Tag Archives: Klangstof

Weekly Gems 53

Make Friends – Drop Naked

Make Friends

Bristol-based four-piece Make Friends are set to send tingles down your ears.

Lead by emotional stories, the subject matter of their debut single, ‘Drop Naked’ may be dark, but the complex grooves and stretched indie-pop chords suggests otherwise.

Expect their EP in spring.

Sounds like: Bombay Bicycle Club, Foals, Sea Girls, Ten Fé, Suzi Island, Everything Everything

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TENDER – Slow Love

TENDER

We are super excited about TENDER‘s new single, ‘Slow Love’, taken from their album ‘Fear Of Falling Asleep’, out via Partisan Records.

Much like TENDER’s other offerings, ‘Slow Love’ has a delightful bassline throughout with soulful vocals, inspired by the moments that come just before sleep when silence descends, and doubt and fear and desire take over.

Sounds like: MOTHXR, Jungle, Glass Animals, HUNTAR, Caribou, Air, The National, Tame Impala, Boxed In, Honne, Colouring

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Satin Jackets ft. Panama – Automatic

Satin Jackets ft. Panama - Automatic

We are huge fans of Germany’s finest disco kid, Satin Jackets (aka Tim Bernhardt) and Sydney-based singer/songwriter, Panama. Their new collab is a dreamy leftfield pop at its best.

Expect the second Satin Jackets’ album, ‘Solar Nights’, on April 26 via Eskimo Recordings.

Sounds like: Goldroom, Du Tonc, Honne, MOTHXR

Satin Jackets
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Panama
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Joe Slater – Nothing Ever Seems to Change

Joe Slater by Rob Blackham

Joe Slater by Rob Blackham

Liverpool-based singer/songwriter Joe Slater shares his new single, ‘Nothing Ever Seems to Change’.

With an underlying hint of country, pop, folk, blues and soul, Joe writes music that is highly emotive and personal.

Joe plays Green Note, London on Thursday.

Sounds like: James Bay, Bob Dylan, Harry Styles

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CUT_ – Fever Feat. Klangstof

CUT_

Sultry artist CUT_ combines forces with Klangstof to create a captivating atmosphere where there is but one message: Sex.

‘Fever’, a minimalistic song, is soft yet sensual which ultimate leads to a burning tension between the two vocals with the addition of lush reverbs and slow moving synths.

Sounds like: James Blake, Kllo, Massive Attack, Phantogram, Kito, Broods

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Playlist: Austel

Austel

London artist Austel creates highly emotive music, so we thought it would be worth asking her to put together a playlist for us of the same! The result is below, and includes her brand new single ‘Crows’.

Crows – Austel

Our debut single, which we’re very excited to be able to share with the world.

Love Me In Whatever Way – James Blake

I had this album on repeat for months after it came out. I love the recurring vocal riff and building tension in the first half of this track. The drop is immense – that saw bass synth riff… so good.

‘Tell me when I have to go / And then love me there’

The End – Daughter

This track embodies everything I love about Daughter – Elena’s cutting lyrics, their trademark washes of guitar and ever-evolving sections and poignant vocal chants.

‘Let’s spend the future talking about the past’

Dry and Dusty – Fever Ray

I’m a big fan of the self-titled Fever Ray record and Karin Dreijer’s androgynous vocal style. On ‘Dry and Dusty’, she combines her tribal voice with developing synth motifs and simple percussion, conjuring a surreal, dream-like mood.

‘I am a capsule of energy’

Sugar Pill – The Japanese House

This track opens with delicate, melancholic piano chords but soon evolves – introducing Amber Bain’s washes of vocoder-treated vocals, glitchy beats and expansive synths.

‘You can use my ribcage as a pillow’

Hazmat Suits – Kyle Dixon & Michael Stein

I went through a stage of being a bit obsessed by the Stranger Things soundtrack – it’s so hypnotic. The bass synth glide on ‘Hazmat Suits’ is huge and hits me in the stomach every time.

Form By Firelight – Jon Hopkins

Jon Hopkins’ Immunity is a huge sonic influence on us; it has so much life amongst all the electronic sounds. It’s just brilliant.

This Mess We’re In – PJ Harvey

One of my favourite songs of all time, on one of my favourite albums of all time. The addition of Thom Yorke’s ghostly vocals are a dream collaboration.

‘I have seen the sunrise over the river, the freeway / Reminding of this mess we’re in’

Outlier – Bonobo

Bonobo’s music has a great driving, energetic feel to it. Adam and I were both obsessed with Migration when it came out. The track ‘Outlier’ builds really strongly adding layer after layer. Tracks like this really influenced the Austel production process.

Sleaze – Klangstof

One of my more recent discoveries – I love the expansive space Klangstof create with those pulsing synths and soaring hooks.

‘The tide needs a night to set up and collide’

Europe Is Lost – Kate Tempest

Kate Tempest is one of the most powerful performers of our time – the rising tension and cutting message of this track is profoundly resonant, and a haunting reflection of the days we’re living in.

‘We have learned nothing from history / The people are dead in their lifetimes’

Silhouettes (I, II & III) – Floating Points

Adam’s a big Floating Points fan. ‘Silhouettes (I, II & III)’ has this amazing string part in the middle section which is a wonderful merger of electronic and acoustic instrumentation.

The Eraser – Thom Yorke

This whole record is incredible, another one of my favourites. The opening title track is Thom Yorke at his best – trademark moody piano chords, glitchy rhythms and those beautiful, haunting vocals.

‘You know the answer so why do you ask?’

Teardrop – Massive Attack

‘Teardrop’ was my entry ticket into trip hop. Elizabeth Fraser is one of the greatest singers of all time and this track perfectly exhibits how much power you can create with moments of fragility and dynamic range.

‘Water is my eye / Most faithful mirror’

Sounds like: Kllo, IDER

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