Jinka’s track ‘Ghost 2 U’ is glitchy trip-pop at its finest.
Ghost 2 U” is the Transylvanian artist‘s most emotionally dynamic track to date.
It juxtaposes a heavy, industrial half-time drop reminiscent of acts like Cashmere Cat, Amnesia Scanner or Tommy Cash with touchingly fragile and intimate tale-telling verses.
Jinka’s vocals evolve over a loop of pluck-sounds that unavoidably take your imagination to an underground stalactite cave hidden in the souterrains of Berlin.
Australian trio daste. is comprised of Callum MacDonald, Braxton Tahi & Tyler Harden.
Focusing on the smaller details (with the ‘d’ in daste. standing for detail), their new track, ‘SOBER’ is a summery lo-fi number showcasing simple, yet effective songwriting, and shares the idea that a clear head is always better than a mediocre, intoxicated one.
There is always an air of romanticism with Italian culture and Italian duo Malihini are no exception to this rule.
Their new single ‘Delusional Boy’ has upbeat drums, neatly undercut by its recurring vocal refrain, “Delusional Boy/Delusional Girl” – the downbeat rejoinder conveyed with a typically euphonious duo vocal melody that juxtaposes between a falsetto male part with baratone-esq female vocals, which all in all, creates an extremely easy-to-listen-to pop track.
Expect their debut album ‘Hopefully, Again’, out on 8 March via Memphis Industries.
Sounds like: SAMA, Beach House, Tennis, Chairlift, Au Revoir Simone
There is a definite lo-fi, funk theme in this week’s gems. Introducing Jesse Hite – an exciting solo artist who has just shared his debut ‘When It All Comes Down’.
An American artist living in France, Hite effortless blends sounds thanks to this move across the Atlantic, as well as travels through Asia.
‘When It All Comes Down’ is the first single of a three-song EP to be released. The song is full of character, soulful lyrics, in which Mite manages to create as much blooming sound as music troop, Jungle between a large number of them!
One of our favourite bands of all time, Vök, have released the visuals for the title single off the new album ‘Night & Day’.
Their most comfortable space is in continuing to push boundaries, but with the video for ‘Night & Day’, the trio go back to old school roots to really capture the essence and atmosphere of their sound.
Sounds like: Björk, Kate Boy, Poliça, Death Rattle, MUNA, The Knife
Jinka just ‘Don’t Work Like That’, or so she is stating in her new single.
On her way to claiming title as the German Sigrid, the producer/singer-songwriter’s trip-hop-pop banger is refreshingly fierce and kitsch. Swedish artist Ossian Melin (YungLean, LittleDragon) contributes the artwork to this project.
‘Don’t Work Like That’ will be the second single from Jinka’s debut EP, ‘Dr. Ara’ which is going to be released early January.
One by one the coins fall by the wayside. RAINDEAR‘s latest jam continues the theme of authentic, experimental melodic pop.
It’s written about “the last efforts you give to someone before you (not a day too soon) give them up completely. Just like when you pay your last coins to something, you don’t really care where they go anymore cause you’re so exhausted and broke and have zero fucks left to give.” Damn right girl!
Sounds like: Little Dragon, Ballet School, Kate Boy, Lykke Li, Phantogram, Santigold, SBTRKT, CSS
We do like a good festival, and after hearing that NOS Alive in Lisbon, Portugal is up there as one the world’s best music festivals, we decided to plan a trip in July to find out what all the fuss is about!
In the mean time, buckle up and check out our ones to watch within the indietronica genres (looks like we’ll mainly see you at the Sagres Stage then!).
THURSDAY 12 JULY
Friendly Fires, Sagres Stage
Energetic Brit boys Friendly Fires return to the festival circuit after a hiatus.
Having already had massive success with hits such as ‘Paris’, ‘Jump In The Pool’ and ‘Skeleton Boy’, their new single ‘Love Like Waves’ doesn’t disappoint and continues the theme of tropical-tinged synth sounds.
Expect a highly fun and bold performance at NOS Alive.
One artist we are super stoked to check out live is Khalid.
The American singer/songwriter originally started writing music during his college years, where he was also declared prom king. Amalgamating an array of sounds from classical, pop to hip hop, Khalid shows a real sense of urgency in his music.
We can’t get enough of his track with Billie Eilish, and can’t wait to see him perform at NOS Alive.
Sounds like: Kendrick Lamar, A$AP Rocky, Father John Misty, Frank Ocean, Chance the Rapper, Lorde, James Blake, Billie Eilish
Indie rockers Wolf Alice have been our firm favourites from the UK for some time now. They never disappoint at a live show, fronted by a fresh-faced Ellie Rowsell’s seemingly blasé but endearingly nervous attitude.
Expect a set full of their most brilliant tunes…so that’s all of them then!
Sounds like: Black Honey, Peace, Superfood, Foals, Circa Waves, Harry
Sampha is to be one of the UK’s best musical exports in 2018.
He has a knack for writing songs with deep and personal lyrics of pain and reflection, some of which have unfortunately has stemmed from health hardships suffered with his family at home, and we can’t help but think we are supporting him on this journey.
Truly thought-provoking stuff, definitely worthy of a slot at NOS Alive.
Sounds like: Jessie Ware, Frank Ocean, Solange, Moses Sumney, James Blake, Chet Faker, SBTRKT, Dallas Green
Future Islands‘ front man Samuel T Herring’s dancing is reason enough to go watch these guys at NOS Alive. And of course, the US synthpop band are wildly brilliant in as many unique, refreshing and inspiration ways possible.
Kicking off Saturday’s ones to watch are Lisbon natives, Lotus Fever.
They fit somewhere in-between Alt-J and Pink Floyd and it’s really refreshing to hear. We are expecting a super tight performance, thanks to their longstanding stint together since 2011 and it being their local city.
Their music has tendencies to sway in the 60’s, psychedelic market – imagine riding on a surfboard in space. However, we expect their set at NOS Alive to be a relaxed affair, where you can chill out and have a cider…or ride a surfboard in space, whatever takes your fancy!
Her new single, ‘Girls’ – written with Born Stranger – is a dark disco infused song to empower woman, and one that can be listened to both at home in your pjs or in the club.
Speaking on the track, Salt Ashes explains,
“‘Girls’ is about a situation that I’m sure many can relate to; when someone makes an assumption that you want more than just friendship based on their interpretation of how you act or dress. The track is about breaking the stereotypes of people who want to express themselves and their sexuality freely without the “slut shaming” or being told that they’re “asking for it”. I’d hope for the song to inspire confidence within people to stick to their decisions with who they want to be… I wanted the photo shoot to build on that with a strong message by trying to mess with stereotypes and ‘seeing with the eyes of the other person’ before making assumptions or judgements. The track was produced by Tom Fuller, and I co-wrote it with Born Stranger who are a band I performed with last year, after having experienced that exact situation for the millionth time.”
Sounds like: Tove Lo, I BREAK HORSES, Kate Boy, Kylie
Finding artistic inspiration during a 700 mile solitary walk through France and Spain, while listening to the film music of Thomas Newman (American Beauty) and Michael Nyman (The Piano), as well as the ethereal pop of Rhye and Zero 7, Nina June has created the cinematic pop song, ‘Out To Sea’.
Berlin-based artist JINKA shares the experimental and rather sporadic ‘Countdown Forever’, full of plonky synth sounds.
Speaking about the track, JINKA states,
“Countdown Forever is about an illusional state of infinite hedonistic experience. The title is paradoxical. But just because something is paradoxical it doesn’t mean you can’t explore the idea of it. I think, what I generally do when I’m writing is that I try to take a different perspective on the mundane, dip crude reality into some sort of surreal glossing, romanticize it without smoothening the contours.”