‘On My Way’ encaspulates the BUNT. ethos – their name does mean ‘colourful’ in German after all. As the song commences, you expect it to branch into another stateside, commercial EDM number, but it quickly fills a happy folk void that you never knew you were missing.
Think Of Monsters & Men meets Avicii. Now take a listen.
Sounds like: Of Monsters And Men, Avicii, One Republic
LCAW (aka 22 year old Leon Weber) is sharing an interesting message in his new track ‘Staring at the Sun’, which features the lush vocal tones of New York City-based singer/songwriter, Sophie Hintze.
“‘Staring At The Sun’ has a clear message – If you feel trapped in a place or a situation you need to break free, pack up your things and just go. The Sun is quite symbolic in this picture, on the one hand it stands for hope, a better future, adventure; and on the other hand it is a burden. Staring directly at the sun for too long blinds you, leaving you on a path without navigation. The lyrics embrace a loss of direction. Hypnotised by yellow lines, moving faster than the speed of light, renegades without a plan. In the end it’ll be worth it.”
It’s out now via Ultra Records / Columbia Records.
Another Montreal-based band to be included in this week’s SubmitHub gems.
Meet indie folk band, The Franklin Electric, who have shared their video for ‘Burning Flame’, a cinematic showpiece filmed in Toronto.
“This was a spontaneous last minute addition to the record about the fire that feeds us and brings us to do all the things we do, or ignore the things we don’t do but wish we had. A voice inside most of us that can easily be ignored but the burn is a constant reminder. This video was all about the casting! I walked in the day of the shoot and met George, who plays the main role in this music video. He is the most endearing, honest, pure, yet driven 17 year old kid I have ever met. From that moment I was sold on the director’s story & concept. I invite you to meet George for yourself.”
It’s taken from their sophomore album, ‘Blue Ceilings’.
Bristol quartet New Carnival have just dropped ‘Solid Gold’.
‘Solid Gold’ a luscious indie rock ballad with a fiery underbelly. Much like the fascination of gold itself, the track draws listeners in, immediately turning them into a hypnotic state as lead singer Max Radford purrs “come a little closer, move a little nearer”.
You can catch them at the Omeara in London on 21 September.
Sounds like: Arcade Fire, Foals, The Maccabees, Coldplay
Mushroom People is a German electronic trio who all used to be in rock bands.
With some decent remixes under their belt (including XYLØ, NoMBe, Rainsford), Mushroom People have released their own track called ‘Wisdom Talk’, which sways more towards the contemporary pop sound than rock, although if you listen carefully you may find some powerful influences in there.
JOME is the project of Los Angeles-based songwriter, Jesse Marc.
He has teamed up with New Orleanian writer/producer Christoph Andersson (G-Eazy, OliviaO’Brien, Monopol) on ‘Crystalline’.
JOME explains, “Crystalline is a song about getting away from our modern addictions to technology and immediacy. It was written for someone really close to us who was going through a tough time, as a reminder that everything will settle in time.”
Berlin electronic producer and singer, Queen Alaska (aka Anneli Bentler), shares her debut track called ‘Under My Skin’.
Also a composer and audio visual artist, Queen Alaska uses her skills to create an atmospheric landscape for her classically inspired and progressive music, one that brings the poetry in her songwriting to life.
Watch the beautifully imagined video below, which follows Queen Alaska explore her inner wanderlust, longing for another place close to the moon.
Sounds like: Robyn, Niki and the Dove, James Blake
German-based Satin Jackets teams up with British singer, David Harks on ‘Northern Lights’.
As with all of Satin Jackets’ music, ‘Northern Lights’ has a distinct cosmic vibe, which is to be expected with the title of the song. Add to the mix, nostalgic vocal tones and reflective melodies, to create a breathtaking listening experience.
It’s out today on Eskimo Recordings.
Sounds like: Empire Of The Sun, Goldroom, RAC, Hot Chip, Cut Copy, Du Tonc, Future Islands, Phoenix
Love songs don’t have to be all about the doom and gloom of a relationship, they can be about the music you adore. Brooklyn locals, Secret Weapons do just this with uplifting new single, ‘Comeback Season’.
The twosome deliver a positive message about overcoming the odds (specifically the struggles they encountered whilst writing their album), which is further highlighted by the delightful addition of a gospel choir!
It’s out now via Epic.
Sounds like: Youngr, The 1975, Lionel Richie, The Levity, The Island Club, Ghost Beach, Backstreet Boys, LANY, Great Good Fine Ok, The Knocks
Some songs, while being well made and well put together, just don’t do it, they don’t hit you, they don’t catch you and pull you in. Some grow on you and with time give you more pleasure than you initially expected but some you feel so disconnected from that you just don’t listen again.
Sadly we’re all part of this world where immediacy counts, people need instant gratification from everything in their lives and if it isn’t instant then it’s on to the next. Weirdly sometimes a song that could be classed as timeless and a song that eventually becomes irritating and subsequently stale will both share that ability to grab you and pull you in to it’s enchanting rhythms from the very start.
‘Every Teardrop’ by the Munich-based duo Aggressive Swans is one of those songs. There is something about its simple, yet driving baseline that really appeals. It has a really simple and understated quality with enough poppy appeal to keep you humming the melody for quite a while.
It’s definitely pop, but it’s got more of an edge than your run of the mill pop song. The instrumentation says 80’s but the feel, fluidity and and space between the melody says more 70’s pop. Either way if you’ll either be drawn into it’s immediate pop charm and subsequently find it either timeless or irritating after a while or you won’t. We suspect we’re going to be closer to the first rather than the latter.