Tag Archives: London Grammar

Melis – Sober (Over You)

Melis

Melis returns with ‘Sober (Over You)’.

Citing her influences of folk, electronica and pop from her multi-national roots, Melis always seems to set a provoking landscape with her contemporary music, one that often juxtaposes between credible and obscure feelings.

Sounds like: London Grammar, IYES

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Playlist: Youngr

Youngr - What's Next

Youngr made his name putting together bootlegs, so guess what, it’s bootleg time ladies and gents!

Check out his bootleg hitlist below.

Ramblin

Simply Red is my favourite band ever. I was listening to his Stars Deluxe album on the plane, and it had these amazing acapellas of old blues songs on the end that I’d never heard. Decided to make a bootleg with one of them.

Silence

Always loved this tune. Used to cover it in an old band. Decided to do it with Youngr.

London Grammar – Hey Now

I was super drunk one night on the night tube in London and had a part of this vocal in my head but had NO idea what the words or song was. So I was just singing it to strangers untill someone told me what they thought it might be … Next day I found the stems and made a bootleg.

Gorillaz – Feel Good and Michael Jackson – Billie Jean

Because it’s the greatest beat in pop, and one of the greatest basslines in pop. It was almost too obvious, I had to check if someone had done it before!

Jungle – The Heat

Always liked Jungle‘s vibe. Actually did a remix with an old band I was in that never turned into anything, so revisited the vocal and made a new mix!

Zhu – Faded

Again, dope vocal. Remember the first time I heard it. Instantly wanted to do my own thing with it.

Daft Punk – One More Time

What an amazing message. And the fact it just repeats it’s self so many times. It’s brilliant.

Craig David – Fill Me In

Cause he’s a UK legend! Grew up with his music. And his vocal style suited mine, so it worked really easily for me.

The Temper Trap – Sweet Disposition

I had made a bootleg with a Marvin Gaye sample, and the guitar line I wrote kept reminding me of The Temper Trap song (which I also fucking loved) .. decided last minute to put The Temper Trap vocal over Marvin Gaye and it instantly found its magic.

All Saints – Pure Shores

Pure shores was one of the first CDs I ever bought. Bought it from Woolworths in Manchester and it cost £6.99! I was trying to write a dance song in 3/4 and the chords I was using gave me the same emotion that lure shores did.

Check Youngr’s latest single below:

Sounds like: Phoenix, Miike Snow, Flight Facilities

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Madeleine Rosenthal – No One’s Gonna Save You

Madeleine Rosenthal - No One's Gonna Save You

Despite being from Los Angeles, Madeleine Rosenthal has a distinct British sound to her electronic music, similar to James Blake.

Her debut single is case in point. It’s a track about Madeleine cutting ties with someone who has been holding her back.

Sounds like: Air, Jorja Smith, London Grammar, Massive Attack, James Blake, Maggie Rogers

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PEAKES – Saint

PEAKES

Meet Leeds-based band PEAKES.

Having used a lot of Far Eastern-inspired synths and percussion in their previous single, ‘Pray For You’, ‘Saint’ takes a slightly different tack with more country-edged riffs. The song is another great example of PEAKES’ ability to write confessional lyrics whilst maintaining an overall soft approach in their production, which all in all creates a highly atmospheric setting.

‘Saint’ is out now.

Sounds like: Massive Attack, Portishead, London Grammar

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Melis – Flower

Melis

Like the process of photosynthesis, Melis manages to capture light and formulate a blooming of beauty with her latest single ‘Flower’ which comes as the first official release from her upcoming debut EP ‘Parallels’.

Melis previously released ‘Love Song Idea‘ to much applause, as her debut grew and flourished across the blogosphere, landing a Hype Machine #1, Spotify New Music Friday playlists and some impressive plays and streams.

Unlike ‘Love Song Idea’, which was actually a demo, saved and repaired from old instrumental stems on her breaking hard-drive, Melis shows her talent in minimalistic electronic production, a hugely intimate vocal and once again, stunningly fragile lyrics. Being in love or been in love, this song will turn the heart on, re-light your emotions and help you love deeper, or move onwards.

You can pre-order her ‘Parallels’ EP, which is very limited 10″ Vinyl, via Qrates now here.

Sounds like: London Grammar, IYES

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Lycio – Saharan King

Iycio - Saharan King

Meet Birmingham trio, Lycio.

Effortlessly combining apt songwriting with progressive, electronic textures, Lycio perform everything live to enhance the experience. We can’t wait to see them perform, and we’ll be playing ‘Saharan King’ during the wait.

Sounds like: Dua Lipa, Birdy, London Grammar

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Marna – Crossfire

Marna

Meet Marna, an artist from London, whose sound is very much like that of Caswell and Banks.

Her single ‘Crossfire’ hits such beautiful vocal notes, and the atmospheric and vinyl sound/siren effects echo of James Blake.

Sounds like: Caswell, London Grammar, VÉRITÉ, James Blake, Banks

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Nina June – If We Never Go

Nina June

Dutch artist, Nina June, has just released ‘If We Never Go’.

It’s the fifth track taken from her BON VOYAGE project, which greets a generation that is on a constant quest to overcome loneliness, despite being more interconnected than ever before.

Sounds like: Thomas Azier, Agnes Obel, Rhye, London Grammar, Adele

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ÄTNA – Remission

ÄTNA by Anna Rüstig-Kani Marouf

Is it bad that we want to keep ÄTNA all to ourselves? Why? Because their music creates such intimacy when you listen to it through beautifully sung songs and beaten beats enhanced by bright and bizarre electronic sounds.

Inéz and Demian met in Dresden, Eastern Germany. Inéz loves minimalism and the puristic sound of a piano while Demian loves to mess it up. The two opposing forces combined as ÄTNA.

Listen to ‘Remission’ below.

Sounds like: London Grammar, GEMS, Austra, Enya, Björk, Vök

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BATTS – For Now

BATTS

BATTS is the project of Australian-based artist Tanya Batt.

Cue the beautiful video for their ambient track, ‘For Now’, which has used free footage from NASA’s archives.

“The aim of this song was to try and sonically create a feeling of floating through space, so naturally BATTS wanted to pair it with space footage and spent many hours going through space footage and nasa archives to find footage she felt suited.”

Sounds like: London Grammar, Ficci, GEMS, MS MR, Daughter, James Blake, Jon Hopkins, MØ, SOHN, Broods, M83

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