Tag Archives: Dominique

Lo Lo – Convenient (TRU Concept Remix)

Lo Lo - Convenient (TRU Concept Remix)

We don’t usually share remixes but this one landed in our inbox and we couldn’t resist sharing.

It’s the TRU Concept remix of Toronto-based pop artist, Lo Lo‘s ‘Convenient’, in which she thanks TRU Concept for “reimagining my F#@K you pop song and turning it into a banging F#@K you dance track.”

Listen below.

Sounds like: Dominique, CAPPA

Lo Lo
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Sounds like: Gryffin, Blonde, Le Youth, Pat Lok, Just Kiddin, Kygo

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Playlist: Charlee Remitz

Charlee Remitz

Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

Charlee has put together a playlist together for Indietronica. Check it out below!

Troye Sivan – SUBURBIA

I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.

Lorde – Homemade Dynamite

Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.

Hayley Kiyoko – Sleepover

This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.

Ariana Grande – Thinking Bout You

I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.

Aly and AJ – Take Me

This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.

FLETCHER – You Should Talk

I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”

Katelyn Tarver – You Don’t Know

Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.

John Mayer – In Your Atmosphere

The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.

Taylor Swift – Call it What You Want

A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.

Lord Huron – Lost in Time and Space

I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.

Sounds like: Dominique, CAPPA

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Weekly Gems 42

Daniella Mason – Emotional Rollercoaster

Daniella Mason

Surprisingly, we’d not heard of Nashville-based singer/songwriter, Daniella Mason, before today, and quite frankly, we are blown away by her talent for crafting beautiful and intelligent pop music.

A journey of loss, Mason’s new record stands as one of four EPs that she’ll be releasing over the course of the next year as part of her State of Mine sound series. Each album — Emotional State, Physical State, Mental State, and Spiritual State — will explore the different parts of our humanity that we tend to suppress and have difficulty embracing.

Sounds like: Imogen Heap, The Japanese House, Robyn, Maggie Rogers, Billie Eilish

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Charlee Remitz – Forever Like This

Charlee Remitz

Charlee Remitz creates synth pop full of big dreams.

Having recently moved from Nashville to Los Angeles, the singer/songwriter’s music shines. Her new single ‘Forever Like This’ has lashings of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

It is the third single from her upcoming sophomore album, ‘Sad Girl Music’, out on 9 November.

Sounds like: Dominique, CAPPA

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CUB – Obsessed Feat. Clara Hurtado

CUB by Matt Stephens

CUB by Matt Stephens

CUB blends pop and dance sounds.

We featured his new single, ‘Obsessed’ featuring Clara Hurtado, not that long ago and he’s come back with a lively new video for it. These two don’t take themselves too seriously, which is pretty refreshing.

If you follow CUB’s Twitter you will see more videos of him and Clara goofing around.

Sounds like: Jake Alder, Diplo, Mura Masa, Zedd

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Cool Sounds – Cassandra

Cool Sounds

Australian band Cool Sounds ooze a breezy swagger, with a tad of fun awkwardness.

The video for their new single, ‘Cassandra’, is an uncomplicated, rollicking riff-driven track, with a distinctly live feel.

Watch it below.

Sounds like: Kurt Vile, Washed Out, Whitney, Mac DeMarco

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LCMDF – Waterfalls

f-2-7-2111517_N35In8fO_LCMDF1_by_silja_minkkinen

Finnish sister duo LCMDF release ‘Waterfalls’, taken from their ‘Sad Bangers’ album, out now.

Don’t be misled by the ironically positive pop keys and resulting euphoric climax in ‘Waterfalls’, as this is an ode to Generation Y, the modern day “baby boom” generation who were born in the 1980s and 1990s…and the ones who struggle in today’s society.

Sounds like: Icona Pop, NONONO

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YOUTH – Fire

YOUTH

Newcomer YOUTH (aka songwriter and producer Steven Mudd) is also one half of the critically acclaimed indie-pop duo, Golden Coast.

His debut single ‘Fire’ is energetic from the get go, with a steady drum beat and finger clicks throughout, perfectly blending with the anthemic feel of the song.

Sounds like: Imagine Dragons, Golden Coast

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Weekly Gems 41

Sugarcane – Bethnal Green Blues

Sugarcane

Comprised of Robin French (Cuckoo) and Antonia Thomas (Misfits, Lovesick), these two creatives write seductive bossa nova music paired with calypso pop sensibilities that would fit well on the soundtrack of ‘The End of the F***ing World’.

On the motivation behind Bethnal Green Blues, Robin states,

“Sometimes you write a sad song from a happy moment. This came to me while I was flying to South America to see a girl I’d fallen for. It’s about the emotional ice age after a romance fails, but it was written as that ice melted under the Argentine sun..”

Sounds like: Nouvelle Vague, Men I Trust

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Dancing On Tables – Colour Me Good

Dancing On Tables by Lucy Foster-0009

We love an indie anthem, so thank you to five-piece pop-rock, Dancing On Tables.

The band, school friends from school in Dunfermline, a small town just outside Edinburgh, have released ‘Colour Me Good’ – a groove-laced, vintage indie-pop track that encapsulates sun-drenched, dance-able songwriting with a distinct Scottish charm.

Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975

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Slenderbodies – The One

Slenderbodies

Slenderbodies is a California-bred duo who write forward-thinking, dreamy synth-pop.

Their new single ‘The One’ is intricately subtle musical medication, shared in preparation of their upcoming EP, ‘SORAYA’, to be released through Los Angeles indie label Avant Garden, which is also home to Emotional Oranges.

Sounds like: Glass Animals, Alt-J, Milky Chance, Mura Masa, Passion Pit, PVRIS

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Dirty Nice – Always Summer

Dirty Nice

Forget those summer blues.

Mysterious UK-based duo, Dirty Nice, make a positive point in new single – it’s always summer, somewhere.

Released on Kitsuné, the single is an antidote to holiday blues, and the “optimistic twin” to their track ‘Zero Summer’.

Sounds like: Shy Luv, Phoenix, Daft Punk, Jai Paul, Sylvan Esso

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Gavin Haley – Sad Season

Gavin Haley

From summer season to ‘Sad Season’ with former professional cyclist Gavin Haley‘s latest single.

While competing with the national cycling team, Haley suffered an injury that resulted in a collapsed lung, setting back his travel by several months. During his recovery, he explored and found inspiration in Europe’s underground music scene, becoming enamored with energetic live performances filled with a grit and energy.

Starting with a simple West Coast-inspired guitar riff, ‘Sad Season’ soon picks up and exposes determined pop and R&B.

Sounds like: Zayn Malik, Frank Ocean, Ed Sheeran

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ROYAL – Vessel

ROYAL

Canadian songstress ROYAL debuts with ‘Vessel’, the first of six new tracks that appear on her upcoming album, ‘Heart of Shadows’.

Covering the topic of heartbreak, loss of identity and raw self-reflection, this is electro-pop at its finest in 2018.

Speaking about ‘Vessel,’ ROYAL says,

“This song is about heartbreak – having to let go of someone you love, and then realizing the emptiness and loss of identity that ensues. I wrote this song it while trying to find myself after getting lost within a relationship for many years and then feeling shattered by the loss of a love I thought would last a lifetime.”

Sounds like: VÉRITÉ, Lana Del Rey, Evvy, Noosa, Dominique, The xx

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Von Sell – Scene Of A Crime

Von Sell

Last but not least, our favourite breakthrough act – self-taught producer, singer-songwriter and multi-instrumentalist, Von Sell.

After a bout of vocal pain and subsequent treatment, we are pleased to say that Von Sell is on the mend and returning to our stereos with ‘Scene OF A Crime’.

Taken from his forthcoming sophomore EP, ‘Digital Sleep’, the song reflects on unrequited love, but, due to its uptempo nature, it will ultimately leave a taste of confusion in your mouth because you can’t help but dance despite the disconcerting subject matter.

Sounds like: Summer Heart, Hazel English, Teen Daze, Peter Gabriel, Alt-J, Thomas Azier

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Kaerhart – For What It’s Worth

Kaerhart

Hot on the heels of The Women’s March last week, US singer Kaerhart shares her gritty new single ‘For What It’s Worth’, a reimagined version of Buffalo Springfield‘s 1987 protest song.

It is a project in collaboration with Los Angeles-based producer Dead Robot.

When speaking on the single Kaerhart share remarks “I was in a session with my good friend and producer, Dead Robot. We were both feeling outraged and upset about the state of the world and everything going on in our political climate. We wanted to convey that feeling into a song and decided that there would be no better way than to cover one of the greatest protest songs of all time – ‘For What Its Worth.'”

Months ago I was in a session with my good friend and producer, @chrisdeadrobot . We were both feeling outraged and upset about the state of the world and decided to channel that angst into covering our favorite protest song: For What It’s Worth. While working on the track, I had this realization that a lot of the issues our culture faced during the 1960s are a lot of the same concerns we are still facing today. This song serves as a reminder that for generations humans have continued to make the same mistakes… But I believe we are living in a critical time, one where we can finally begin choosing LOVE over fear. . The @womensmarch in 2017 had a profound impact on me. It was the first time I  felt that level of unity and hope for our future. I shot this video over the weekend with my partner @luke.vincente to try and capture that same feeling that initially helped inspire this song. We are so much stronger when we stand together than when we are apart. I feel grateful to be living in these times; though they may feel dark, we have the power to come together and change things for a better future. ✊🏻 . Thank you so much for listening + watching. To hear the full version of the song, check the link in my bio and stories. ⛓ Also, for those amazing souls that were in this video with me- please tag yourself in the comments below!! xx

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Sounds like: Harry, CAPPA, Dominique

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Weekly Gems 27

OKKAH – Body of a Swan

OKKAH

Indie pop quartet OKKAH share their new single called ‘Body of a Swan’.

Elegant and melodic in nature, and much like the animal itself, ‘Body of a Swan’ takes you on a dream-like journey full of delicate vocals and gentle keys.

It’s the lead track from the EP of the same title.

Sounds like: Fenech-Soler, Child Ivory, Crozet, Passion Pit

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Steven Bamidele – Things Could Be Better

Steven Bamidele

Let’s take things nice and slow with Steven Bamidele‘s ever-optimistic new single, ‘Things Could Be Better’.

It’s a stripped-back production with well-timed jazz percussion and emotive, soulful vocals, courtesy of the 23 year old London-based songwriter and producer.

Sounds like: Jamie Cullum, John Legend

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Kasbo – Aldrig Mer Feat TENDER

Kasbo - Aldrig Mer Feat TENDER

Kasbo is an exciting Swedish producer whose music fits nicely alongside the likes of ODESZA and Aquilo.

His current release ‘Aldrig Mer’ (translating to ‘No More’ in English) combines organic elements including real instrument recordings and electronic synths, as well as the boundless vocals of rising UK duo TENDER.

Expect Kasbo’s debut album to come out on Foreign Family Collective/Counter Records on 23 March.

Sounds like: ODESZA, Aquilo, SOHN, Jungle, Glass Animals, HUNTAR, Caribou, Air, Boxed In, Honne

Kasbo
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TENDER
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Emilia Ali – Thick Thighs

Emilia Ali

No one wants thick thighs, unless of course they are coming from Emilia Ali.

Already smashing the charts on Spotify and key YouTube channels, Emilia Ali doesn’t want to go unnoticed, despite her hushed voice in new single.

Listen below.

Sounds like: Alice Jemima, CAPPA, Sia, Dominique, Kiiara, Phoebe Ryan, Laurel, Lana Del Rey

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Cub Sport – Good Guys Go

Cub Sport

Cub Sport‘s new single ‘Good Guys Go’, questions just that – unreciprocated love, unfortunately a common theme in a lot of relationships.

The neon video, directed by Joe Agius is shot in real time with one roaming camera, and tries to capture an intense feeling of loss, inspired by images from fashion magazines and music videos by Michael Jackson, TLC, and Perfume Genius.

Sounds like: MRY

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Weekly Gems 21

Katherine Evans – Take It Slow

Katherine Evans

Meet 22 year old Katherine Evans. It says on her SoundCloud page that she likes to sing and sleep. We are not sure about her knack of sleeping, but she sings a damn good song!

With plenty of awards under her belt, she is far from taking it slow, unlike her new single, which is about capturing a fleeting and reckless moment.

It’s out now via Afromartian, an indie record label based in Italy.

Sounds like: Dominique, Billie Eilish

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Jarami – Hear This

Jarami

Dynamic Swedish production duo Jarami share the cool new video for ‘Hear This’.

It features a children’s choir singing and dancing alongside a perfect slice of percussive, psychedelic funk with bass heavy tones.

Sounds like: Day Fly, Amber Mark, Everything is Recorded, Love Ssega, Frank Ocean

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Teflon Sega – NEØN

Teflon Sega

Enigmatic singer Teflon Sega is right on point in the modern music scene having wracked up high numbers of streams on Spotify with his previous releases, and we are sure ‘NEØN’ will do just as well.

The track perfectly highlights Teflon Sega’s magnificent range of sultry lows and stirring highs. Listen below.

It’s out now via Majestic Casual.

Sounds like: The Weeknd

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Louis Futon – Restless Sea Feat. Opia

Louis Futon

Louis Futon is bringing the funk with new single, ‘Restless Sea’, featuring rising duo Opia.

Quickly becoming a force to be reckoned with, Louis Futon flies high on the track with his buzzy production methods and soft melodic touches.

Sounds like: Ben Khan, Gallant, ODESZA, Louis The Child

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Vera – Nobody Else

Vera

Standing firmly on his own two feet is the young Copenhagen-based Vera (aka William Asingh).

His latest single, ‘Nobody Else’, was a collaborative effort with Off Bloom, and is influenced by the Caribbean novel ‘Wide Sargasso Sea’ by Jean Rhys, which is about a landowner’s Jamaican wife who is locked up in an attic for allegedly being mad.

The ‘Good Job – No Conversation’ EP is released on 8 December through Ultra Records/Ministry of Sound.

Sounds like: Banks, Off Bloom, Soleima, MØ, Liss

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FKL – 1-800

FKL

FKL is an experimental London/Seattle-based duo comprised of Joe Gillick and Sage Redman.

We’ve not heard anything like this in a long time, and can’t quite pinpoint their sound, which we think is a great thing!

So…pick up the phone, dial ‘1-800’ and order some sweet, trippy beats blended with highly seductive vocals.

Sounds like: The xx

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Sacre – Stereo Feat. Dopize

Sacre

Sacre are hitting some serious Drake vibes with their new single ‘Stereo’.

It’s not the usual sound we hear from the French duo, but we kind of like it. The contrast between the classic electro vocals works well with the addition of rising French artist, rapper Dopize.

Sounds like: Goldroom, Chela, Miami Horror, Autograf, The Knocks, Cut Copy

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Year of the Brother – Slow One

Year Of The Brother

Finally, we have the brilliant new indie-pop trio from Portland called Year of the Brother.

We are particularly excited about these guys as they seem to have something special about them. Perhaps it’s the soaring, yet delicate production? Perhaps it’s the on-point falsettos? Or perhaps it’s the enticing lyrics? You decide.

The ‘Filling Empty Pools’ EP is out now.

Sounds like: Kyko, Will Joseph Cook, Owl City

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Dominique – Use Me

Dominique

Hype Machine beauty and bedroom producer Dominique shares ‘Use Me’.

The track has an empowering feel to it, but do not be deceived, as it’s actually one of the saddest, more intro-reflective songs Dominique has written to date, about “being so hopelessly in love with someone that you’d do anything and everything just to be around them.”

Sounds like: VÉRITÉ, CAPPA, Broods, Mr Little Jeans, Kate Boy, Lorde, Lykke Li, Sigrid

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Upsahl – Can You Hear Me Now

Upsahl

Phoenix-native Upsahl shares progressive pop number, ‘Can You Hear Me Now’.

The track is hella catchy, thanks to Upsahl’s lush harmonies and the addition of continual wooden percussions.

It’s hard to believe this teenager already has three albums under her belt, but it’s practice well spent as she clearly knows what direction she needs to be heading in,

“I like to maintain powerful and complex lyrics that are relatable to a variety of situations. I like to write about relationships, politics, cultural issues. This song is a message to someone on the other end of a failed relationship. It’s the kind of relationship that has been dysfunctional for some time. I’ve watched so many women in my life stay in a relationship that they aren’t happy in, they settle.”

Sounds like: Dagny, Dominique, Feist, Regina Spektor

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Siobhan Sainte – Burn It Down

Siobhan Sainte

Killer eyebrows and killer sounds from New Zealand-based electro-pop newcomer, Siobhan Sainte.

Siobhan takes her musical influence from a love of film noir, haute couture and pop culture, which all in all creates a dramatic performance. Her debut release (produced by Andy Rosen (Meg Myers, Ofelia K)) is called ‘Burn It Down’. It does just that with angst-heavy demands smothered in sentiment.

Sounds like: Dominique, Banks

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