Right in the forefront of Italy’s buzzing electronic music scene is enigmatic Iranian-born singer Nava Golchini and her band, aka NAVA.
A unique blend of culture and electronic twists, they create music that is truly visceral, both musically and visually. Their new single ‘Skin’ is soft and edgy, as it explores the darker side of human nature.
Out to set the message straight and spread an empowering message to her fans, Talitha is doing ‘Fine On My Own’.
Having only released a smattering of singles over the past two years, Talitha is creating her own definition of R&B in the UK, slowly emerging as one to watch within the genre. The predominantly R&B track hits with a unique vibe, taking pop influences from artists like SIA whilst adding an urban twist.
We haven’t shared music from electronic duo, Kaleida since 2015, so it was a pleasant surprise to see a new release appear in our inbox!
A lesson in sonic minimalism, the Glashier-directed stunning visuals features an array of solo dancers filmed on the streets in a fully locked-down Berlin.
Sounds like: Aquilo, New Order, Depeche Mode, The Human League, VÉRITÉ, Salt Ashes, Evvy, Monogem, Paperwhite, Chvrches, Palmedo, Prinze George, Nina Yasmineh, Day Wave, Poliça, Rhye, MS MR, Roisin Murphy
Berlin-based electronic pop band NIHILS shares the pop-kissed new single ‘Lost in L.A.’.
In an era of instant gratification, will we ever truly find what we are looking for? This song imagines driving through a desolate Los Angeles looking for purpose and a sense of belonging in an era of never lasting joy.
Lisbon trio Vaarwell is back with a sultry new single, ‘New Woman’.
Set in a dreamlike scene, warm keys underpin the delicate, ethereal vocals we have come to expect from Margarida Falcã. Accompanied by subtle electronic elements, we join Vaarwell on their journey to becoming vulnerable.
East London songwriter Runrummer‘s new single ‘Toronto’ speaks about her experience living in Ontario when she was 19.
It’s about growing up with big dreams, but being confined to aprehensions, “about being gay, coming out, experimenting with drugs, living far away from home for the first time, and trying to live up to people’s expectations.”
Setting the mood with their live four-track EP, British alt-pop trio Flawes share ‘Lowlights’, out now via Red Bull Records.
With echoes of classical pianist Ludovico Einaudi and even the soundtrack for Baz Luhrmann’s Romeo + Juliet, the stripped-back ‘Don’t Count Me Out’ gives the listener an opportunity to get to know the band on a much deeper level, as the band remove their invisible rockstar barrier.
Undeterred by lockdown, the band has also been recording and releasing a series of isolation sessions, with each member performing remotely from their own home.
What happens when some talented artists team up? A song destined for success, that’s what!
Dutch producer Boris Deckers de Breda aka BODÉ release ‘Wiz’ with San Antonio, Texas singer/songwriter Billy Vena – an honest record about being destined for music success, but with the price that comes with it, aka empty pockets.
Hard working London lads, Hoofa, share their anthemic new single, ‘Alone’.
With comparisons to indie band contemporaries such as Larkins and Sea Girls, as well and lyrical influences from more nostalgic acts such as The Beautiful South and PEACE, this is a perfect slice of jangly pop.
Sounds like: Kodaline, Larkins, Sea Girls, PEACE, The Beautiful South, Little Comets
Toronto vocalist/producer Tom Probizanski – aka Zanski – has an almost emo twist to his electronic take on R&B and alt-pop.
His new single ‘Consequence’ explores the theme of self-acceptance in the face of overwhelming internal struggle, a continual theme throughout his music, which varies in sound from gritty lo-fi electronica to vocal-rich, synth-heavy production, tailored with emotional lyrics and heavy themes.
Manchester band Larkins share the first teaser from their upcoming new body of work, “Are We…?”.
Kicking off with a huge bold, exciting statement of intent, the visuals for ‘Are We Having Any Fun Yet?’ – shot by award-winning Manchester duo GRANDMAS – are both dark and cinematic, and will be sure to continue the intrigue and attention around the band.
Sounds like: The 1975, Sea Girls, The Wombats, Hoofa
Alt-pop band Sarpa Salpa always strive to create upbeat, danceable tracks with unexpected changes and hidden meanings. The new video for their single ‘Lost Time’ aptly features a selection of tour clips showing this.
With support from Jack Saunders and Bombay Bicycle Club, definitely tune into these guys.
Sounds like: Island Club, Larkins, FEET, Two Door Cinema Club
Very much up to date with indie-pop trends, UK based trio Cassia, shares latest jam, ‘Do Right’, which talks about waking up to what’s happening in the world and making a conscious decision of wanting to make a positive change.
The video is set in sunny isolation. We love their all round positivity and sun drenched calypso sound.
Sounds like: Dancing on Tables, Vampire Weekend, Bombay Bicycle Club, Still Woozy
R&B artist Chloe Tang shares her latest single, offering a less rosy-colored side of love and youth.
Full of angst, she tells us how it is in ‘Fanning The Flame’. This isn’t a romantic gesture, this is a slow burn about knowing you’re trapped in a bad romance and knowing you’re powerless to escape it.
Rising Manchester four-piece Larkins recently dropped their highly-anticipated EP, ‘Hit and Run’ on Good Soldier Records.
It’s a finely-crafted mix of melodic futurism and vulnerability. We decided to have a chat with the guys ahead of their US tour to find out what’s going to be on their travelling playlist.
This is the outcome…
Khalid – Intro
Production-wise this is a pretty perfect track. Always feeling like it could kick in at any moment and it never does but still manages to bang. Incredible opening track to have on an album.
Gengahr – Icarus
Gengahr have completely taken up a level on this album. Produced by Jack Steadman from Bombay Bicycle Club, this track just makes your head move.
King Princess – Talia
Proper digging King Princess at the minute, love how this track goes from the laid back folky verse then hits you with the massive chorus. She’s proper pushing boundaries with her visuals as well, need to catch her live.
Whitney – Valleys (My Love)
Literally first heard Whitney for the first time a couple of weeks ago and fucking love them. Love how this track is kinda like a mellow Beach Boys without the harmonies on top of 70s acoustic folk with Bon Iver horns.
Friendly Fires – Pull Me Back To Earth
Whenever we’re trying to get a clean electric guitar sound in the studio we seem to reference this track. I remember when PALA came out and it blew my mind.
Jai Paul – Do You Love Her Now
Just absolute vibes. Again, that clean guitar sound is mad.
Foals – Spanish Sahara
Such an anthem. Seeing this track live and how the crowd reacts to it made me want to be in a band. The drop never fails to hype me up.
Bon Iver – Naeem
The vocal on this song is madness. The piano and the whole feel is just badass. Bon Iver can do no wrong. This album has been a massive reference point when we’re in the studio, especially when it comes to synth and drum sounds.
Bon Iver – 33 “GOD”
Another Bon Iver, 22 a million is top 5 best albums ever. The production on this track just blows the roof off. Cant even quite comprehend how good this track is. No idea what the lyrics mean but this track is just insanity.
Biffy Clyro – Different People
This song really marks two defining moments in Larkins career.
1. They opened with it when they headlined T in the park in Scotland and it seemed to be such an emotional moment for everyone there, it really made us realise that we wanted to do this.
2. Dom decided he wanted to be Simon and grew his hair really long.
Radiohead – Weird Fishes
In rainbows is such a monumental album and it was hard to choose one track but Weird Fishes really sums up Radiohead’s visionary blend of pop, rock and dance music.
Haim – Summer Girl
Such a great nod to the 60s with the Lou Reed sample but with such a modern LA vibe. We’d just got back from our first trip to LA when this came out and it proper seemed to sum up the city for us. The scene out there is so vibrant at the minute.
Khalid, Disclosure – Talk
Love this track. Another one we try to reference a little bit with the style of the synths and the drum sounds. The riff is so good.
US/UK Tour Dates
12 Mar – Toronto, The Monarch
13 Mar – New York, Pianos
14 Mar – Brooklyn, Elsewhere (Zone One)
18 Mar – Austin, Maggie Mae’s
19 Mar – Austin, Rainey Street
21 Mar – Austin, Broad Studios
21 Mar – Austin, Cedar Street Courtyard
24 Mar – Los Angeles, Moroccan Lounge
Scottish band, Dancing on Tables, explores a more melancholic side in ‘Not To Need You’.
Written in Nashville alongside legendary songwriter Liz Rose (TaylorSwift, LittleBigTown, CarrieUnderwood), the hopeful song encapsulates the uphill battles everyone goes through in life but reminds us that there is always a light at the end of the tunnel.
Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975, Rat Boy, Circa Waves, The Amazons, Blossoms, Wild Nothing, Cassia, Catfish and the Bottlemen
Another Newcastle band for us this week – Llovers.
Releasing the infectious new cut, ‘Feeling Sound’, it’s clear that anyone listening to the track will be enamoured by their immense potential, thanks to their irresistible anthemic tendencies with sparkling riffs, sing-along choruses and playful songwriting.
London baroque pop band Weird Milk shares ‘Is That Love?’.
Having already supported indie risers Alfie Templeman and Pip Blom, and about to support APRE on their UK tour, their latest offering doesn’t disappoint.
Songwriter and drummer Charlie Glover-Wright explains, “The song itself is about a relationship turning sour as a lemon and the main character realising that they don’t need it anymore and they’ll be better off on their own.”
Sounds like: FEET, Sports Team, The Magic Gang, Genghar, The Last Shadow Puppets
You may recognise Kelli-Leigh’s vocals from such hits as ‘More Than Friends’ by Jame Hype, ‘I Got U’ by Duke Dumont and Second City‘s ‘I Wanna Feel’, but it’s time for the British singer/songwriter to step out into the light and reveal her first solo music of the decade.
The uptempo pop song, ‘Cotton Clouds’ describes a blissed out relationship. Lovely.
Dutch DIY duo The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg.
Sharing the fancy-free video for their cover of ‘Tenderfoot’ by The Lemonheads / Smudge, the latest release is inspired by their youth, as the dream-pop band continue their tasteful take on original classics.
Born from a simple plan – make music friends in a flatshare in former East Berlin, BLOODHYPE is a Berlin-based, independent gang of four that demand to be noticed.
Masterminded by frontman Weyland and UK producer John “P Nut” Harrison (AmyWinehouse, AliceMerton), their new single ‘Violent Heart’ caught us from the get-go. It’s an addictive slice of modern indie pop full of 80’s inspired self-pity.
Foreign Fields is US-based Eric Hillman and Brian Holl, who create a bewitching melting pot of acoustic sounds.
As with all promising folk contenders, the duo wrote and recorded their upcoming album, ‘The Beauty of Survival’ in the winter in a back-to-basics cabin with no heating built by a two-man father-and-son team in Western Wisconsin.
Looking like they are having the best time, the video footage was taken from many of their past videos plus some extra shots from 2010 to 2019.
HUMANS is a Canadian indie-electronic duo made up of musicians Robbie Slade and Peter Ricq. Focusing on performance and production styles of both the past and present, HUMANS have consistently impressed upon audiophiles with their technical and compositional skills.
Introducing Zach DeGaetano and Bridget Boltz – aka Mannequin Online.
Pushing sonic and ideational barriers with gritty, yet refreshing off-kilter pop, may their sound forever remain bright, gritty, and unapologetic. Listen to ‘I Do’ and check out the glorious Gorgeous guitar solo.
Sounds like: Goldroom, Poolside, VHS Collection, The Knocks, Miami Horror