody Swann after their decade-long romantic relationship dissolved.
Listen now and be prepared to click ‘repeat’ over and over again.
Sounds like: Tennis, Oh Land, Wild Ones, Tame Impala, Anteros
KIDDO Feat. Decco – Drunk And I Miss You (Arturs Lapins Remix)
We don’t usually support remixes on the site, but it’s been a tough week and this track has got has raring to go for the weekend. It’s Arturs Lapins‘ remix of ‘Drunk And I Miss You’, by feisty Stockholm-based artist KIDDO
Sliced and diced into a more chill-hop vibe, check it out below.
We are intrigued by Belfast-based singer/songwriter Rebekah Fitch and her seemingly effortless avility to push artistic boundaries whilst still slotting into the mainstream with her memorable melodies.
Tinkering with 80’s pop and rock sensibiities, her new single ‘Poison’ considers the way we are taught to think and what we are taught to value by society, as well as the topic of control, stopping us from becoming the fullest version of ourselves.
Caymanian-born, London-based R&B newcomer Maeve shares the striking visuals for her new single ‘Eden’.
Directed by Black Dog Films‘ filmmaker Jade Jackman, choreographed by Liv Lockwood and styled by designer Asai (Dazed 100), the hallucinogenic and bestial video borders between what is real and what is not, conveying a sense of abandonment and isolation found in a toxic relationship.
The song is taken from her debut EP ‘Beasts’, out now.
Golden Vessel (aka Max Byrne) returns with ‘Moonstone’, featuring friends Elkkle and Akurei.
The upbeat track once again incorporates Byrne’s signature cross-genre style, and futuristic production.
‘Moonstone’ is inspired by the historical investigation of missing moon rocks from NASA trips into space on Apollo 11. Legend has it that the specimens once brought back to earth in 1969 were distributed across the world in the famous Goodwill Moon Rocks initiative, only to, nearly 30 years later, have mostly vanished or become untraceable.
Sounds like: MØ, Brolin, The National, Gang of Youths, Bon Iver, Alex Vargas, TENDER, Kanyon, REFS
Sonic production leads the way for Francis Novotny‘s new single ‘The Wire’.
It’s a brooding, electro-soul song by the Swedish multi-instrumentalist that is extremely reminiscent of JackGarratt or Asgeir, and captures that addictive quality of a nonetheless-toxic relationship, and the feeling (says Francis) “when a person leaves you hanging on without answers – and you know you should get out of it – but you keep winding back towards them.”
NYC-based duo Glassio share ‘Back For More’, a song for anytime of the day!
Built on an orchestral-electronic backbone that nods to the likes of MassiveAttack and Air, the pining, heartsick anthem is a penned love letter to a paramour after a strained relationship has come to a close.
Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs