Lay down some vocals, come up with a great disco sound, and party all night long. Jobs a gooden right? Sure, if we are talking about Exmag, as things seem to be super breezy at the moment with this funky hip-hop trio.
In their new video for ‘In This’, which features vocalist Ehiorobo, things are just that. Chilled with celestial harmonies and nostalgic guitar riffs that take you somewhere. You’re not entirely sure where this place is, but you know it’s good.
Speaking of the track, Exmag explains,
“We’re really stoked about this release. We had a great time getting to know Ehiorobo, and producing the track and video for “In This” was a really effortless, communal process…‘In This’ came together really naturally. Ehiorobo was a perfect fit. Everyone came together and we actually had the great party that is being depicted in the video. A big thanks to Ehi, Nesmith Films, and our awesome friends who made this whole production happen so effortlessly.”
It’s part of a two-track release called ‘Glimpses of a Vision’, out now via Majestic Casual Records.
Reinvented Sydney-based, folk singer Nathan Hughes is KESMAR.
Working towards a more disco-orientated sound, with romantic bass lines and swirling synths, his new single ‘Feel It Again’ explores the darker side of romance, inspired by KESMAR’s recent breakup at the time.
Mysterious UK-based duo Weslee share their visuals for ‘Boy Like You’.
Another lip-smacking and dreamy song, the Alexandra Gavillet-directed video for ‘Boy Like You’ takes inspiration from Kanye West and centres on the infatuation of the lead male figure through a series of personal camcorder style shots filmed around a hazy American summer.
Sounds like: Ben Khan, Kacy Hill, Blood Orange, Wet, Off Bloom
Rising Swedish teenager Amanda Mair shares ‘Empty Blockings’.
In the video, Amanda broaches the highly important topic of anxiety and depression,
“I wanted to show the feeling of the continuously searchers desperation. The every day hope for running away from anxiety and sorrow but the faith is to weak and puts you in a circle of running and running until you don’t know what you’re running away from.”
Standing firmly on his own two feet is the young Copenhagen-based Vera (aka William Asingh).
His latest single, ‘Nobody Else’, was a collaborative effort with Off Bloom, and is influenced by the Caribbean novel ‘Wide Sargasso Sea’ by Jean Rhys, which is about a landowner’s Jamaican wife who is locked up in an attic for allegedly being mad.
The ‘Good Job – No Conversation’ EP is released on 8 December through Ultra Records/Ministry of Sound.
Finally, we have the brilliant new indie-pop trio from Portland called Year of the Brother.
We are particularly excited about these guys as they seem to have something special about them. Perhaps it’s the soaring, yet delicate production? Perhaps it’s the on-point falsettos? Or perhaps it’s the enticing lyrics? You decide.
LCAW (aka 22 year old Leon Weber) is sharing an interesting message in his new track ‘Staring at the Sun’, which features the lush vocal tones of New York City-based singer/songwriter, Sophie Hintze.
“‘Staring At The Sun’ has a clear message – If you feel trapped in a place or a situation you need to break free, pack up your things and just go. The Sun is quite symbolic in this picture, on the one hand it stands for hope, a better future, adventure; and on the other hand it is a burden. Staring directly at the sun for too long blinds you, leaving you on a path without navigation. The lyrics embrace a loss of direction. Hypnotised by yellow lines, moving faster than the speed of light, renegades without a plan. In the end it’ll be worth it.”
It’s out now via Ultra Records / Columbia Records.
Joshua Moriarty may well be best known for his role in Miami Horror, but he is branching out with his own solo project.
His debut track is called ‘R.T.F.L.’ and, whilst there are still clear Miami Horror influences, the overall sound is unfamiliar, as sensual, elongated synths play with Joshua’s impatient vocals throughout.
Joshua explains about the project,
“My current ethos is to create compositions to arouse the senses and make one remember there is no real purpose on this planet other than to imbibe as much sensual pleasure as one can. It is music to make you feel (at least for a moment) that you are not alone, to capture in aural form the ephemeral grace of existence. Yet, on the other hand the music is mere art for art’s sake, completely useless, beautiful for the sake only of beauty. A dichotomy of point and pointlessness. War Is Over is designed as a modern day opus of existential desire, longing, sensuality, and what it means to human.”
It is the first single taken from his eight-track album, ‘War Is Over’, which is due for release in August.