We are huge fans of quirky Icelandic electro-pop provacateur Máni Orrason‘s new single ‘Numb’. In fact, we are slightly obsessed with all of the visuals for his last few releases, portraying a broken yet endearing persona of desperation and a need for love.
The visuals for ‘Numb’ flashback to straying and emotional neglect, “I had this desperate need to be seen and to be comforted. I guess i was really lonely at the time”, Máni recalls.
The EP ‘BABY ANGEL’ is out now via Humming Records.
It’s time to end this week’s gems on a funky number from cross Atlantic trio, TriOrca.
Comprised of multi-instrumentalists and writers, who between them have an ecclectic array of work connections – including Jessie J, Sam Henshaw, Empire of the Sun – their modern, yet nostalgic music fuses neo-soul, hip hop and 70’s psychedelica.
At just under three minutes long, you’ll be easily forgiven for pressing repeat on SHY Nodi‘s new track, ‘Snakes’.
SHY Nodi, aka Nirob Islam, was born in Stockholm in 1993 after his family emigrated to Sweden from Bangladesh. Since then, he has penned some incredible tracks with his songwriting partner, SHY Martin, and won a number of native music awards.
His new single – out now via BLNK Music – is a frank call out to relationship snakes. You know the ones…
Rising electro-pop duo The Bliss share new single ‘Happier’.
Comprised of pop songstress TYSM (Chelsea Davenport) and hip-hop/electronic producer and guitarist Felix Snow (SZA, Kiiara, Gallant, IconaPop, RitaOra, TerrorJr.), their third single is a funky bop number, that effotlessly trailblazes new age synth-pop.
Curated within a minimal electronic soundscape that includes adventurous songwriting, densely layered harmonies and neo-soul guitar riffs, Myo is on a quest to add a human touch in the world of programmed dance music.
Máni Orrason – I Swear It’s True by Yannic Pöpperling
We are extremely excited about the first of this week’s gems! The Icelandic “cowboy baby angel” Máni Orasson returns with a reflective video about love in ‘I Swear It’s True’.
The visuals typify the hardships Orrason bravely struggles – agonizing fears for the future, unfulfilled longings, obstacles that life throws in the way of those in love – all within a beautiful, glitter-filled backdrop.
Australian singer/songwriter Harry Nathan releases his new single, ‘Sweet Vanilla Sky’.
Created following a break-up, the bohemian dream-pop song has bittersweet energy, which effortlessly resides between the lines of reality and fantasy, as Nathan explores love, loss, longing and remembrance.
…and what a way to finish off this week’s gems! Gorgeous, driving disco-pop courtesy of Finnish artit Onni Boi.
It’s rare to get a warm euphoric feeling that can instantly take over the body, but ‘Tides’ does just that. Boi has achieved the ability to make the whole room dance with his playful machine beats, as well as offering a shoulder to cry on.
Sounds like: Flight Facilities, Joe Goddard, Prince
Caymanian-born, London-based R&B newcomer Maeve shares the striking visuals for her new single ‘Eden’.
Directed by Black Dog Films‘ filmmaker Jade Jackman, choreographed by Liv Lockwood and styled by designer Asai (Dazed 100), the hallucinogenic and bestial video borders between what is real and what is not, conveying a sense of abandonment and isolation found in a toxic relationship.
The song is taken from her debut EP ‘Beasts’, out now.
Golden Vessel (aka Max Byrne) returns with ‘Moonstone’, featuring friends Elkkle and Akurei.
The upbeat track once again incorporates Byrne’s signature cross-genre style, and futuristic production.
‘Moonstone’ is inspired by the historical investigation of missing moon rocks from NASA trips into space on Apollo 11. Legend has it that the specimens once brought back to earth in 1969 were distributed across the world in the famous Goodwill Moon Rocks initiative, only to, nearly 30 years later, have mostly vanished or become untraceable.
Sounds like: MØ, Brolin, The National, Gang of Youths, Bon Iver, Alex Vargas, TENDER, Kanyon, REFS
Sonic production leads the way for Francis Novotny‘s new single ‘The Wire’.
It’s a brooding, electro-soul song by the Swedish multi-instrumentalist that is extremely reminiscent of JackGarratt or Asgeir, and captures that addictive quality of a nonetheless-toxic relationship, and the feeling (says Francis) “when a person leaves you hanging on without answers – and you know you should get out of it – but you keep winding back towards them.”
NYC-based duo Glassio share ‘Back For More’, a song for anytime of the day!
Built on an orchestral-electronic backbone that nods to the likes of MassiveAttack and Air, the pining, heartsick anthem is a penned love letter to a paramour after a strained relationship has come to a close.
Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs
Klune shares ‘Hold On’ featuring IVYE. It follows on from the release of ‘Nocturnal’, another magnetic pop number from the Italian band who formed in 2014.
Speaking about the track, the band say,
“Unlike our previously released single ‘Nocturnal’, ‘Hold on’ is one of the latest track we recorded for the LP and certainly represents a watershed, compared with the original sonorities of our project. Even with those changes, there is still a search for depth and space, two elements that strongly characterize most of our productions. The track sees the presence of Italian singer Ivye (Francesca Pianini). Her voice perfectly matches with the mood of the song adding to it a powerful combination of visceral moments and elegant vibes.”
‘Hold On’ will be released in January 19th via Factory Flaws.
Rising pop artist ADAL shares his new single ‘Synthesize’, featuring the vocals of Alexanderson of XY&O.
It oozes nostalgia combine with forward-thinking pop sensibilities, and there are even more exciting times ahead for ADAL – he is currently writing a debut album, with an array of featuring vocalists which include FREJA, Indiana, Farida and NINA.
UK trio STITCH are giving London Grammar a run for their money with ‘Goodbye Highline’.
The mid-tempo track is about that tricky middle moment where you look back nostalgically on a love lost, but also welcome the bright future ahead. It contains 150 layers of strings, all of which were recorded by band member Kye in their shared living room.
Expect their ‘Welcome To The Dream’ EP in March.
Sounds like: London Grammar, Jessie Ware, Nimmo, Kudu Blue