Tag Archives: Massive Attack

Playlist: Austel

Austel

London artist Austel creates highly emotive music, so we thought it would be worth asking her to put together a playlist for us of the same! The result is below, and includes her brand new single ‘Crows’.

Crows – Austel

Our debut single, which we’re very excited to be able to share with the world.

Love Me In Whatever Way – James Blake

I had this album on repeat for months after it came out. I love the recurring vocal riff and building tension in the first half of this track. The drop is immense – that saw bass synth riff… so good.

‘Tell me when I have to go / And then love me there’

The End – Daughter

This track embodies everything I love about Daughter – Elena’s cutting lyrics, their trademark washes of guitar and ever-evolving sections and poignant vocal chants.

‘Let’s spend the future talking about the past’

Dry and Dusty – Fever Ray

I’m a big fan of the self-titled Fever Ray record and Karin Dreijer’s androgynous vocal style. On ‘Dry and Dusty’, she combines her tribal voice with developing synth motifs and simple percussion, conjuring a surreal, dream-like mood.

‘I am a capsule of energy’

Sugar Pill – The Japanese House

This track opens with delicate, melancholic piano chords but soon evolves – introducing Amber Bain’s washes of vocoder-treated vocals, glitchy beats and expansive synths.

‘You can use my ribcage as a pillow’

Hazmat Suits – Kyle Dixon & Michael Stein

I went through a stage of being a bit obsessed by the Stranger Things soundtrack – it’s so hypnotic. The bass synth glide on ‘Hazmat Suits’ is huge and hits me in the stomach every time.

Form By Firelight – Jon Hopkins

Jon Hopkins’ Immunity is a huge sonic influence on us; it has so much life amongst all the electronic sounds. It’s just brilliant.

This Mess We’re In – PJ Harvey

One of my favourite songs of all time, on one of my favourite albums of all time. The addition of Thom Yorke’s ghostly vocals are a dream collaboration.

‘I have seen the sunrise over the river, the freeway / Reminding of this mess we’re in’

Outlier – Bonobo

Bonobo’s music has a great driving, energetic feel to it. Adam and I were both obsessed with Migration when it came out. The track ‘Outlier’ builds really strongly adding layer after layer. Tracks like this really influenced the Austel production process.

Sleaze – Klangstof

One of my more recent discoveries – I love the expansive space Klangstof create with those pulsing synths and soaring hooks.

‘The tide needs a night to set up and collide’

Europe Is Lost – Kate Tempest

Kate Tempest is one of the most powerful performers of our time – the rising tension and cutting message of this track is profoundly resonant, and a haunting reflection of the days we’re living in.

‘We have learned nothing from history / The people are dead in their lifetimes’

Silhouettes (I, II & III) – Floating Points

Adam’s a big Floating Points fan. ‘Silhouettes (I, II & III)’ has this amazing string part in the middle section which is a wonderful merger of electronic and acoustic instrumentation.

The Eraser – Thom Yorke

This whole record is incredible, another one of my favourites. The opening title track is Thom Yorke at his best – trademark moody piano chords, glitchy rhythms and those beautiful, haunting vocals.

‘You know the answer so why do you ask?’

Teardrop – Massive Attack

‘Teardrop’ was my entry ticket into trip hop. Elizabeth Fraser is one of the greatest singers of all time and this track perfectly exhibits how much power you can create with moments of fragility and dynamic range.

‘Water is my eye / Most faithful mirror’

Sounds like: Kllo, IDER

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Weekly Gems 36

Francis Novotny – The Wire

Francis Novotny

Sonic production leads the way for Francis Novotny‘s new single ‘The Wire’.

It’s a brooding, electro-soul song by the Swedish multi-instrumentalist that is extremely reminiscent of Jack Garratt or Asgeir, and captures that addictive quality of a nonetheless-toxic relationship, and the feeling (says Francis) “when a person leaves you hanging on without answers – and you know you should get out of it – but you keep winding back towards them.”

It’s out now on Black Butter Records.

Sounds like: Jack Garratt, Asgeir

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Dead Sea – Know Where

Dead Sea

Dead Sea is a four-piece French band who craft dreamy and magnetic post-pop songs.

Their new release, ‘Know Where’, does exactly what it says on the tin – it’s hypnotic and joyfully melancholic.

They’ve just been on tour with Slowdive and they will support Editors next April.

Sounds like: Beach House, Slowdive

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Two Legs – Don’t Tell

Two Legs

One thing we are certain about is our dislike towards uncertainty, and it seems UK artist Two Legs feels the same.

His wistful dance single ‘Don’t Tell’ is the first of three releases this year, and has a “give a fuck” mentality that we love.

Sounds like: SAMA, Moderat, Tycho, Joe Goddard

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KUZO – Monsoon

Kuzo

Los Angeles-based duo KUZO are back with their new single, ‘Monsoon’.

Blissful and cool as ever, KUZO once again deliver a combination of emotionally driven blends of sound and sultry tones.

Sounds like: VÉRITÉ, Noosa, EZA, Paperwhite

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7Chariot – Danger In Me

7Chariot

We are super excited about the new signing to 0E0E (pronounced: naughty naughty) called 7Chariot (aka Nashville based 20 year old Claire Wilkinson).

‘Danger In Me’ is understated, yet ambitious pop at its best, and the lyrics are something we can all relate to.

Sounds like: Mallrat, Grimes, Lorde, Sylvan Esso, MØ

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The Rare Occasions – Mercy Mercy

The Rare Occasions

It’s not often we see decent indie rock coming out of the US, and we wouldn’t blame you for thinking this foursome going by the name of The Rare Occasions is British.

Their new single ‘Mercy Mercy’ is pure garage rock – rough around the edges, but fully refreshing to see due to the saturated market of pristine pop tunes.

Sounds like: YONAKA, Arctic Monkeys

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Suzi Island – Show Me The Way

Suzi Island

Young Brighton duo Suzi Island debuts ‘Show Me The Way’, a breezy and catchy indie pop number.

These two have already managed to get some decent names onboard, including Pete from The Vaccines, who produced the song. They are definitely on our watch list for 2018.

Sounds like: Nothing But Thieves, Sundara Karma

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Glassio – Back For More

Glassio

NYC-based duo Glassio share ‘Back For More’, a song for anytime of the day!

Built on an orchestral-electronic backbone that nods to the likes of Massive Attack and Air, the pining, heartsick anthem is a penned love letter to a paramour after a strained relationship has come to a close.

Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

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Gundelach – Control

Gundelach by Fredrik Harper

Having just signed to Terrible Records (Blood Orange, Porches, Le1f), Norwegian producer and artist Gundelach shares the imaginative ‘Control’.

It is taken from the forth-coming ‘Baltus’ LP, and showcases Gundelach’s Nordic-noir sensibilities, using delicate synths, pulsating beats and his effortless falsetto voice to tell a story of deep personal depression.

Sound like: Ásgeir, Bon Iver, Honne, Boxed In, RY X, Vancouver Sleep Clinic, The Presets

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Great News – You’re Mine

Great News

Time for something to lighten the mood from our favourite band of 2018, Great News.

‘You’re Mine’ is a shoe-gazer fan’s dream, a super colourful sonic nod to the 80’s and 90’s, a theme that runs throughout their debut LP ‘Wonderfault’.

Sounds like: Ten Fé, Bruce Springsteen, Sea Girls, SWIMM, Lean, Tame Impala, DIIV

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Benjamin’s Brother – If I Could

Benjamin's Brother

We are excited about Benjamin’s Brother – an interesting indie-pop band from Tel Aviv.

Discussing topics such as violence, death, desire and love, and citing influences across several genres including Arabic, American folk and techno, it’s no surprise that their sound is expansive, yet tender.

Watch their video below, which was shot by Indy Hait, at the Tel Aviv Museum Of Art, on a 16mm film.

Sounds like: Tame Impala, SAMA, Mumford & Sons, Solomon Grey, Vancouver Sleep Clinic, Aquilo

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CUT_ – It’s On

CUT_

Dutch electronic duo CUT_ share ‘It’s On’, a song about the denial towards the demise of a relationship.

But they don’t just write about internal issues found in human nature, but also discuss topics on mass psychology and by analysing these aspects of our society, CUT_ attempts to find a way of coping with the messed up world we’re living in.

Sounds like: IYES, Massive Attack, Kllo

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JOHN.K – Best Of Me

JOHN.K

JOHN.K‘s electronic driven pop always catches our attention and ‘Best Of Me’ is no exception.

‘Best Of Me’ is JOHN.K’s fourth single and demonstrates another layer of maturity and artistry. Speaking of the track, he explains,

“‘Best of Me’ is about evolving through young love, admitting to past mistakes and committing to giving someone the best possible version of yourself.”

Sounds like: Sam Smith, Justin Bieber

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Lalibelle – Balance

Lalibelle

Stockholm-based producer trio Lalibelle share their breezy pop track ‘Balance’.

Breaking the silence on mental health, the song tells the story of the childhood experience of having a suicidal parent.

Sounds like: Paperwhite

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Timothy – Fly

Timothy

We don’t know a great deal about Swedish singer/songwriter Timothy, but have really enjoyed listening to his second single, ‘Fly’.

Timothy explains, “The song is a long battle with a ghost of his, he interpreters his own song with a self-written poem. Wanting the listener to create their own story, rather than giving it all away.”

Sounds like: Bon Iver, Alex Vargas, Ry X, The xx, Keaton Henson, Matt Corby

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Playlist: Mar

Mar by Tatsiana Tribunalova

Meet Mar, a Dutch-Caribbean-Indonesian who grew up on a houseboat with his musical family in Amsterdam.

We have been blown away by his emotive and often heartbreaking music, specifically his current EP ‘Things Will Be’, which touches on key issues such as depression and suicide.

As a little introduction to the music of Mar, we asked him to put together a playlist for you.

Massive Attack – Teardrop
I was born in ’87 I really think the 90s era in music had a huge impact on me. I love the video for this one, the whole package. The simple chords the simple melodies yet so powerful.

D’Angelo – Africa
Big fan of D’Angelo’s album Voodoo. This song stands out to me because it’s the only lullaby, he made I think. It’s more pure and honest than the other songs. I love the choice for the snare sound.

Jeff Buckley – So Real
I heard Jeff kinda recently like 3/4 years ago or something and fell in love immediately, his guitar work is brilliant and his voice and falsetto are too. This song is truth to me.

Björk – All is Full of Love
Björk is not like any other artist in her presentation. I remember seeing this video and was like wtf, this speaks to my soul. Robot clones of her kissing eachother in slowmo. fkyh! The production and lyrics are gold too. Everything fits.

Chris Whitley – Big Sky Country
My father, a major infuence on my musical career, used to wake me and my sis up with this song and warm milk w honey. So everytime I hear this song I feel his love. Love the song and the bass specially.

James Blake – Retrograde
James to me has one of the best live shows I’ve seen thus far. So pure and everything so well played/sung. His music is so powerful, simple but well put together.

The Isley Brothers – Sensuality Part 1&2
My pianist played me this song, again the simplicity seems there, also in the solo, but the chord progression is kinda tricky to come up with. One of the most sexy tunes of all time to me

Prince – The Most Beautiful Girl
Prince. The one I connected to while discovering I could sing falsetto haha. So unique. So feminine and powerful but a brought to earth as a man. What an amazing artist. Even though I’m deffo not fan of all of his work, when he touched me with a song he really did it deeply. Like this one. (Sexy M.F in playlist as Most Beautiful . . . is not available on Spotify)

Bill Evans – My Foolish Heart
His trio formation live show is what I always put on when I need some background music. Love his style of chords choice. This song to me is peaceful autumn, warm ginger tea and a book.

Mats & Morgan Band – Hollmervalsen
My father came back from a Scandinavian tour and brought back this weird album from fusion duo Mats and Morgan. I used to listen to this song so often, trying to learn the tempo changes. When music becomes so boring for you, you decide make a robotic fusion song. That’s this to me.

Sounds like: Prince, Blood Orange, The 1975

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Madeleine Rosenthal – No One’s Gonna Save You

Madeleine Rosenthal - No One's Gonna Save You

Despite being from Los Angeles, Madeleine Rosenthal has a distinct British sound to her electronic music, similar to James Blake.

Her debut single is case in point. It’s a track about Madeleine cutting ties with someone who has been holding her back.

Sounds like: Air, Jorja Smith, London Grammar, Massive Attack, James Blake, Maggie Rogers

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PEAKES – Saint

PEAKES

Meet Leeds-based band PEAKES.

Having used a lot of Far Eastern-inspired synths and percussion in their previous single, ‘Pray For You’, ‘Saint’ takes a slightly different tack with more country-edged riffs. The song is another great example of PEAKES’ ability to write confessional lyrics whilst maintaining an overall soft approach in their production, which all in all creates a highly atmospheric setting.

‘Saint’ is out now.

Sounds like: Massive Attack, Portishead, London Grammar

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Fröst – Keratin

Fröst

Electronic band, Fröst, share new single, ‘Keratin’.

Fröst is a collaboration between Franco-Swedish sound artist Johanna Bramli (vocalist for Stereolab offshoot Imitation Electric Piano) and Fujiya & Miyagi’s synth player and producer, Steve Lewis.

It’s the duo’s intention to take us on a journey whilst we listen to the ethereal track of colourful proportions rooted amongst minimalistic electronic beats.

Enjoy!

It’s the lead track from a forthcoming new 4 track EP due for release in May under the emerging record label Lost Room Records.

Sounds like: Lilies on Mars, Massive Attack, Kate Boy, Radiohead, Kraftwerk, Warpaint

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Otzeki – All This Time

Otzeki

London based duo, Otzeki, have just shared the video for ‘All This Time’.

The video is made up of footage recorded on vocalist Mike’s iPhone over the past two years in various locations including LA, London and Cambridge. “It a visual diary of things,” explains Mike. “Like our previous videos the subject matter is contained within everyday reality and gives it a certain enigmatic quality in line with the themes of the song.”

The blues-ridden and minimal intro of ‘All This Time’ slowly envelopes us with its sub soul vocals, sensual bass lines, tribal tones, and echoes of rave culture, eventually leading to an intimate and dreamy climax.

The track has been mixed by Nathan Boddy (James Blake, S.W.E.A.T).

They play the Sebright Arms in London on 23 March.

Sounds like: Wild Beasts, Massive Attack, Nimmo, alt-J, Nimmo, Glass Animals, Metronomy, Jamie XX

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Keroscene – I Can’t Do A Thing

Keroscene

Keroscene

London band, Keroscene, are back with ‘I Can’t Do A Thing’.

Whilst their last release channelled some Massive Attack/Portishead vibes, ‘I Can’t Do A Thing’ is a generous nod to 90’s indie and shoegaze.

With this in mind, you’d expect the video to be filmed in black and white, but it’s refreshingly colourful!

Watch below.

Sounds like: Wolf Alice, Peace, Massive Attack, Portishead, UNKLE, Plastic Flowers, Man of Moon

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Fröst – Crackling On The Wire

Fröst

Fröst

Meet electronic band, Fröst, a collaboration between Franco-Swedish sound artist Johanna Bramli (vocalist for Stereolab offshoot Imitation Electric Piano) and Fujiya & Miyagi’s synth player and producer, Steve Lewis.

‘Crackling on the Wire’ combines icy, minimalistic electronic landscapes with motorik beats. There are even elements of the Madchester rave culture from the 90’s in there too.

The track is out on 9th December via Lost Room Records.

Sounds like: Lilies on Mars, Massive Attack, Kate Boy, Radiohead, Kraftwerk

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