Tag Archives: Glassio

Glassio – One Of These Days

Posted on July 16, 2020 by Indietronica Staff

Glassio by Rachel Cabitt

Continuing to provide a constant stream of excellent releases this year, Glassio returns once again with new, upbeat track ‘One of These Days’.

The new single, lifted off his forthcoming debut LP ‘For The Very Last Time’, is a chilled-out, summertime tune, tinged with electro-pop nuances. Synth arpeggios carry you from verse to verse gracefully, keeping the song upbeat despite its more dark subject matter. In his own words, Glassio says this of his new single;

“I wanted to write a song that could help people who have felt bullied or silenced. Something that could serve as a hopeful, dance-y and optimistic song about feeling accepted whilst getting their message across. Like most of us, I’ve had the misfortune of knowing some pretty awful people in my life. This song is about all of them and me wanting to break away and fully accept myself for who I am.”

Keeping true to his modern style – whilst channelling 70’s soft rock influences – Glassio creates a new space for his sound, taking forward strides by looking back on his love of Paul McCartney is a testament to his musical intelligence, and we can’t wait to see what comes next.

Glassio · One Of These Days

Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

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Glassio – Nobody Stayed for the DJ.

Posted on March 11, 2020 by Indietronica Staff

Glassio - Nobody Stayed For The DJ

We covered Glassio a while back, and his melancholic and bittersweet take on electronica, disco and pop, what he describes as “melancholy-disco.”

The new single by the NY-based Irish-Iranian songwriter-producer is called ‘Nobody Stayed For The DJ.’ Inspired by early-80s UK-electro, the track is buoyed by trembling rhythms and emotional rumbles through its burbling synths. The expansive track still finds its place in a peaceful echo chamber as Glassio’s crooning guides us through a journey where tragedy and self-depreciation meet unexpectedly.

In his own words, Glassio says,

“I wanted to write a song about a DJ that has a micro-existential crisis during a set where they’re performing to absolutely nobody. I’ve definitely been there many times where I’ve DJ’ed or played live to an empty room and thought ‘what am I doing with my life?’ and know a lot of friends that can relate to that thought.”

Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

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Weekly Gems 36

Posted on April 4, 2018 by Indietronica Staff

Francis Novotny – The Wire

Sonic production leads the way for Francis Novotny‘s new single ‘The Wire’.

It’s a brooding, electro-soul song by the Swedish multi-instrumentalist that is extremely reminiscent of Jack Garratt or Asgeir, and captures that addictive quality of a nonetheless-toxic relationship, and the feeling (says Francis) “when a person leaves you hanging on without answers – and you know you should get out of it – but you keep winding back towards them.”

It’s out now on Black Butter Records.

Sounds like: Jack Garratt, Asgeir

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Dead Sea – Know Where

Dead Sea

Dead Sea is a four-piece French band who craft dreamy and magnetic post-pop songs.

Their new release, ‘Know Where’, does exactly what it says on the tin – it’s hypnotic and joyfully melancholic.

They’ve just been on tour with Slowdive and they will support Editors next April.

Sounds like: Beach House, Slowdive

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Two Legs – Don’t Tell

One thing we are certain about is our dislike towards uncertainty, and it seems UK artist Two Legs feels the same.

His wistful dance single ‘Don’t Tell’ is the first of three releases this year, and has a “give a fuck” mentality that we love.

Sounds like: SAMA, Moderat, Tycho, Joe Goddard

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KUZO – Monsoon

Kuzo

Los Angeles-based duo KUZO are back with their new single, ‘Monsoon’.

Blissful and cool as ever, KUZO once again deliver a combination of emotionally driven blends of sound and sultry tones.

Sounds like: VÉRITÉ, Noosa, EZA, Paperwhite

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7Chariot – Danger In Me

7Chariot

We are super excited about the new signing to 0E0E (pronounced: naughty naughty) called 7Chariot (aka Nashville based 20 year old Claire Wilkinson).

‘Danger In Me’ is understated, yet ambitious pop at its best, and the lyrics are something we can all relate to.

Sounds like: Mallrat, Grimes, Lorde, Sylvan Esso, MØ

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The Rare Occasions – Mercy Mercy

It’s not often we see decent indie rock coming out of the US, and we wouldn’t blame you for thinking this foursome going by the name of The Rare Occasions is British.

Their new single ‘Mercy Mercy’ is pure garage rock – rough around the edges, but fully refreshing to see due to the saturated market of pristine pop tunes.

Sounds like: YONAKA, Arctic Monkeys

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Suzi Island – Show Me The Way

Young Brighton duo Suzi Island debuts ‘Show Me The Way’, a breezy and catchy indie pop number.

These two have already managed to get some decent names onboard, including Pete from The Vaccines, who produced the song. They are definitely on our watch list for 2018.

Sounds like: Nothing But Thieves, Sundara Karma

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Glassio – Back For More

Glassio

NYC-based duo Glassio share ‘Back For More’, a song for anytime of the day!

Built on an orchestral-electronic backbone that nods to the likes of Massive Attack and Air, the pining, heartsick anthem is a penned love letter to a paramour after a strained relationship has come to a close.

Sounds like: Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

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Weekly Gems 18

Posted on November 9, 2017 by Indietronica Staff

FOXTRAX – Everything’s Changing

FOXTRAX

Born in New York, now residing in Los Angeles, FOXTRAX are an alternative rock trio with an electronic edge.

A third release in their “moving to L.A.” trilogy, ‘Everything’s Changing’ is about taking time to appreciate when good things happen.

Their EP – expected for release in early 2018 – is produced by British production duo Alexander Wolfe and Ben Roulston (Wolf Alice, Florence + the Machine) plus Jim Kaufman (Atlas Genius, Night Riots).

Sounds like: Cage The Elephant, Atlas Genius

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Nightshifts – Karma

Nightshifts

Nighshifts is the cosmic pop project of Toronto-based Andrew Oliver.

His new single ‘Karma’ is about not overthinking the future and sitting back to enjoy the ride, as expressed in the track’s nonchalant off-kilter vocal melody and breezy beats.

Sounds like: Chappo, Steely Dan, Young Empires

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Shenna – Magenta

Shenna - Magnenta

Wow Shenna‘s new single ‘Magenta’ is a sassy pop number, one that will straight-up encourage you to declare your desires to your number one crush.

Full of crimson synths and retro vibes beaming throughout, turn this one up loud!

Her next show is 18 November in New York as part of The National Sawdust’s ‘The Revolution’ series. Tickets can be purchased here.

Sounds like: Le Youth, ALMA, CAPPA

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Argonaut & Wasp – Prove It To You

We are big fans of Argonaut & Wasp‘s indie-dance tunes, so we are psyched they have a new single called ‘Prove It To You’.

Once again testifying their ability to produce something catchy, we just can’t get enough of the track’s slurry vocals and groovy sensibilities.

Sounds like: The Strokes, Modest Mouse, Talking Heads, Phoenix

Glassio – Daydream featuring NAKAYA

Glassio

Electronic duo Glassio are going from strength to strength with each release.

The latest addition to their catalogue, ‘Daydream’, is an ode to their love of early 2000s LA-based Hip/Hop & R&B, and features the delicate vocals of NAKAYA.

The guys says they “were imagining Dre and AIR making a record together”, although we think the vocal loops are more reminiscent of Gorillz‘ ‘Stylo’.

Sounds like: Gorillz, Hot Chip, Metronomy, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

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Henry Green – Stay Here

Bristol-based rising star Henry Green shares his dark but ethereal new single ‘Stay Here’.

A lot of greatness comes from dark places, much like this single, which Henry wrote at the site of Berlin’s 1950’s broadcast facility, Köpenicker Chaussee, during a moment of frustration and loss of direction.

It’s out now via Akira Records.

Sounds like: Jon Hopkins, Erased Tapes, Olafur Arnalds, Nils Frahm

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Iris Lune – Lost In Chatter

Iris Lune

Brooklyn-based art pop quartet Iris Lune share ‘Lost In Chatter’.

Clever percussion throughout depicts chatter overlaid by synth-led harmonies and more of a dance-inspired melody, lyrically inspired by the final chapter of Lewis Carroll’s ‘Alice In Wonderland’.

Sounds like: Little Dragon, Deerhoof, Björk, Σtella

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Au/Ra – Outsiders

Au/Ra

Growing up in the middle of nowhere has been the source of songwriting influence for Au/Ra‘s new single, ‘Outsiders’, not only because of her location growing up in Antigua, but also because of her introverted nature.

But this song is a call to arms for all misfits, giving them a chance to escape to a fantasy world.

She plays The Waiting Room in London on 13 November.

Sounds like: Florence + The Machine, Dua Lipa, Charli XCX, The Magnettes

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Hidden Valley – Let Go

Posted on May 10, 2017 by Indietronica Staff

Hidden Valley - Let Go

Hidden Valley is a vocalist and multi-instrumentalist from Toronto.

It was a passion for technology that led Hidden Valley to synth production.

The result is ‘Let Go’, a debut of smooth vocals combined with minimal production to create a highly atmospheric song.

It’s out now on Physical Presents.

Sounds like: Glassio, Mark Diamond, ECHOES

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Glassio – Morning House Feat. Charles Fauna

Posted on March 3, 2017 by Indietronica Staff

Glassio

Glassio put together an awesome playlist for us last year, so we’re super excited to share their new electro-pop track, ‘Morning House’ featuring Brooklyn artist/producer, Charles Fauna.

Despite growing up in different parts of the world (Sam between Dubai and London and Charlie in Paris), these musical cultures have merged to form the sound of Glassio that we know today.

‘Morning House’, written out of their bedroom studio, was fuelled by the need to dispel negative energy; “Morning House” is an homage to living in the moment, mindfulness, and self-reflection.”

Sounds like: Aquilo, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

Glassio
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Charles Fauna
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Playlist: Glassio

Posted on January 24, 2017 by Indietronica Staff

Glassio

Meet Glassio, the alt-pop project of Sam Rad and Charlie P.

Glassio have put together a playlist for us about the influences behind their recent atmospheric cover of Iggy & The Stooges‘ ‘Search & Destroy’.

You can listen to/find out more below.

“These are 11 songs that played a role in influencing our production of “Search & Destroy,” and that we still often reference when working on new music.

Individually, there might not be much in common with the cover, but there are elements from each that either exist in the cover or that we had on our mind when working on the track.

Most notably is the idm-electro inspired cover of “There Is A Light That Never Goes Out,” by German producer Schneider TM –originally performed by The Smiths. That served as a specific influence by taking something from one genre and fitting it into another.

I (Sam) have also been listening to a lot of UK garage and 2-step lately. Sticky is one of my favorite producers in that area, and the song we’ve included on here, “War Rhythm” played a big part in influencing a portion of the beat in the cover.

Lately, we’ve both been digging deep into old Philly soul, MFSB, and then lots of 90s and early 2000s R&B. That’s been having a major comeback lately, and you can hear it all over the Chance album. The voices on “Same Drugs” are particularly uplifting, and we wanted our voices in the gospel section of our cover to resemble the same mood.

“Heartbeats” by Joakim and “Transformer Man” by Neil Young are both basically singer-songwriter songs performed through vocoders, and that idea was really attractive to us, so we added that very faintly in the vocals on the first verse.

Our cover ends with a Beach Boys-inspired ending, emanating the trapped feeling that the vocals at the end of “’Til I Die” give off.

The playlist also starts off with a song by a former classmate of ours at Clive Davis. We never spoke in person, but his album is pretty fantastic, and definitely removes you from your current headspace with lots of controlled and orchestrated noise-rock. We wanted the ending of our song to have that same feeling.”

Sounds like: Aquilo, Foals, Jagwar Ma, Rüfüs

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