Right in the forefront of Italy’s buzzing electronic music scene is enigmatic Iranian-born singer Nava Golchini and her band, aka NAVA.
A unique blend of culture and electronic twists, they create music that is truly visceral, both musically and visually. Their new single ‘Skin’ is soft and edgy, as it explores the darker side of human nature.
Out to set the message straight and spread an empowering message to her fans, Talitha is doing ‘Fine On My Own’.
Having only released a smattering of singles over the past two years, Talitha is creating her own definition of R&B in the UK, slowly emerging as one to watch within the genre. The predominantly R&B track hits with a unique vibe, taking pop influences from artists like SIA whilst adding an urban twist.
We haven’t shared music from electronic duo, Kaleida since 2015, so it was a pleasant surprise to see a new release appear in our inbox!
A lesson in sonic minimalism, the Glashier-directed stunning visuals features an array of solo dancers filmed on the streets in a fully locked-down Berlin.
Sounds like: Aquilo, New Order, Depeche Mode, The Human League, VÉRITÉ, Salt Ashes, Evvy, Monogem, Paperwhite, Chvrches, Palmedo, Prinze George, Nina Yasmineh, Day Wave, Poliça, Rhye, MS MR, Roisin Murphy
Berlin-based electronic pop band NIHILS shares the pop-kissed new single ‘Lost in L.A.’.
In an era of instant gratification, will we ever truly find what we are looking for? This song imagines driving through a desolate Los Angeles looking for purpose and a sense of belonging in an era of never lasting joy.
Lisbon trio Vaarwell is back with a sultry new single, ‘New Woman’.
Set in a dreamlike scene, warm keys underpin the delicate, ethereal vocals we have come to expect from Margarida Falcã. Accompanied by subtle electronic elements, we join Vaarwell on their journey to becoming vulnerable.
East London songwriter Runrummer‘s new single ‘Toronto’ speaks about her experience living in Ontario when she was 19.
It’s about growing up with big dreams, but being confined to aprehensions, “about being gay, coming out, experimenting with drugs, living far away from home for the first time, and trying to live up to people’s expectations.”
St. South is the moniker for Australian singer-songwriter-producer-multi-instrumentalist Olivia Gavranich.
She is known for creating blissful, nuanced and soulful electro on her own terms. Taken from her debut full-length album ‘Get Well Soon’, the visuals for ‘Growing Up’ refine the simplicity of life, out there in the world.
Sounds like: CAPPA, Tusks, Haux, Vancouver Sleep Clinic, Henry Green
Nigerian-British avant-pop auteur and artist Tony Njoku shares the brilliant new Max Jedwab-directed video for ‘CONFIDENT’.
The intense single adopts a confessional, diary-like intimacy underpinned by whirring synths, which dissolve into effervescent chaos.
It is taken from his new album, ‘Your Psyche’s Rainbow Panorama’, released on 4 October via Silent Kid Records, in which he has taken inspiration from a work of Icelandic artist Olafur Eliasson’s glass walkway, entitled ‘Your Rainbow Panorama’.
Sounds like: Sacred Animals, Ben Khan, Flying Lotus, Ghostpoet, Gaika, Lightfoot
Zanski digs deeper with his creative new single, ‘Younger You’.
A laid-back RnB affair, Zanski has teamed up with vocalist Emilia Ali to deliver unparalleled vocal lines, rich harmonies, and sweet grooves that perfectly showcase his ability for some serious tuneage, with as much intrigue and substance as James Blake or Jai Paul.
Sounds like: Ben Khan, James Blake, Honne, Banks, Jai Paul
Re-introducing Lisbon-based indie pop band, Vaarwell.
Formed in 2014, the band consists of Margarida Falcão (vocals, keyboards) – who is also a Xinobi (producer and DJ) collaborator – Ricardo Nagy (guitar, keys, production) and Luís Monteiro (bass, sampler).
With varying music genre backgrounds from indie rock to folk and electronic music, ‘False Promises’ is a wonderful return for Vaarwell, as the new song seesaws between denial about a relationship ending and absolute denial.
Jinka’s track ‘Ghost 2 U’ is glitchy trip-pop at its finest.
Ghost 2 U” is the Transylvanian artist‘s most emotionally dynamic track to date.
It juxtaposes a heavy, industrial half-time drop reminiscent of acts like Cashmere Cat, Amnesia Scanner or Tommy Cash with touchingly fragile and intimate tale-telling verses.
Jinka’s vocals evolve over a loop of pluck-sounds that unavoidably take your imagination to an underground stalactite cave hidden in the souterrains of Berlin.
Australian trio daste. is comprised of Callum MacDonald, Braxton Tahi & Tyler Harden.
Focusing on the smaller details (with the ‘d’ in daste. standing for detail), their new track, ‘SOBER’ is a summery lo-fi number showcasing simple, yet effective songwriting, and shares the idea that a clear head is always better than a mediocre, intoxicated one.
There is always an air of romanticism with Italian culture and Italian duo Malihini are no exception to this rule.
Their new single ‘Delusional Boy’ has upbeat drums, neatly undercut by its recurring vocal refrain, “Delusional Boy/Delusional Girl” – the downbeat rejoinder conveyed with a typically euphonious duo vocal melody that juxtaposes between a falsetto male part with baratone-esq female vocals, which all in all, creates an extremely easy-to-listen-to pop track.
Expect their debut album ‘Hopefully, Again’, out on 8 March via Memphis Industries.
Sounds like: SAMA, Beach House, Tennis, Chairlift, Au Revoir Simone
There is a definite lo-fi, funk theme in this week’s gems. Introducing Jesse Hite – an exciting solo artist who has just shared his debut ‘When It All Comes Down’.
An American artist living in France, Hite effortless blends sounds thanks to this move across the Atlantic, as well as travels through Asia.
‘When It All Comes Down’ is the first single of a three-song EP to be released. The song is full of character, soulful lyrics, in which Mite manages to create as much blooming sound as music troop, Jungle between a large number of them!
Suffolk school friends turned band mates Amethysts release double A-side ‘How It Is / Imitate Me’
Amethysts have worked with esteemed producers Shuta Shinoda (Daughter, Ghostpoet) and Matt Miligan to create two tracks that are looped by energetic synths, harmonies and guitars – the perfect indietronica combination.
Speaking on ‘Imitate me’, the duo state;
“Imitate me delves into the cut throat world of the music industry. This is our first diss track. It alludes to the competitive side of the industry, and how often ego’s get in the way, and bands try to get one up on each other, instead of working together to make the scene a nicer place.”
We do like a good festival, and after hearing that NOS Alive in Lisbon, Portugal is up there as one the world’s best music festivals, we decided to plan a trip in July to find out what all the fuss is about!
In the mean time, buckle up and check out our ones to watch within the indietronica genres (looks like we’ll mainly see you at the Sagres Stage then!).
THURSDAY 12 JULY
Friendly Fires, Sagres Stage
Energetic Brit boys Friendly Fires return to the festival circuit after a hiatus.
Having already had massive success with hits such as ‘Paris’, ‘Jump In The Pool’ and ‘Skeleton Boy’, their new single ‘Love Like Waves’ doesn’t disappoint and continues the theme of tropical-tinged synth sounds.
Expect a highly fun and bold performance at NOS Alive.
One artist we are super stoked to check out live is Khalid.
The American singer/songwriter originally started writing music during his college years, where he was also declared prom king. Amalgamating an array of sounds from classical, pop to hip hop, Khalid shows a real sense of urgency in his music.
We can’t get enough of his track with Billie Eilish, and can’t wait to see him perform at NOS Alive.
Sounds like: Kendrick Lamar, A$AP Rocky, Father John Misty, Frank Ocean, Chance the Rapper, Lorde, James Blake, Billie Eilish
Indie rockers Wolf Alice have been our firm favourites from the UK for some time now. They never disappoint at a live show, fronted by a fresh-faced Ellie Rowsell’s seemingly blasé but endearingly nervous attitude.
Expect a set full of their most brilliant tunes…so that’s all of them then!
Sounds like: Black Honey, Peace, Superfood, Foals, Circa Waves, Harry
Sampha is to be one of the UK’s best musical exports in 2018.
He has a knack for writing songs with deep and personal lyrics of pain and reflection, some of which have unfortunately has stemmed from health hardships suffered with his family at home, and we can’t help but think we are supporting him on this journey.
Truly thought-provoking stuff, definitely worthy of a slot at NOS Alive.
Sounds like: Jessie Ware, Frank Ocean, Solange, Moses Sumney, James Blake, Chet Faker, SBTRKT, Dallas Green
Future Islands‘ front man Samuel T Herring’s dancing is reason enough to go watch these guys at NOS Alive. And of course, the US synthpop band are wildly brilliant in as many unique, refreshing and inspiration ways possible.
Kicking off Saturday’s ones to watch are Lisbon natives, Lotus Fever.
They fit somewhere in-between Alt-J and Pink Floyd and it’s really refreshing to hear. We are expecting a super tight performance, thanks to their longstanding stint together since 2011 and it being their local city.
Their music has tendencies to sway in the 60’s, psychedelic market – imagine riding on a surfboard in space. However, we expect their set at NOS Alive to be a relaxed affair, where you can chill out and have a cider…or ride a surfboard in space, whatever takes your fancy!
Having just signed to Terrible Records (Blood Orange, Porches, Le1f), Norwegian producer and artist Gundelach shares the imaginative ‘Control’.
It is taken from the forth-coming ‘Baltus’ LP, and showcases Gundelach’s Nordic-noir sensibilities, using delicate synths, pulsating beats and his effortless falsetto voice to tell a story of deep personal depression.
Sound like: Ásgeir, Bon Iver, Honne, Boxed In, RY X, Vancouver Sleep Clinic, The Presets
We are excited about Benjamin’s Brother – an interesting indie-pop band from Tel Aviv.
Discussing topics such as violence, death, desire and love, and citing influences across several genres including Arabic, American folk and techno, it’s no surprise that their sound is expansive, yet tender.
Watch their video below, which was shot by Indy Hait, at the Tel Aviv Museum Of Art, on a 16mm film.
Sounds like: Tame Impala, SAMA, Mumford & Sons, Solomon Grey, Vancouver Sleep Clinic, Aquilo
Dutch electronic duo CUT_ share ‘It’s On’, a song about the denial towards the demise of a relationship.
But they don’t just write about internal issues found in human nature, but also discuss topics on mass psychology and by analysing these aspects of our society, CUT_ attempts to find a way of coping with the messed up world we’re living in.
We don’t know a great deal about Swedish singer/songwriter Timothy, but have really enjoyed listening to his second single, ‘Fly’.
Timothy explains, “The song is a long battle with a ghost of his, he interpreters his own song with a self-written poem. Wanting the listener to create their own story, rather than giving it all away.”
Sounds like: Bon Iver, Alex Vargas, Ry X, The xx, Keaton Henson, Matt Corby