Thor Rixon‘s new single ‘Won’t Stop Crying’ is the third and final in a series of visuals featuring Thor, culminating in an EP at the end of the year. Sniff 🙁
It’s another big groover full of bounce and vibes, despite the turmoil Thor once again faces dealing with a break-up in today’s gross abundance of dating apps and social media.
Director, Rob Smith, gives his account of the filming experience,
“Thor is a natural performer. You put a camera on him and it’s hard to take it off. The main shoot itself was a tiny crew, consisting of myself, the “girl,” a DOP and two assistants. Thor and I later shot the iPhone footage all over Cape Town, pushing and pulling on those heart strings. Once Thor turned that tap on, there was no stopping him. He truly did not stop crying.”
Ed Prosek‘s new single ‘Now and Then’ marks the first chapter in a compelling new story for the talented solo artist. Picking up the folks riffs from his roots, he looks ahead with a fondness towards growing old.
‘Take Your Time’ and smell the flowers. That’s the message in Beau Turrentine‘s latest song, with its woozy and enticing demeanour that channels sweet and blissful dream-pop tones. It’s out now via Terrible Records.
Chillhum shares ‘Waste My Time’ featuring a vocal duet with Devyn Sawyer. It’s another slice of intricate and experimental bedroom pop with acoustic-electric R&B from the budding singer-songwriter/guitarist/producer.
Chinese/Australian multidisciplinary creative Dugong Jr shares the dreamy new single ‘Float’ featuring Rromarin. Inspired by the UK garage scene, the electronic producer creates a refreshing take on a classic sound.
Kid of the moment, Matt Maltese, is making waves with his soft take on 2020 indie. With a DIY aesthetic and scarily accurate prediction of current times, despite his continuous daydreaming, you can watch his cinematic video for ‘madhouse’ below.
Sounds like: Beach Boys, Oscar Lang, Glass Animals, Rex Orange County, The Last Shadow Puppets
Indie duo Hoofa considers the true cost of being a musician in 2020 in new single ‘How Do We Know’. A little more of a slow-burner than their usual ambi-pop take on indie, but this perfectly represents their abilities to consider aptly express real emotions.
Austin’s premiere psychedelic-rock connoisseurs The Bright Light Social Hour return with their cosmic, uniquely brilliant new single ‘Ouroboros’. It’s a transcendent journey through psychedelic, distorted guitar licks and spaced out vocal parts.
Burgeoning Aussie newcomer Moxley Rey returns with his triumphant sophomore single, a sun-soaked collaboration with Nashville-based alt-pop savant Jeff Carl. A kaleidoscopic cohesion of soothing indietronica, left-of-centre pop and euphoric EDM, it perfectly encapsulates boundless energy perfectly befitting any summer mood.
UK-based Georgie shares the expressive ‘Chasing Kites’ taken from her album, out now. Georgie was the first signing to Soul Kitchen Recordings (the label set up by Jake Bugg’s management company: Soul Kitchen), and it’s the only song on the album that she didn’t write or produce during the lockdown. Listen below for that uplifting feel.
Swedish artist and producer Kasbo shares his emotionally-charged new single ‘Play Pretend’. Featuring Ourchives’ soaring vocals, the track marks a new chapter ahead of his second studio album ‘The Making of a Paracosm’ will be out on 23 October via Foreign Family Collective / Counter Records, and features a passionate embrace amongst nature.
American-born French residing Jesse Hite combines music from the West Coast of the US with synth-laden electro inspired by his French antics. His new single ‘I’m Glad You Called Me’ combines poppy hooks with a generous nod to 80s disco.
A new wave of rockstars are taking over, and with Billie Eilish‘s seal of approval, Dominic Fike is making huge waves with his modern take on emo-pop. The track ‘Double Negative (Skeleton Milkshake)’ is one of the more indietronica-friendly tracks taken from his genre-bending new album, ‘What Could Possibly Go Wrong’.
Glass Animals shares the David Wilson (Tame Impala, Christine and the Queens) directed video for new single, ‘It’s All So Incredibly Loud’. Written about three seconds of life, in which during that short heartbreaking moment, devastation creates a deafening silence, followed by a point of no return.
Sounds like: alt-J, Tender, Pale Hands, Foreign Air, Everything Everything, Son Lux
Justin Timberlake-mentored trio The Shadowboxers have blown us away with their luxurious, beat-driven pop.
After searching high and low for their identity, it feels as if they have found it. Their new single ‘Float On By’ is a perfect example, written about ambition being the ego and surrendering yourself to the plans of the universe.
Following hot in the footsteps of disco collective, Jungle, is Essex based brother trio, Rayowa.
Dan, Reece and Luke often perform with a live band, showcasing their mutual love of soul, funk and disco. Their feel-good new single ‘The Only Night’ takes a look at cutting loose and escaping the mundanity of modern life.
So, what are you waiting for? Dust of your shoes and get dancing…
Born from a simple plan – make music friends in a flatshare in former East Berlin, BLOODHYPE is a Berlin-based, independent gang of four that demand to be noticed.
Masterminded by frontman Weyland and UK producer John “P Nut” Harrison (AmyWinehouse, AliceMerton), their new single ‘Violent Heart’ caught us from the get-go. It’s an addictive slice of modern indie pop full of 80’s inspired self-pity.
Foreign Fields is US-based Eric Hillman and Brian Holl, who create a bewitching melting pot of acoustic sounds.
As with all promising folk contenders, the duo wrote and recorded their upcoming album, ‘The Beauty of Survival’ in the winter in a back-to-basics cabin with no heating built by a two-man father-and-son team in Western Wisconsin.
Looking like they are having the best time, the video footage was taken from many of their past videos plus some extra shots from 2010 to 2019.
HUMANS is a Canadian indie-electronic duo made up of musicians Robbie Slade and Peter Ricq. Focusing on performance and production styles of both the past and present, HUMANS have consistently impressed upon audiophiles with their technical and compositional skills.
Introducing Zach DeGaetano and Bridget Boltz – aka Mannequin Online.
Pushing sonic and ideational barriers with gritty, yet refreshing off-kilter pop, may their sound forever remain bright, gritty, and unapologetic. Listen to ‘I Do’ and check out the glorious Gorgeous guitar solo.
Sounds like: Goldroom, Poolside, VHS Collection, The Knocks, Miami Horror