Tag Archives: Massive Attack

Playlist: Mazoulew

Mazoulew - Retrospective

UK producer Mazoulew takes inspiration from various genres such as trip-hop, Motown, acid jazz and drum&bass.

His new single ‘Retrospective’ leans to the more ambient electronica instrumental with a focus on leaving the city and heading to the great unknown. To coincide with its release, he has put together an eclectic mix of songs for an Indietronica playlist.

You’ll be surprised at what songs he’s chosen!

Fugees – The Mask
The score was actually the first record I ever bought, I paid £1.5 in a charity shop for the cassette that I played so much it wore out completely. Definitely a defining album for me personally.

DJ Shadow – Building Steam With A Grain Of
I mean, Shadow kinda set the pace for the rest of us back in the day, what he did with the Endtroducing record was just beyond anything else at the time.

Massive Attack – Dissolved Girl
This album sounds as good today as it did 22 years ago when they dropped it, there is nothing else to say, it’s just a masterpiece and it truly opened my eyes and ears to new ideas.

RJD2 – Smoke & Mirrors
Like Shadow, RJD2 just shows you how it should be done, his approach to sampling and composition is second to none. His music has consistently stayed at the forefront of my life since I was introduced to him in the early 2000’s.

Eskmo – Cloudlight
I remember the first time I heard this track it was so fresh and inspiring to me. Most artists nowadays fall into traps within genres, Eskmo punch a hole in this for me and delivered a sound that I never really thought about before.

Gonzales – Overnight
I had to include this record as I think we can sometimes get a bit lost with the production and technology available to us, we can now manipulate and modulate anything into anything. Personally I think it’s important not to lose the fundamental of great composition and harmony.

Amon Tobin – Lost and Found
Amon is another producer that changed my life and my music tastes forever. His ability to reimagine sounds, manipulate source material, taking things that were never designed to go together and make them sound like they had always been that way is simply inspired.

Brushy One String – Grays in My Blues
I included Brushy for much the same reasons that I included Gonzales. When I heard this record a few things struck me, the fact that it is recorded on the side of the road and that brushy only has one string on a beat-up guitar. There is nothing fancy, no tricks or anything to hide behind, it’s just emotion and art in a very pure form.

Foreign Beggars – One Take
It’s with a heavy heart that yesterday I learned my friend Ebow Graham (Metropolis) passed away. The Foreign Beggars made a huge impact on my life and my music. I played ‘Asylum Speakers’ over and over while I was studying, then when I moved to London and actually became friends with these guys I felt incredibly honoured and lucky to have them in my life.

Louis Armstrong – What a Wonderful World
It’s a strange time to be alive in 2020, every day you can turn on the news and for one reason or another there is reason to get a little stressed out with things, to say the least. I think we all need to remember, between all the headlines and noise, there really is some amazing stuff happening in the world still and we should all take a minute sometimes to stop and appreciate it.

Sounds like: Bicep, Kidnap, Model Man, Lane 8, Jamie xx

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Weekly Gems 77

Margot Polo – Let’s Get Out

Margot Polo

Margot Polo (aka David Provenzano) releases his new single, ‘Let’s Get Out’.

A song about breaking out of routine ruts (something he is guilty of), Polo has teamed up with esteemed producer, Brad Wood, and their main goal with the track was to create a fun and huge chorus…and they have definitely succeeded.

Expect a five-song EP out this fall.

Sounds like: Von Sell, Foster the People, Tame Impala, Vampire Weekend, CHAPPO, The Beatles

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Holt – Tower

Holt

We all have safe pillars in our lives and London based self-taught singer-songwriter and multi-instrumentalist, Holt is no exception.

Using her father as the reference in her new single, the lyrics tell a non-linear story about that is capable of transporting the listener to another world.

Sounds like: RUNAH, Bat for Lashes, Björk, Enya, Massive Attack, Nils Frahm

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Bokito – Freckle

Bokito

Indie-funk band Bokito releases their new single ‘Freckle Leather’. Often mistaken for a heavy metal band, Bokito bring back their combination of signature hooks, unshakeable melodies and playful lyrics. A tightly-packaged, uproarious mix of indie, rock and perfect pop cadence that hooks listeners in straight at the first beat.

At first, ‘Freckle Leather’ reminds of Vampire Weekend, however, the five-piece stand their ground pretty quick and combine a lot of different styles. Drawing inspiration from artists such as Jeff Buckley and Justin Timberlake, the group created a completely new sound of modern indie regulated by ergonomic melodies.

Sounds like: Vampire Weekend, Two Door Cinema Club, Stereohoney, Shiners

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The Hails – Sugar

The Hails

Inspired by the cool glamour and fast life of the Miami Vice era, The Hails share their new song ‘Sugar’.

With its danceable beats and 80’s synth pop influence, ‘Sugar’ is a crafty juxtaposition that melds truth and fiction with the lyrics telling the story about a girl who lives life brazenly and recklessly.

The five-piece from Miami have met at Florida University and since then have dedicated their unique sound with classic drum machines to create an irresistible trademark sound of their own.

Sounds like: Sade, Hippo Campus, Kid Bloom

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Halfloves – Polvo

American indie band Halfloves releases their latest release ‘Polvo’ from their forthcoming sophomore album ‘Dazer’, out on August 30.

‘Polvo’ is a fresh new indie addition with melodic riffs and upbeat drums. With its carefree instrumentals and dreamy lyrics, the song is only a taster of what the upcoming album has to promise.

“We recorded this song in a barn in the middle of a cornfield in Iowa where the classic NY studio ‘Magic Shop’ has found a new home, now dubbed the ‘Magic Barn’.”

The band praise themselves on having recorded ‘Polvo’ in the same studio that Bowie, Björk, Coldplay and many others used to make some of the most defining records of our time.

Sounds like: Clinic Blonde, Two Door Cinema Club

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Vacation Club – Always or Never

Vacation Club

‘Always Or Never’ is the latest single released by the edgy, yet colourful band Vacation Club.

Written and produced by the band themselves, the laid back and catchy pop song elevates the perfect combination of upbeat beats and Helena Hahn’s beautiful vocals. The band has taken a raw and youthful approach towards the journey of love heightening both the highs and the lows.

Sounds like: LANY, Pale Waves, The 1975, Donna Lewis

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Noble Oak – Evaporate

Noble Oak

Canadian-born, singer-songwriter Noble Oak has released his latest single ‘Evaporate’.

The song features his melancholic, beautiful vocals combined with captivating instrumentals he’s Oak yet again managed to create a dreamy release that will sound even better performed live on a big stage.

Noble Oak’s full-length debut album with Last Gang is set for worldwide release in 2020.

Sounds like: Luna Pines, Tame Impala

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Playlist: Illyin Pipes

Illyin Pipes

Introducing Illyin Pipes, a blissed-out pop duo from Toronto.

Their mutual affinity for textured soundscapes, layered harmonies and heavy electronic synths, fully presents itself in their melancholic debut EP, ‘Waking Up’.

We asked Illyin Pipes to put together a playlist for Indietronica to coincide with the EP release.

Little Dragon – Feather
Have always loved Little Dragon and Feather feels like a dreamy modern take on 80s synth-pop meets 90s trip-hop. I love a vibey vocal and airy synth over a driving bass line.

Arthur Russel – That’s Us/Wild Combination
I heard this song for the first time two years ago and fell deeply in love with it. I had a challenging couple of months shortly after finding it and truly couldn’t listen to any other song. Just this over and over. And it’s still my very top favourite.

Radiohead – House of Cards
Everything Thom Yorke touches is a dream to me. His solo releases are beautiful and I love his contemporary dance music videos. House of Cards is on this list because it’s so perfectly vulnerable, and my top pick from “In Rainbow’s” which I come back to all the time.

Brian Eno – The Big Ship
I usually listen to Brian Eno’s hour-long tracks, but Big Ship is a cinematic, emotional shorty.

10CC – I’m Not In Love
I discovered this song in high school and burned it onto a CD with a bunch of my other favourites at the time. Still playlisting it a decade later! It’s so soft and I love the weird whisper section partway through.

Hundred Waters – Murmurs
I love Hundred Waters’ quiet vocals and acoustic piano over bold drum choices/effects.

Solange – Losing You
Such a sweet pop song. Dev Hyne’s nails the writing/production.

Talking Heads – This Must Be The Place/Naive Melody
David Byrne’s lyrics are amazing and the repetitive bass line makes me want to listen to it forever. The live version from “Stop Making Sense” is so good.

Jon Hopkins – Open Eye Signal
This song transports me to a dark club fantasy in my mind. I have closed my eyes and danced to this song many times.

Aphex Twin – #3 (Rhubarb)
This song is what got me into ambient music. Airy/calming/sweet/meditative. I often listen to it when I’m writing.

Blood Orange – Best to You Feat. Empress Of
Another Dev Hynes track but a duet with Empress of. So dancy!

Beach House – Sparks
I love the steady shoegaze-y guitar and alto vocals. I’m also a sucker for songs that don’t change chords at the bridge: altering the melody of the vocal for a moment, or going to an interlude is always my songwriting instinct.

Massive Attack – Teardrop
The vocals are an inspiration: so close they’re almost whispered, then building dynamically at all the right times.

Washed Out – Feel it All Around
Dreamy, lo-fi, psychedelic, synth-pop <3

The Cars – Drive
Total 80s heaven. I love the subtle and emotional lyrics. We’ve covered this live a couple of times and it feels really nice to play.

You can listen to the EP below.

Sounds like: Susanne Sundfør, Lykke Li, RALPH, Vera Blue, BANKS, Washed Out

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Weekly Gems 53

Make Friends – Drop Naked

Make Friends

Bristol-based four-piece Make Friends are set to send tingles down your ears.

Lead by emotional stories, the subject matter of their debut single, ‘Drop Naked’ may be dark, but the complex grooves and stretched indie-pop chords suggests otherwise.

Expect their EP in spring.

Sounds like: Bombay Bicycle Club, Foals, Sea Girls, Ten Fé, Suzi Island, Everything Everything

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TENDER – Slow Love

TENDER

We are super excited about TENDER‘s new single, ‘Slow Love’, taken from their album ‘Fear Of Falling Asleep’, out via Partisan Records.

Much like TENDER’s other offerings, ‘Slow Love’ has a delightful bassline throughout with soulful vocals, inspired by the moments that come just before sleep when silence descends, and doubt and fear and desire take over.

Sounds like: MOTHXR, Jungle, Glass Animals, HUNTAR, Caribou, Air, The National, Tame Impala, Boxed In, Honne, Colouring

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Satin Jackets ft. Panama – Automatic

Satin Jackets ft. Panama - Automatic

We are huge fans of Germany’s finest disco kid, Satin Jackets (aka Tim Bernhardt) and Sydney-based singer/songwriter, Panama. Their new collab is a dreamy leftfield pop at its best.

Expect the second Satin Jackets’ album, ‘Solar Nights’, on April 26 via Eskimo Recordings.

Sounds like: Goldroom, Du Tonc, Honne, MOTHXR

Satin Jackets
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Panama
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Joe Slater – Nothing Ever Seems to Change

Joe Slater by Rob Blackham

Joe Slater by Rob Blackham

Liverpool-based singer/songwriter Joe Slater shares his new single, ‘Nothing Ever Seems to Change’.

With an underlying hint of country, pop, folk, blues and soul, Joe writes music that is highly emotive and personal.

Joe plays Green Note, London on Thursday.

Sounds like: James Bay, Bob Dylan, Harry Styles

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CUT_ – Fever Feat. Klangstof

CUT_

Sultry artist CUT_ combines forces with Klangstof to create a captivating atmosphere where there is but one message: Sex.

‘Fever’, a minimalistic song, is soft yet sensual which ultimate leads to a burning tension between the two vocals with the addition of lush reverbs and slow moving synths.

Sounds like: James Blake, Kllo, Massive Attack, Phantogram, Kito, Broods

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Playlist: Austel

Austel

London artist Austel creates highly emotive music, so we thought it would be worth asking her to put together a playlist for us of the same! The result is below, and includes her brand new single ‘Crows’.

Crows – Austel

Our debut single, which we’re very excited to be able to share with the world.

Love Me In Whatever Way – James Blake

I had this album on repeat for months after it came out. I love the recurring vocal riff and building tension in the first half of this track. The drop is immense – that saw bass synth riff… so good.

‘Tell me when I have to go / And then love me there’

The End – Daughter

This track embodies everything I love about Daughter – Elena’s cutting lyrics, their trademark washes of guitar and ever-evolving sections and poignant vocal chants.

‘Let’s spend the future talking about the past’

Dry and Dusty – Fever Ray

I’m a big fan of the self-titled Fever Ray record and Karin Dreijer’s androgynous vocal style. On ‘Dry and Dusty’, she combines her tribal voice with developing synth motifs and simple percussion, conjuring a surreal, dream-like mood.

‘I am a capsule of energy’

Sugar Pill – The Japanese House

This track opens with delicate, melancholic piano chords but soon evolves – introducing Amber Bain’s washes of vocoder-treated vocals, glitchy beats and expansive synths.

‘You can use my ribcage as a pillow’

Hazmat Suits – Kyle Dixon & Michael Stein

I went through a stage of being a bit obsessed by the Stranger Things soundtrack – it’s so hypnotic. The bass synth glide on ‘Hazmat Suits’ is huge and hits me in the stomach every time.

Form By Firelight – Jon Hopkins

Jon Hopkins’ Immunity is a huge sonic influence on us; it has so much life amongst all the electronic sounds. It’s just brilliant.

This Mess We’re In – PJ Harvey

One of my favourite songs of all time, on one of my favourite albums of all time. The addition of Thom Yorke’s ghostly vocals are a dream collaboration.

‘I have seen the sunrise over the river, the freeway / Reminding of this mess we’re in’

Outlier – Bonobo

Bonobo’s music has a great driving, energetic feel to it. Adam and I were both obsessed with Migration when it came out. The track ‘Outlier’ builds really strongly adding layer after layer. Tracks like this really influenced the Austel production process.

Sleaze – Klangstof

One of my more recent discoveries – I love the expansive space Klangstof create with those pulsing synths and soaring hooks.

‘The tide needs a night to set up and collide’

Europe Is Lost – Kate Tempest

Kate Tempest is one of the most powerful performers of our time – the rising tension and cutting message of this track is profoundly resonant, and a haunting reflection of the days we’re living in.

‘We have learned nothing from history / The people are dead in their lifetimes’

Silhouettes (I, II & III) – Floating Points

Adam’s a big Floating Points fan. ‘Silhouettes (I, II & III)’ has this amazing string part in the middle section which is a wonderful merger of electronic and acoustic instrumentation.

The Eraser – Thom Yorke

This whole record is incredible, another one of my favourites. The opening title track is Thom Yorke at his best – trademark moody piano chords, glitchy rhythms and those beautiful, haunting vocals.

‘You know the answer so why do you ask?’

Teardrop – Massive Attack

‘Teardrop’ was my entry ticket into trip hop. Elizabeth Fraser is one of the greatest singers of all time and this track perfectly exhibits how much power you can create with moments of fragility and dynamic range.

‘Water is my eye / Most faithful mirror’

Sounds like: Kllo, IDER

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Francis Novotny – The Wire

Francis Novotny

Sonic production leads the way for Francis Novotny‘s new single ‘The Wire’.

It’s a brooding, electro-soul song by the Swedish multi-instrumentalist that is extremely reminiscent of Jack Garratt or Asgeir, and captures that addictive quality of a nonetheless-toxic relationship, and the feeling (says Francis) “when a person leaves you hanging on without answers – and you know you should get out of it – but you keep winding back towards them.”

It’s out now on Black Butter Records.

Sounds like: Jack Garratt, Asgeir

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Dead Sea – Know Where

Dead Sea

Dead Sea is a four-piece French band who craft dreamy and magnetic post-pop songs.

Their new release, ‘Know Where’, does exactly what it says on the tin – it’s hypnotic and joyfully melancholic.

They’ve just been on tour with Slowdive and they will support Editors next April.

Sounds like: Beach House, Slowdive

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Two Legs – Don’t Tell

Two Legs

One thing we are certain about is our dislike towards uncertainty, and it seems UK artist Two Legs feels the same.

His wistful dance single ‘Don’t Tell’ is the first of three releases this year, and has a “give a fuck” mentality that we love.

Sounds like: SAMA, Moderat, Tycho, Joe Goddard

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KUZO – Monsoon

Kuzo

Los Angeles-based duo KUZO are back with their new single, ‘Monsoon’.

Blissful and cool as ever, KUZO once again deliver a combination of emotionally driven blends of sound and sultry tones.

Sounds like: VÉRITÉ, Noosa, EZA, Paperwhite

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7Chariot – Danger In Me

7Chariot

We are super excited about the new signing to 0E0E (pronounced: naughty naughty) called 7Chariot (aka Nashville based 20 year old Claire Wilkinson).

‘Danger In Me’ is understated, yet ambitious pop at its best, and the lyrics are something we can all relate to.

Sounds like: Mallrat, Grimes, Lorde, Sylvan Esso, MØ

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The Rare Occasions – Mercy Mercy

The Rare Occasions

It’s not often we see decent indie rock coming out of the US, and we wouldn’t blame you for thinking this foursome going by the name of The Rare Occasions is British.

Their new single ‘Mercy Mercy’ is pure garage rock – rough around the edges, but fully refreshing to see due to the saturated market of pristine pop tunes.

Sounds like: YONAKA, Arctic Monkeys

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Suzi Island – Show Me The Way

Suzi Island

Young Brighton duo Suzi Island debuts ‘Show Me The Way’, a breezy and catchy indie pop number.

These two have already managed to get some decent names onboard, including Pete from The Vaccines, who produced the song. They are definitely on our watch list for 2018.

Sounds like: Nothing But Thieves, Sundara Karma

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Glassio – Back For More

Glassio

NYC-based duo Glassio share ‘Back For More’, a song for anytime of the day!

Built on an orchestral-electronic backbone that nods to the likes of Massive Attack and Air, the pining, heartsick anthem is a penned love letter to a paramour after a strained relationship has come to a close.

Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

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Gundelach – Control

Gundelach by Fredrik Harper

Having just signed to Terrible Records (Blood Orange, Porches, Le1f), Norwegian producer and artist Gundelach shares the imaginative ‘Control’.

It is taken from the forth-coming ‘Baltus’ LP, and showcases Gundelach’s Nordic-noir sensibilities, using delicate synths, pulsating beats and his effortless falsetto voice to tell a story of deep personal depression.

Sound like: Ásgeir, Bon Iver, Honne, Boxed In, RY X, Vancouver Sleep Clinic, The Presets

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Great News – You’re Mine

Great News

Time for something to lighten the mood from our favourite band of 2018, Great News.

‘You’re Mine’ is a shoe-gazer fan’s dream, a super colourful sonic nod to the 80’s and 90’s, a theme that runs throughout their debut LP ‘Wonderfault’.

Sounds like: Ten Fé, Bruce Springsteen, Sea Girls, SWIMM, Lean, Tame Impala, DIIV

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Benjamin’s Brother – If I Could

Benjamin's Brother

We are excited about Benjamin’s Brother – an interesting indie-pop band from Tel Aviv.

Discussing topics such as violence, death, desire and love, and citing influences across several genres including Arabic, American folk and techno, it’s no surprise that their sound is expansive, yet tender.

Watch their video below, which was shot by Indy Hait, at the Tel Aviv Museum Of Art, on a 16mm film.

Sounds like: Tame Impala, SAMA, Mumford & Sons, Solomon Grey, Vancouver Sleep Clinic, Aquilo

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CUT_ – It’s On

CUT_

Dutch electronic duo CUT_ share ‘It’s On’, a song about the denial towards the demise of a relationship.

But they don’t just write about internal issues found in human nature, but also discuss topics on mass psychology and by analysing these aspects of our society, CUT_ attempts to find a way of coping with the messed up world we’re living in.

Sounds like: IYES, Massive Attack, Kllo

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JOHN.K – Best Of Me

JOHN.K

JOHN.K‘s electronic driven pop always catches our attention and ‘Best Of Me’ is no exception.

‘Best Of Me’ is JOHN.K’s fourth single and demonstrates another layer of maturity and artistry. Speaking of the track, he explains,

“‘Best of Me’ is about evolving through young love, admitting to past mistakes and committing to giving someone the best possible version of yourself.”

Sounds like: Sam Smith, Justin Bieber

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Lalibelle – Balance

Lalibelle

Stockholm-based producer trio Lalibelle share their breezy pop track ‘Balance’.

Breaking the silence on mental health, the song tells the story of the childhood experience of having a suicidal parent.

Sounds like: Paperwhite

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Timothy – Fly

Timothy

We don’t know a great deal about Swedish singer/songwriter Timothy, but have really enjoyed listening to his second single, ‘Fly’.

Timothy explains, “The song is a long battle with a ghost of his, he interpreters his own song with a self-written poem. Wanting the listener to create their own story, rather than giving it all away.”

Sounds like: Bon Iver, Alex Vargas, Ry X, The xx, Keaton Henson, Matt Corby

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Playlist: Mar

Mar by Tatsiana Tribunalova

Meet Mar, a Dutch-Caribbean-Indonesian who grew up on a houseboat with his musical family in Amsterdam.

We have been blown away by his emotive and often heartbreaking music, specifically his current EP ‘Things Will Be’, which touches on key issues such as depression and suicide.

As a little introduction to the music of Mar, we asked him to put together a playlist for you.

Massive Attack – Teardrop
I was born in ’87 I really think the 90s era in music had a huge impact on me. I love the video for this one, the whole package. The simple chords the simple melodies yet so powerful.

D’Angelo – Africa
Big fan of D’Angelo’s album Voodoo. This song stands out to me because it’s the only lullaby, he made I think. It’s more pure and honest than the other songs. I love the choice for the snare sound.

Jeff Buckley – So Real
I heard Jeff kinda recently like 3/4 years ago or something and fell in love immediately, his guitar work is brilliant and his voice and falsetto are too. This song is truth to me.

Björk – All is Full of Love
Björk is not like any other artist in her presentation. I remember seeing this video and was like wtf, this speaks to my soul. Robot clones of her kissing eachother in slowmo. fkyh! The production and lyrics are gold too. Everything fits.

Chris Whitley – Big Sky Country
My father, a major infuence on my musical career, used to wake me and my sis up with this song and warm milk w honey. So everytime I hear this song I feel his love. Love the song and the bass specially.

James Blake – Retrograde
James to me has one of the best live shows I’ve seen thus far. So pure and everything so well played/sung. His music is so powerful, simple but well put together.

The Isley Brothers – Sensuality Part 1&2
My pianist played me this song, again the simplicity seems there, also in the solo, but the chord progression is kinda tricky to come up with. One of the most sexy tunes of all time to me

Prince – The Most Beautiful Girl
Prince. The one I connected to while discovering I could sing falsetto haha. So unique. So feminine and powerful but a brought to earth as a man. What an amazing artist. Even though I’m deffo not fan of all of his work, when he touched me with a song he really did it deeply. Like this one. (Sexy M.F in playlist as Most Beautiful . . . is not available on Spotify)

Bill Evans – My Foolish Heart
His trio formation live show is what I always put on when I need some background music. Love his style of chords choice. This song to me is peaceful autumn, warm ginger tea and a book.

Mats & Morgan Band – Hollmervalsen
My father came back from a Scandinavian tour and brought back this weird album from fusion duo Mats and Morgan. I used to listen to this song so often, trying to learn the tempo changes. When music becomes so boring for you, you decide make a robotic fusion song. That’s this to me.

Sounds like: Prince, Blood Orange, The 1975

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Madeleine Rosenthal – No One’s Gonna Save You

Madeleine Rosenthal - No One's Gonna Save You

Despite being from Los Angeles, Madeleine Rosenthal has a distinct British sound to her electronic music, similar to James Blake.

Her debut single is case in point. It’s a track about Madeleine cutting ties with someone who has been holding her back.

Sounds like: Air, Jorja Smith, London Grammar, Massive Attack, James Blake, Maggie Rogers

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PEAKES – Saint

PEAKES

Meet Leeds-based band PEAKES.

Having used a lot of Far Eastern-inspired synths and percussion in their previous single, ‘Pray For You’, ‘Saint’ takes a slightly different tack with more country-edged riffs. The song is another great example of PEAKES’ ability to write confessional lyrics whilst maintaining an overall soft approach in their production, which all in all creates a highly atmospheric setting.

‘Saint’ is out now.

Sounds like: Massive Attack, Portishead, London Grammar

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