Tag Archives: Enya

AURORA – I Went Too Far

Aurora

19 year old AURORA has come so far this last year, and continues to rise as one of Norwegian’s great musical exports.

She shares her video for ‘I Went Too Far’, which has been directed by directorial duo Arni & Kinski (Florence + The Machine, Editors, Snow Patrol, Sigur Rós).

Aurora is presented as a split personality. An ambitious video, laden with metaphor, it is twinned perfectly with an emotional track that is equally open to interpretation.

Aurora says of the track:

“When I was 9 I wrote most of this song, I watched someone brave and kind not demanding the respect and love they deserved. Growing up I realized these things happen all around us, sometimes worse than others. We shouldn’t be crawling on our knees to be recognized, loved and accepted, because that is no good love. Love should only be beautiful, not horrible. The sooner we learn that, the longer we have to learn to be kind to ourselves. And then demand to be treated kindly.”

UK Tour Dates in October

3rd Glasgow, Art School
4th Manchester, O2 Ritz
6th Newcastle, University
7th Birmingham, O2 Institute 2
8th Bristol, Trinity
10th Brighton, Concorde 2
11th Oxford, O2 Academy 2
13th London, O2 Shepherds Bush Empire
15th Cambridge, Cambridge Junction
16th Leeds, Brudenell Social Club

Sounds like: Regina Spektor, Susanne Sundfør, Ellie Goulding, First Aid Kit, Enya, Emilie Nicolas

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Interview: Badlands

Badlands

Badlands

Badlands is an electronic project by Swedish born songwriter, producer and sound designer Catharina Jaunviksna.

We caught up with Catharina to talk music and life.

For those of you who don’t know you, tell us a bit more about Badlands and how you got into music.

I’ve always been into music. As a teen it saved me, like so many others. I was listening to a lot of post-hardcore, shoegaze, synth and new wave. And even though I started to record early, I was always very private about it. Music was this huge and intangible mountain to climb, I thought I wasn’t worthy. And I didn’t know anybody else that was into synthesizers, midi and sampling back then. So I hid away and made music for myself and external projects, such as movies and plays, so that I wouldn’t have to uncover myself. I did make a few failed attempts to form a band too. But something needed to get out. I was missing something that only I would be able to materialize. So eventually I thought it was time to start arranging and finish the huge pile of soundtracks and experiments that was lying around on my hard drives. And that’s how Badlands was born. The first EP was released together with my friend Nikals Tjäder, it was great fun at the time but pretty obvious whose baby it was, so after the first release Badlands became my solo project. It was a big relief, now I could just nerd out and do whatever turned me on, without having to compromise with anything. Then I released the single Tutu, and now the new album Locus.

Describe your sound in three words.

Melodic, lush, interstellar.

You were born in Sweden, but also call Ireland and Italy your home. What do you like and dislike about each place, and why?

Scene-wise? Well, I suppose I’ll have to generalize here quite a bit, so don’t hold me too much to it. Sweden… We have great judgement and taste when it comes to music, but we can be pretty anxious about trend and rep. Doesn’t make good pioneers, not any more. But I’m sure we will again someday. The Irish scene on the other hand is very vibrant, a great balance of DIY and professionalism. Fortunately, the country’s stubborn and silly old values don’t reflect in the music, it’s the complete opposite. And Italy… I think they’re on their way. I meet a lot of Italians who idolize the Scandinavian and Anglo-Saxon scene though, and try to copy that, instead of finding their own thing. I believe they have to take whatever they’re insecure about and turn that into their strength instead. Like they used to.

Your album, ‘Locus’, is out now. Tell us a bit more about the process of creating ‘Locus’, and the meaning behind the album.

I don’t intellectualize around music, at least not my own. It’s not until the end of the process that I start to realize what it was all about. And the meaning can change with the process too, or hold several meanings. That’s why music is magic and not rational. But the process is usually the same, pretty much.

These transient melodies and pictures appear in my head like capsuled mini revelations, and from there I walk in to the studio and try to communicate that exact feeling somehow. Sometimes that process takes only a couple of weeks, sometimes several months. I love the start and the end of a tune making process, but the 90% in-between is a chaos of doubt and self-contempt. Haha.

I think it’s funny how many people seem to look at Locus at this apocalyptic prophecy though. To me Locus is magnanimous, tender even. It’s more a study over human kind, rather than an assessment. It’s a lot about how much power we have over who we are and the decisions we make. But each song has its own story, and I don’t want to sabotage my listeners own interpretations either.

Where do you cite your musical influences from?

A lot of stuff that inspire me is either from the late 70’s or early 80’s, even though I wasn’t born then. Music that lead on new wave, before it even became a concept. Both commercial stuff and more obscure space- and Italo disco. But I don’t try to sound retro or anything, I’ve never understood the thrill in trying to copy a sound myself, although I enjoy listening to others neo-synthwave and retro-futuristic work. But yes, the 80’s…I believe there was just enough technology to nurse creativity, but not restrict it, like today. It colored the sounds, made them re-assuring, warm and invincible. I build stamina and find strength in what they had then, that we lack today. I love the softness of the sounds too, that’s why my masters aren’t pushed so hard and ran through tape.

We love new music at Indietronica. What new music are you listening to?

Most new music I listen to is unestablished. I spend many hours every week digging around in the huge tank of indie anarchy that is Soundcloud. I think that’s the closest thing to crate digging in the digital world you get these days. It’s the darknet of music, but in a good way. I love finding and pushing overlooked gems. I think many of the major music blogs have lost their sense of passion, excitement and courage, that’s why I don’t look there for new stuff anymore, like I used to. But of course I listen to a lot of signed music as well. If we’re talking labels I really dig Warp, Mute, Secretly Canadian, Italians do it better, Ghostly, Captured Tracks, Lucky Number to name a few. And my friends. I’m lucky enough to know a bunch of super talented people. You find them where you find me.

Badlands’ album is out now. Order on iTunes now.

Sounds like: Tei-Shi, Glasser, Still Corners, Enya, Be Forest, Lilies on Mars

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Exclusive: Guns Playlist

Guns

Guns

Guns is 24 year old, Norwegian Gunhild Jarwson Tekle, who is now based in Denmark.

She’s lovingly prepared a chilled pop playlist for us.

See the track list below:

1) Nico – These days

Reminds me of a sort of summery boredom.

2) Texas – Inner Smile

Oh I have been dancing so much to this song, I’m in love with it. I did a terrible version of it in a karaoke bar in Berlin over Christmas.

3) Kylie Minogue – Slow

For some reason this song reminds me of summer. Maybe because of the music video with Kylie by the pool, surrounded by a bunch of men.

4) Sean Nicolas Savage – Promises

I just discovered this artist playing a small concert in ideal bar in Copenhagen, he was so crazy good and charismatic on stage!

5) Blood Orange – Chamakay

I think i just love music that sounds like a jungle.

6) Enya – Boadicea

Think it’s so great how there’s just her vocals and keys, and its so mysterious sounding too. And that there are no lyrics at all.

7) David Lynch – The Line It Curves

Makes me wanna get a drivers license so i can drive around listening to this at night. That goes for the whole album by the way.

8) Michael Jackson – Stranger in Moscow

It’s Michael walking around in bad weather.

9) Burial – Hiders

I’ve just been listening a lot to this this winter.

10) Tame Impala – Yes I’m Changing

I find this track so beautiful, and weirdly motivating. (Listened a lot to it while walking to school in the morning).

Like Guns’s vibe? Listen to ‘I Know Exactly How It Feels’ below.

It was released on 22nd January via Tigerspring / +1 Records.

Sounds like: Lykke Li, MAASAI

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Ghostly Kisses – Such Words

GHOSTLY KISSES

GHOSTLY KISSES

Ghostly Kisses is a Canadian electronic music duo consisting of Margaux Sauvé on vocals and violin, and Dragos Chiriac at the keyboard and handling production.

The twosome have a real knack of writing melancholic music that you are actually content listening to. Sauvé’s haunting vocals in the beautiful new track ‘Such Words’ perfectly showcases this juxtaposition, and we just can’t stop melting.

Sounds like: London Grammar, Enya, GEMS, Isaura, Vancouver Sleep Clinic, James Blake, Men I Trust

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Aurora Aksnes – Runaway

Aurora

Norway has been having some great exports of late. One that is hard to ignore is eighteen year old Aurora Aksnes.

‘Runaway’, her third track, is a mesmerising combination of icy, celtic-resembling, electronic beats juxtaposed with Aurora’s soaring, captivating vocal.

She plays TGE this May.

Sounds like: Regina Spektor, Susanne Sundfør, Ellie Goulding, First Aid Kit, Enya, Emilie Nicolas

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