Tag Archives: FLETCHER

Weekly Gems 109

Joshua Worden – Easy to Say Feat. Casey Harper

Joshua Worden

Joshua Worden recently hit a deeply introspective period and his new selection of releases shows this.

With an educational background in Jazz Guitar and English Literature, his music is stripped back and takes a slower pace these days, dabbling in R&B, pop, trip-hop, and chillwave. Listen to ‘Easy To Say’ featuring Casey Harper.

Sounds like: Kllo, Kudu Blue, Rhye, Blood Orange, Moses Sumney, The Internet

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Logan Prescott – How We Wanted

Logan Prescott

Dallas-based Indie Pop artist Logan Prescott shares the uber dreamy pop single ‘How We Wanted’.

Tender guitars, dreamy synths and an all encompassing 80’s boyband vibe. Perfect for fans of LANY and joan.

Sounds lik: LANY, The 1975, COIN, joan

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Junípero – New Beginnings

Junípero

The Mexican dream-pop scene is bubbling away like a reactive volcano.

Junípero is the project of Joán Melendrez and Janelle Saucedo, who enjoy experimenting with transcendent thunderous and melodic sounds. Listen to their debut single ‘New Beginnings’ below.

Sounds like: Beach House, Explosions In the Sky, Mogwai

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DiRTY RADiO x Jafunk – The Baddest

DiRTY RADiO x Jafunk

From dreampop to nu-disco tinged funk, DiRTY RADiO team up with Jafunk on ultra smooth new track, ‘The Baddest’.

Despite never meeting, the two worlds have somehow collided into a kaleidoscope of sounds. With summer written all over it, click play right now.

Sounds like: Pat Lok, Jean Tonique, Keljet, Gigamesh, Moon Boots, Tobtok, Moullinex, Pomo, Anderson Paak, Mac Miller

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Blu DeTiger – Figure It Out

Blu DeTiger

Meet Blu DeTiger, touring bassist for Caroline Polachek, The Knocks, and Fletcher, and a credible artist in her own right.

Her art-pop single ‘Figure It Out’ is so bright and colourful that you need to put on those sunnies sharpsih.

Sounds like: Kitten, Sofi Tukker, The Knocks

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Far West – Can’t Let Go

Far West - Can't Let Go

Far West is, as you’ve guessed it, from the West Coast of the US, in California.

They have a unique take on bellowing indie/synthpop, reminiscent of the early ’00s. The new single ‘Can’t Let Go’ has big synth leads with a poppy vibe, and is written about trying to let go of something that isn’t good for you.

Sounds like: Passion Pit, Bombay Bicycle Club

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Night Tales – Feel Nothing

Night Tales

Australian electronic duo Night Tales – aka amaliza (Australian-born Kamaliza Salamba, formerly of Olympic Ayres) and Third Floor (UK-born/Aussie-based Aaron Bannie) drop their 3rd single of 2020 titled ‘Feel Nothing.’

It’s a positively-led dance number with a tender touch, written about a relationship that is emotionally spent.

Sounds like: Duke Dumont, Just Kiddin, The Magician, The Aston Shuffle, Hayden James

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Makk Mikkael – fear

Makk Mikkael

Montreal based artist Makk Mikkael (MacKenzie Michael) has been writing music from a young age. Since then, she has explored different cities in her home country of Canada, to finally settle in Montréal.

The heartbeat of her new single is a minimalistic down-tempo electro track with ethereal vocals and driving rhythm, which soon goes off-kilter as the ‘fear’ takes over.

Sounds like: BABii, Men I Trust

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Bronze Whale – Hold. Wait. Fall. Feat Poles

Bronze Whale - Hold. Wait. Fall. Feat Poles

First Bronze Whale are walking, next they are stopping.

Stripped right back, the minimal electronic track features fellow label mate and longtime friend, Poles. It’s about being dragged back into a relationship even when you know it’s toxic. Needing to see it through regardless of what it takes from you.

Sounds like: James Blake, Chet Faker, Flume, Droeloe, Weeknd, OTR, CLN

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Nao Yoshioka – Up and Away feat. PHER

Nao Yoshioka

Rising Japanese star Nao Yoshioka is showcasing her modern R&B and soul.

Born in Japan, now living in the US, Nao has been perfecting her craft and working alongside legendary musicians in the scene to create an authentic & powerful new album ‘Undeniable’, out now. Listen to her slow and sensual single, ‘Up And Away’ featuring PHER.

Sounds like: Aaliyah, Solange, H.E.R, Marie Dahlstrom, Oscar Jerome, Ella Mai, Alicia Keys

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Madnap – Silhouettes Feat. Little Shadows

Madnap

After relocating to Los Angeles in 2017, producer/songwriter/remixer Madnap – aka Kyle Fitzgibbons – shares ‘Silhouettes’ featuring Little Shadows.

The emo-tinged, trap-pop track is his favourite to date, and perfectly captures the Madnap sound in 2020.

Sounds like: yetep, Rome In Silver, Manila Killa, LIONE, juuku

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SamYell – Lose Yourself

SAMYELL

California native Samyell has a creative superpower that he is meant to share with the world.

Produced by Osinachi Nwaneri (T.I., Ciara, Black Eyed Peas), ‘Lose Yourself’ will make you do just that.

An infectious nighttime, jazz infused R&B anthem, it urges you to “get lost through temptations of money drugs and false promises.”

Sounds like: The Weeknd, Babyface, Timbaland, Ginuwine, Pharrell

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Mona Vale – All This Time

Mona Vale

Songwriter/producer and multi-instrumentalist Jamie Hoddle – aka Mona Vale – has created an altogether chilled track called ‘All This Time’.

Starting in the pop realms and soon developing into an indie form of ambient electronica, the song is about the early stages of a relationship, setting nostalgic emotions on fire.

Sounds like: XY&O, Nightly, Great Good Fine Ok, Maribou State

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Melyz – Bad Together

Melyz

Swiss artist Melyz shares her provactive new single ‘Bad Together’.

with a hint of R&B club vibes, the song takes a darker approach than previous releases, as it considers how toxic and destructive a relationship can become when it gets too passionate.

Sounds like: Banks

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Playlist: Charlee Remitz

Charlee Remitz

Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

Charlee has put together a playlist together for Indietronica. Check it out below!

Troye Sivan – SUBURBIA

I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.

Lorde – Homemade Dynamite

Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.

Hayley Kiyoko – Sleepover

This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.

Ariana Grande – Thinking Bout You

I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.

Aly and AJ – Take Me

This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.

FLETCHER – You Should Talk

I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”

Katelyn Tarver – You Don’t Know

Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.

John Mayer – In Your Atmosphere

The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.

Taylor Swift – Call it What You Want

A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.

Lord Huron – Lost in Time and Space

I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.

Sounds like: Dominique, CAPPA

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