Seraphina Simone shares the rich and velvety ‘Blue Devil’, as part of a double release, also featuring a track called ‘Skin’. It’s another passionate and 80s-dipped alt-pop number from the rising artist.
Introducing Toronto-based singer, songwriter and producer YASSiN, who invites us to escape with his uplifting new offering ‘Take My Time’. Teaming up with Sean Terrio, the track effortlessly blends folktronica, indie-pop, soul, and classic disco.
Songwriting heavyweight Bre Kennedy winds down for the cooler months with her acoustic track ‘Where Did Summer Go’, a nostalgic ballad that symbolises the passing and loss of time and dreams that never got to see the heat of summer.
Dark-pop artist Izza chronicles the ups and downs of dealing with anxiety and depression in a world where people are obsessed with the perceived perfection of their online selves, in new single ‘Lows’.
To say that BENEE is a rising indie-pop star is almost a disservice at this point. The breakout artist of the last 12 months has been releasing enchanting music and it looks as though the New Zealand sensation is set to continue her ascent to the very top.
Written and recorded with Josh Fountain shortly after New Zealand opened up from lockdown, BENEE was inspired to write her new single ‘Snail’ after spending weeks in isolation,
“When we were in lockdown, I was fascinated by snails. There wasn’t really a lot to be doing, so I would spend a lot of time outside looking at snails and would think about how they’re doing their own little thing and they’re all free. I just played around with the idea of being kind of like a snail and how I come out in the rain. Being stuck inside because of COVID, it’s kind of my lockdown song.”
Thick synth bass licks greet you to the unique project, almost acting as the percussion. As we continue, the tracks’ ever-expanding mix of creative elements and synths build layer upon layer of pop mastery, culminating in a busy song that you can’t help but find new ear candy with each listen.
With a chorus hook that just won’t quit, we would be impressed if this remains on your mind for anything less than the rest of your day at the very least.
Sounds like: G Flip, mallrat, Cub Sport, Vera Blue, HAIM, Remi Wolf
Meet Vancouver-based three-piece daysormay comprised of twin brothers Carson and Nolan Bassett and Aidan Andrews. Their name is taken from the English phonetic of the French word “désormais,” meaning “from now on”.
They’ve put together a playlist for us, check it out below.
Charli XCX – enemy
Carson: The chords and the melody along with the production of this song really all work
together to elevate each other, one of our favourites right now. It was so mind-blowing to hear
that this whole album was made in a month.
Ricky Reed, Terrace Martin, St. Panther – Real Magic
Carson: This song just brings the mood from wherever it is to a happier place, a feel-good song.
Toro y Moi – Lissoms (Instrumental)
Nolan: Love how this song is chill but manages to still make you groove. Even though this song
is 10 years old, it still feels fresh.
Mk.gee – Isn’t It So Convenient
Nolan: The drums on this song sound SO good. It’s just full of really cool and organic sounds
and I love how straight up and honest the lyrics are.
Grady – Let’s Stay Inside
Carson: The beat switch at the end is legendary.
Post-Modern Connection – Drowning
Carson: Glad to call these guys our friends, from just outside our hometown. Great chords,
beautiful vocals and keeps you interested all the way through.
Gia Ford – Waterslide
Nolan: So funky and kind of sinister-sounding at the same time. Whoever played bass on this
song killed it.
HAIM – 3AM
Nolan: The chords are SO good and the chorus bangs. Rostam is also one of my favourite
producers at the moment so I was stoked to find out he worked on this album.
CHIKA – DESIGNER
Nolan: It drops in hard and not in a way you would expect and I love how this song just plays
with your expectations the whole time. CHIKA also has such a good voice.
The 1975 – I Like America & America Likes Me
Aidan: The 1975 helped me realize that you could be in a band and not make “band music”.
Realizing that I could make a song with whatever sounds I wanted, that it didn’t have to be
based around guitar, drums, bass, typical “band instruments”, that was a big deal for me. I love
how they used the hard autotune in this, and the production and lyrics are so good.
Baby Keem – MOSHPIT
Aidan: A legend. I’m always drawn towards artists that have a unique vocal style/delivery, and
almost every line of a Baby Keem song is quotable. So good.
Charli XCX – claws
Aidan: this song’s been in my head for weeks now. Charli is so cool, and I’ve been trying to find
the snare sample Dylan Brady used on this ever since I heard it. It’s currently my favourite
Watch their energetic video for ‘Role Model’ with Tessa Violet below, which happened after she brought the band on tour and was blown away, signing them up to her label, T∆G Music.
Sounds like: Passion Pit, Sea Girls, Cold War Kids, Peach Pit, Walk Off The Earth, Chloe Lilac, Tessa Violet, Local Natives, Phoenix, Tokyo Police Club
Young Australian-based artist Lola Scott transports us to Scandi-pop territory with her new song ‘Take Me Back’.
Written from the perspective of being at the end of a long term relationship, it’s easy to reminisce at how easy it was to dive right into love with no fears.
This frankness in her songwriting is thanks to Scott’s hard work over the last 12 months, as well as learning piano and guitar at an early age, courtesy to her dad’s record collection of new-wave, post-punk synth-pop and alternative rock.
Sounds like: Lykke Li, Billie Eilish, Susanne Sundfør, HAIM, Clairo, Niki & The Dove, Oh Land, The Knife, Broods
Maui-born, LA-based singer/songwriter Beauty Queen – aka Katie Iannitello – crafts music on the sonic edges of dreamy lo-fi and alt-pop haziness, lost in the reveries of loneliness and unrequited love.
Inspired by 1950s pop and doo-wop, as well as more nostalgic decades and modern pop, her new single, ‘Two Of Us’, is out now and was written and produced in three days at husband-and-wife duo Alaina Moore and Patrick Riley of the band Tennis‘ Denver, Colorado home studio.
The visuals are a tale of two Sasquatches who are desperately in love and oblivious to the Sasquatch hunter on their tail. Watch below
Sounds like: Chairlift, Tennis, Real Estate, The Aces, Haim, Neon Indian, Alvvays
Alt-pop band Sarpa Salpa always strive to create upbeat, danceable tracks with unexpected changes and hidden meanings. The new video for their single ‘Lost Time’ aptly features a selection of tour clips showing this.
With support from Jack Saunders and Bombay Bicycle Club, definitely tune into these guys.
Sounds like: Island Club, Larkins, FEET, Two Door Cinema Club
Very much up to date with indie-pop trends, UK based trio Cassia, shares latest jam, ‘Do Right’, which talks about waking up to what’s happening in the world and making a conscious decision of wanting to make a positive change.
The video is set in sunny isolation. We love their all round positivity and sun drenched calypso sound.
Sounds like: Dancing on Tables, Vampire Weekend, Bombay Bicycle Club, Still Woozy
R&B artist Chloe Tang shares her latest single, offering a less rosy-colored side of love and youth.
Full of angst, she tells us how it is in ‘Fanning The Flame’. This isn’t a romantic gesture, this is a slow burn about knowing you’re trapped in a bad romance and knowing you’re powerless to escape it.