Those who have been reading the blog for a while, know that we don’t often include remixes on the site but we had to share Bristol based producers Icarus‘ new remix of Milky Chance‘s single ‘Colorado’.
It’s taken from the German indie superstar duo’s surprise mixtape, ‘Trip Tape,’ via their own independent record label, Muggelig Records. They’ve also just been nominated for “Best Band” at the German radio award 1live Krone, alongside artists including ÄTNA.
Icarus transform the single into their own world of euphoric synths and downtempo electronic-inspired rhythms and grooves, making this a standout remix.
Chinese/Australian multidisciplinary creative Dugong Jr shares the dreamy new single ‘Float’ featuring Rromarin. Inspired by the UK garage scene, the electronic producer creates a refreshing take on a classic sound.
Kid of the moment, Matt Maltese, is making waves with his soft take on 2020 indie. With a DIY aesthetic and scarily accurate prediction of current times, despite his continuous daydreaming, you can watch his cinematic video for ‘madhouse’ below.
Sounds like: Beach Boys, Oscar Lang, Glass Animals, Rex Orange County, The Last Shadow Puppets
Indie duo Hoofa considers the true cost of being a musician in 2020 in new single ‘How Do We Know’. A little more of a slow-burner than their usual ambi-pop take on indie, but this perfectly represents their abilities to consider aptly express real emotions.
Austin’s premiere psychedelic-rock connoisseurs The Bright Light Social Hour return with their cosmic, uniquely brilliant new single ‘Ouroboros’. It’s a transcendent journey through psychedelic, distorted guitar licks and spaced out vocal parts.
Burgeoning Aussie newcomer Moxley Rey returns with his triumphant sophomore single, a sun-soaked collaboration with Nashville-based alt-pop savant Jeff Carl. A kaleidoscopic cohesion of soothing indietronica, left-of-centre pop and euphoric EDM, it perfectly encapsulates boundless energy perfectly befitting any summer mood.
Continuing to provide a constant stream of excellent releases this year, Glassio returns once again with new, upbeat track ‘One of These Days’.
The new single, lifted off his forthcoming debut LP ‘For The Very Last Time’, is a chilled-out, summertime tune, tinged with electro-pop nuances. Synth arpeggios carry you from verse to verse gracefully, keeping the song upbeat despite its more dark subject matter. In his own words, Glassio says this of his new single;
“I wanted to write a song that could help people who have felt bullied or silenced. Something that could serve as a hopeful, dance-y and optimistic song about feeling accepted whilst getting their message across. Like most of us, I’ve had the misfortune of knowing some pretty awful people in my life. This song is about all of them and me wanting to break away and fully accept myself for who I am.”
Keeping true to his modern style – whilst channelling 70’s soft rock influences – Glassio creates a new space for his sound, taking forward strides by looking back on his love of Paul McCartney is a testament to his musical intelligence, and we can’t wait to see what comes next.
Our favourite producer Roosevelt (aka Marius Lauber) returns with the first new single since his sophomore album ‘Young Romance’ in 2018, and we are OBSESSED.
The new single ‘Sign’ focuses on all things digital, as luscious drum and vocal loops lead us into his spine-tingling world of early house and vintage synth-pop. Sparse and dazzling at the same time, ‘Sign’ is a prime example of Roosevelt’s deft craftsmanship.
Speaking about the emotive new track, he explains,
“I wanted to make something intimate, so I started with these spherical Juno 60 chords. When I added rhythmical elements, I realised that the track could work in a dance music world – I normally record a lot of real drums but stripped this one back to just an 808 beat. A nice contrast between the intimate feeling of the synth and the dancefloor qualities of the vocal sample, bass line and 808 started to emerge. I found it really inspiring to make something that’s initially made for listening alone on your headphones, but that hopefully can come alive in the near future when played out at a dance club or festival and create a form of unity again.”
Sounds like: Cut Copy, Goldroom, Day Wave, The Whitest Boy Alive, Caribou, Tourist, Jagwar Ma, Washed Out, Neon Indian, Du Tonc, Joe Goddard, Classixx
Nashville bootgaze/indie-rock outfit Creature Comfort share the fuzzy ‘Arcade Fire’.
Not to be confused with the track ‘Creature’ Comfort’ by the band Arcade Fire (a cheeky nod to Arcade Fire unexpectedly releasing ‘Creature Comfort on the same day Clark and his bandmates performed at Bonnaroo Music and Arts Festival in 2017), this is a psychedelic explosion with wavy electric guitar and unrelenting percussion.
We covered Glassio a while back, and his melancholic and bittersweet take on electronica, disco and pop, what he describes as “melancholy-disco.”
The new single by the NY-based Irish-Iranian songwriter-producer is called ‘Nobody Stayed For The DJ.’ Inspired by early-80s UK-electro, the track is buoyed by trembling rhythms and emotional rumbles through its burbling synths. The expansive track still finds its place in a peaceful echo chamber as Glassio’s crooning guides us through a journey where tragedy and self-depreciation meet unexpectedly.
In his own words, Glassio says,
“I wanted to write a song about a DJ that has a micro-existential crisis during a set where they’re performing to absolutely nobody. I’ve definitely been there many times where I’ve DJ’ed or played live to an empty room and thought ‘what am I doing with my life?’ and know a lot of friends that can relate to that thought.”
Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs