Our favourite producer Roosevelt (aka Marius Lauber) returns with the first new single since his sophomore album ‘Young Romance’ in 2018, and we are OBSESSED.
The new single ‘Sign’ focuses on all things digital, as luscious drum and vocal loops lead us into his spine-tingling world of early house and vintage synth-pop. Sparse and dazzling at the same time, ‘Sign’ is a prime example of Roosevelt’s deft craftsmanship.
Speaking about the emotive new track, he explains,
“I wanted to make something intimate, so I started with these spherical Juno 60 chords. When I added rhythmical elements, I realised that the track could work in a dance music world – I normally record a lot of real drums but stripped this one back to just an 808 beat. A nice contrast between the intimate feeling of the synth and the dancefloor qualities of the vocal sample, bass line and 808 started to emerge. I found it really inspiring to make something that’s initially made for listening alone on your headphones, but that hopefully can come alive in the near future when played out at a dance club or festival and create a form of unity again.”
Sounds like: Cut Copy, Goldroom, Day Wave, The Whitest Boy Alive, Caribou, Tourist, Jagwar Ma, Washed Out, Neon Indian, Du Tonc, Joe Goddard, Classixx
He’s Australian. Based in Los Angeles. And has made a distinctly European turn in his new song.
Harry Nathan‘s ‘Frontin Me’, ladies & gentlemen.
Speaking about the new lo-fi house track, he explains,
“The song was recorded into a 1984 SONY M-10 microcassette recorder. I wasn’t really sure what I was singing, I was just jamming and mumbling, stream of consciousness kind of thing. When entering this kind of trance, my lyrics tend to reflect unsurfaced emotions, and it wasn’t until after I had finished recording that I realised the song was about people that are fake, putting up a façade trying to impress all the time.”
We can’t quite work out if this is filmed before, during or after the party, but with visuals as quirky and comedic as always, we suggest you go check it out!
‘Frontin Me’ is available everywhere now via French tastemaker label, Kitsuné.
Sounds like: Moby, Joe Goddard, Roosevelt, Classixx, Goldroom, Hayden James
Born from a simple plan – make music friends in a flatshare in former East Berlin, BLOODHYPE is a Berlin-based, independent gang of four that demand to be noticed.
Masterminded by frontman Weyland and UK producer John “P Nut” Harrison (AmyWinehouse, AliceMerton), their new single ‘Violent Heart’ caught us from the get-go. It’s an addictive slice of modern indie pop full of 80’s inspired self-pity.
Foreign Fields is US-based Eric Hillman and Brian Holl, who create a bewitching melting pot of acoustic sounds.
As with all promising folk contenders, the duo wrote and recorded their upcoming album, ‘The Beauty of Survival’ in the winter in a back-to-basics cabin with no heating built by a two-man father-and-son team in Western Wisconsin.
Looking like they are having the best time, the video footage was taken from many of their past videos plus some extra shots from 2010 to 2019.
HUMANS is a Canadian indie-electronic duo made up of musicians Robbie Slade and Peter Ricq. Focusing on performance and production styles of both the past and present, HUMANS have consistently impressed upon audiophiles with their technical and compositional skills.
Introducing Zach DeGaetano and Bridget Boltz – aka Mannequin Online.
Pushing sonic and ideational barriers with gritty, yet refreshing off-kilter pop, may their sound forever remain bright, gritty, and unapologetic. Listen to ‘I Do’ and check out the glorious Gorgeous guitar solo.
Sounds like: Goldroom, Poolside, VHS Collection, The Knocks, Miami Horror
Young Swedish songwriter Francis Novotny shares the beautiful ‘Someone I Wanted To Be’.
With modern rings of The Cinematic Orchestra‘s ‘To Build A Home’, the cinematic approach to this stripped-back song – about love, regret, and new perspectives – is delicately composed with an emotional piano progression, whilst his vocals take centre stage.
After months of anticipation, Swedish artist STRØM finally unveils his earnest chops, whilst, ironically sharing his new single called ‘Blurred Out’, taken from his debut album, ‘Immortal’ out now via This is Scandinavia / Sony Music.
With a cascading beat of drums and vocal loops, the track gives us an intriguing glimpse into the album.
Sounds like: Ben Khan, TENDER, Solomon Grey, James Blake
Dublin-born Christian Cohle shares his haunting and melancholic debut single, ‘Breathe’.
Mixing majestic synthesizers and driving rhythms, ‘Breathe’ explores the emotional struggle of feeling interlinked with something that turns out to be artificial. Discussing the inspiration behind his new record, Cohle says: “Breathe was predominantly informed by experiences I was going through at the time, but also very much influenced by the neo-noir science fiction film, Blade Runner 2049.”
Sounds like: James Blake, Sampha, Jai Paul, Solomon Grey
Dan Croll returns with the release of double A-side single ‘Yesterday’ and ‘Stay In L.A.’ through Communion Records.
Following a transition to California from Liverpool two years ago, Croll’s writing has taken a more sunny demeanor, although there still remains a contemplative undercurrent with a gentle nod to his home town.
Sounds like: Sufjan Stevens, The Beatles, Elton John, Bombay Bicycle Club
Started by London-based Zygmunt Day, Joe Hyam and Nathan Kerntiff in 2019, Bad Progress is an experimental and refreshingly practical project that focuses on “the blend of musical styles playing in pubs and out of car windows in London” in a timeless and often scrappy style.
Their philosophy is “just make it easy”, which can be seen in their EP, ‘Moody Bangers’, out now.
Sounds like: Fontaines D.C., Black Midi, The Clash, Black Country New Road
Cubicolour is a duo composed of Amsterdam-based producers Ariaan Olieroock and Peter Kriek, and British singer-songwriter Tim Digby-Bell.
The second single ‘Wake Me Up’ – taken from their second attempt of a sophomore album, ‘Hardly A Day, Hardly A Night’, via Anjunadeep – explores the transient sense of identity in an uncertain, yet alluring manner.
Despite a period of losses – friends, loves, health, an album and each other – Cubicolor battled through and the result is an album that is undeniably true to themselves as a band.
We’re very excited to share ‘Stay Fantasties’ by wife and husband duo, Hollie and Keith Kenniff aka Mint Julep, an expertly manicured electric-pop venture that stands in stark contrast to the nebulous and experimental Helios and Goldmund outputs for which the latter member is known.
The vulnerable track shimmers underneath an amalgamation of textures and is out now on Western Vinyl.
Sounds like: Beauty Sleep, Tame Impala, Electric Youth, The Naked And Famous, Cocteau Twins, Helios
From one lonely artist to another…introducing transatlantic duo FARR (by way of Los Angeles and London) vocalist Roméo and producer Linden Jay (who has also produced for Rejjie Snow, LION SNOW, RITUAL and more).
Born from London loneliness, the soulful new track, ‘Heal Me’, was written with Carl Barat and Olly Burden and is full of heartfelt longing for missed loved ones.
Sounds like: RKCB, Jadu Heart, Dan D’Lion, James Vickery
Los Angeles-based Australian artist Harry Nathan shares his blissed-out new single, ‘Sweet Release’.
It comes as a surprise to us how much Nathan loves house music. He grew up wanting to be a house DJ, and the new single sees a fluidic connection between soulful lyricism and a stripped-back house influence within the instrumentation.
It’s the first taste of his upcoming second EP, his new lo-fi house project, about a psychedelic relationship.
Singer-songwriters Zoe Konez and Antonio Lulic combine on the rousing alternative-pop anthem “Echo”. Drawing on influences from Zoe’s indie background and Antonio’s stadium-filling pop tones, it’s an epic piece of pop-fusion that details a longing for adventure at the expense of personal relationships.
Sounds like: Oh Wonder, Of Monsters and Men, Ben Howard
Harry Nathan has once again teamed up with actress Odeya Rush (Ladybird, Goosebumps, Dumplin’) on their third music video together, for ‘Alright’.
The quirky ‘Alright’ involves a tasty disco-filled sandwich falling in love with a croissant – who wouldn’t want to take a nibble on that?
The two have worked side-by-side before, winning 24 independent short film awards worldwide for ‘Fool For Your Love’ and ‘Rooftops’.
The love story was a home-made effort that proved harder than the team had originally thought. Odeya says, “It started off with a simple idea to have Harry make a delicious sandwich. I pitched it as ‘something super easy to make.’ Though, as we got closer to shooting, the idea grew and I knew we couldn’t make something that didn’t excite or challenge us.”