Tag Archives: Glassio

Hidden Valley – Let Go

Hidden Valley - Let Go

Hidden Valley is a vocalist and multi-instrumentalist from Toronto.

It was a passion for technology that led Hidden Valley to synth production.

The result is ‘Let Go’, a debut of smooth vocals combined with minimal production to create a highly atmospheric song.

It’s out now on Physical Presents.

Sounds like: Glassio, Mark Diamond, ECHOES

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Glassio – Morning House Feat. Charles Fauna

Glassio

Glassio put together an awesome playlist for us last year, so we’re super excited to share their new electro-pop track, ‘Morning House’ featuring Brooklyn artist/producer, Charles Fauna.

Despite growing up in different parts of the world (Sam between Dubai and London and Charlie in Paris), these musical cultures have merged to form the sound of Glassio that we know today.

‘Morning House’, written out of their bedroom studio, was fuelled by the need to dispel negative energy; “Morning House” is an homage to living in the moment, mindfulness, and self-reflection.”

Sounds like: Aquilo, Foals, Jagwar Ma, Rüfüs, Flume, Odesza, Bob Moses, Glass Animals, Totally Enormous Extinct Dinosaurs

Glassio
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Charles Fauna
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Playlist: Glassio

Glassio

Glassio

Meet Glassio, the alt-pop project of Sam Rad and Charlie P.

Glassio have put together a playlist for us about the influences behind their recent atmospheric cover of Iggy & The Stooges‘ ‘Search & Destroy’.

You can listen to/find out more below.

“These are 11 songs that played a role in influencing our production of “Search & Destroy,” and that we still often reference when working on new music.

Individually, there might not be much in common with the cover, but there are elements from each that either exist in the cover or that we had on our mind when working on the track.

Most notably is the idm-electro inspired cover of “There Is A Light That Never Goes Out,” by German producer Schneider TM –originally performed by The Smiths. That served as a specific influence by taking something from one genre and fitting it into another.

I (Sam) have also been listening to a lot of UK garage and 2-step lately. Sticky is one of my favorite producers in that area, and the song we’ve included on here, “War Rhythm” played a big part in influencing a portion of the beat in the cover.

Lately, we’ve both been digging deep into old Philly soul, MFSB, and then lots of 90s and early 2000s R&B. That’s been having a major comeback lately, and you can hear it all over the Chance album. The voices on “Same Drugs” are particularly uplifting, and we wanted our voices in the gospel section of our cover to resemble the same mood.

“Heartbeats” by Joakim and “Transformer Man” by Neil Young are both basically singer-songwriter songs performed through vocoders, and that idea was really attractive to us, so we added that very faintly in the vocals on the first verse.

Our cover ends with a Beach Boys-inspired ending, emanating the trapped feeling that the vocals at the end of “’Til I Die” give off.

The playlist also starts off with a song by a former classmate of ours at Clive Davis. We never spoke in person, but his album is pretty fantastic, and definitely removes you from your current headspace with lots of controlled and orchestrated noise-rock. We wanted the ending of our song to have that same feeling.”

Sounds like: Aquilo, Foals, Jagwar Ma, Rüfüs

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