Tag Archives: Devon

Matthew and Me – Figure

Matthew and Me

Matthew and Me

South Devon duo, Matthew and Me is comprised of lead vocalist/songwriter Matthew Board, and drummer Lucy Fawcett.

They have just shared ‘Figure’, a slightly more robust track than ‘Joy’ (which drew comparisons to Mogwai and Sigur Rós), with its 90’s indie rock sensibilities that offers immediate “light relief”.

‘Figure’ has been taken from their new EP, ‘Startpoint’, which is has been produced by Chris Bond (Ben Howard, Eliza Shaddad) and is due for release on 18 November via Beatnik Creative.

Tour Dates

27 Aug – Sea Change Festival
21 Oct – The Barrel House, Totnes
15 Nov – Rialto Theatre, Brighton
16 Nov – The Louisiana, Bristol
18 Nov – The Lexington, London

Sounds like: Foals, Phoria, Sigur Rós, Mogwai

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Tradiio Exclusive: Interview with Tourists

Tourists

Tourists

We are loving this month’s Tradiio band, and we recon you will too.

Meet Tourists; a five-piece gem from Torquay, Devon, who effortlessly combine indie pop with elements of electronica and folk.

We had a chat with the band about Torquay, support from the BBC, and what new music they are listening to at the moment.

For those who don’t know you, tell us a bit more about Tourists and how you all got into music.

The writing process actually began a few years ago when Scott (drums) was actively seeking out people to start a new band with. He stumbled on Jamie’s (vocals / guitar) Myspace page and connected with his songs immediately. Then by chance, they met in a local club and got things started. Tom (synth), Matt (bass) and Lloyd (guitar) were in other bands at the time which since split – Tom a psych-rock band, and Matt and Lloyd post-punk revival outfits.

The amalgamation of our styles and influences since coming together as a five-piece last year has been fantastic. It feels like we are a new band, yet we have loads of material in the bag and our sound is now richer and more expansive than ever. It’s exciting.

Describe your sound in three words.

“Dreamy, melodic bliss”.

That’s what BBC Introducing said about us recently. We’ll take it.

Your new single Quiet Room follows the popular release of previous single Cut and Run and is released on 17th June – Tell us more about it.

I think Quiet Room is a sign of where we’re at currently, showing how we’ve developed as a band in the last year. With Cut and Run we wanted to put something out that was going to be an instant hit, something catchy and infectious to engage people and get their attention – It had been over 6 months since our last release. Quiet Room has more depth. It has this weird contrast where the verse – and also lyrically – it has this solemn, melancholy tone, yet at the same time has this big, anthemic, feel-good chorus which people just love when we play it live. We actually had one guy in London come up to Jamie singing the lyrics to him after a gig – There’s no way he could have known them. It really resonates with people.

What is the music scene like in Torquay?

I personally think Devon is thriving with exciting young artists and bands (see Skeleton Frames, Peacock Affect, Sam Piper, Pattern Pusher, Martyn Crocker…).

Torquay itself is struggling to be honest – As I think are a lot of small towns. Sometimes I blame the venues for being short-sighted and not paying bands enough. Young bands need money to develop, buy better equipment, improve their sound. Then they get better, attract bigger crowds, inspire others, and before you know it you’ve started a bit of a scene. But then the venues have to make the money too… And if people aren’t turning up, its not worth them putting the bands on. It’s a vicious circle. I’m not sure what the answer is.

Do you consider yourself Tourists in Torquay?

Haha.. Definitely not. We all grew up here and have been here most of our lives. It’s a beautiful place to be (when the sun is out).

We discovered you on Tradiio. Do you think Tradiio has contributed to the immense response to your music from radio and blog tastemakers, as well as fans?

We like Tradiio a lot. It’s changing the way people discover and appreciate unsigned artists, which is important. The response to our music on Tradiio has been overwhelming from day one. Most of our tracks have reached the top 10 in their global charts which is cool. We actually got our first ever BBC Radio 1 play because of someone hearing our track All We Do Is Pretend on Tradiio. A few weeks ago we launched our Tradiio Circle, which allows our fans to directly support us each month as we try to fund our debut album. For example, if you subscribe for $5/month, you get exclusive access to new unreleased tracks prior to their release, old demos and ideas, and behind-the- scenes photos and videos of what we’re doing, new song ideas, etc. It’s allowing us to be more interactive with our fans, which is a good thing for both of us.

You’ve been working with producer James Bragg. How’s that process been?

Yeah, James is the man. He is the ‘6th  Tourist’. Recording with him is always so exciting as he adds so much to the tracks. We go to him with ideas and he makes them happen x 100. He even cooks us bacon in the morning.

We had our biggest gig to date recently, playing a live showcase for BBC Radio 1’s The Academy. We were pretty nervous before, especially when we saw how many people were there but James turned up just before we played and was the calming presence we needed. He said he felt like a proud Dad after that show – Ironic considering he’s younger than a few of us.

Where do you cite your musical influences from?

We like to think we are influenced by everything we hear. I think it’s a mistake to get hooked on one or two bands too much as ultimately you’re going to end up sounding the same – And what’s the point in that.

Jamie loves a good 80’s pop song. That together with post punk and psych-pop/rock influences, it becomes quite an interesting mix.

We love new music at Indietronica. What new music are you listening to?

Jamie – Radiohead – A Moon Shaped Pool (“It’s a masterpiece”)
Scott – Ulrika Spacek (“I have a thing for a maze of dark sounding, chiming guitars.”)
Matt – Diiv – Is the Is Are (“Such simple riffs but total bliss”)
Lloyd – Deep Sea Diver (“I love the guitar work and the synth tones they use sound great. There’s a really good balance between the two”)
Tom – Lets Eat Grandma (“The depth and maturity of their songs for their age is mind-blowing. They have serious natural talent.”)

‘Quiet Room’ is out on 17th June.

We’ve invested in Tourists. Have you? Listen to more of their songs and support them at tradiio.com/tourists/circle.

Sounds like: Band of Horses, MOTHXR, Tuska, Honne, Tender, BLAJK, Youth Club, FAIRCHILD

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Oli Hannaford – Lily

Oli Hannaford

Oli Hannaford

Devon talent, Oli Hannaford, returns with ‘Lily’.

Another self-produced track, Oli explains “Lily is a slightly complicated way of explaining a period of time where you’re really struggling. I was recently reading about a fish that swims around looking for lily pads to jump on because it breathes air (as well as water? No clue), and there are references to that search for the lily pad throughout. It’s also a bit about taking the struggle and turning it into a positive thing, broadening your mind set a little, but always giving yourself just enough breathing space.”

Sounds like: Boxed In, Tracy Chapman, Rationale, Rudimental, Alex Clare, James Blake, John Legend, Will Heard, The Levity

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BKLYN – Don’t Even Care

BKLYN

BKLYN

BKLYN are an alternative pop trio from Devon, UK, comprised of Josh (lead vocal / guitar), Alex (bass) and Jack (drums).

We caught up the guys to discuss Devon, musical influences and what their sound is all about (in four words, not three!).

For those of you who don’t know you, tell us a bit more about yourself and how you got into music.

Hi I’m Josh, I sing and play guitar. You’ve got Jack who plays the drums and Alex who also sings and plays the bass. We’ve all lived most of our lives in a small town on the coast of Devon. All 3 of us started playing music in different bands and through the playing of local shows, you kind-of got to meet and know who everyone was through the music “scene” – ’cause to be honest it doesn’t really exist where we are unless you venture inland a few more miles. But how we actually got into music started when we were all pretty young, I think we’ve now all got an urge/strive and passion to create a sound we can call ours.

Describe your sound in three words.

Lovesick Pop, Electronic, Ambient.

You’ve definitely got a The 1975 vibe going on. Where do you cite your musical influences from?

We have been told that our music resembles theirs and we’re humbled to hear that, but we couldn’t say that we were influenced by them in general. Our influences differ depending on which one of us you ask; we have American Football, Brain Eno, Peter Gabriel, Chairlift, Blood Orange, Sia, Neon Indiana, Bowie, I mean the list can go on. But we do have a huge mutual appreciation for hip/hop and take a lot of narration from the percussion and bass lines. It’s hard to narrow it down to a select few artists.

Tell us who the new release ‘Don’t Even Care’ is about?

Its kind a revenge song in my head, but its pretty self explanatory. I lead more towards it being in your face rather than it being vague and shadowing its truth, which is how I used to like to write. It needed to be more full fontal. Its pretty much about not caring about something special and being blatant about it, when you’re preaching to everyone that you did care. I’m heading down this self righteous road on how I’m writing these songs at the moment and most of the new songs we’ve yet to release will tell you that. Its exciting because we feel like this is the step we need to take in writing new music.

We love new music at Indietronica. What new music are you listening to?

Josh – I’m smashing out ZAYN‘s new album, theres some great new sounds I’ve not really heard on songs before which I love.
Alex – been listening to KANO and Deftone’s new albums.
Jack – it been LANY for me.

Sounds like: The 1975, Fickle Friends, BLAJK, High Tyde, SKIES, The Northcoast

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Oli Hannaford – Free Things

Oli Hannaford

Oli Hannaford

Stunning debut track, ‘Free Things’, is released by creative newcomer Oli Hannaford.

Vocal, lyrical and melodic comparisons have been made to the likes of Will Heard and Sam Smith, but we think Oli stands as his own contender for musical acclaim.

With over 20 songs to choose from, Oli has been writing for years and has no plans of stopping anytime soon with intentions of creating big electronic live shows to enhance the depth of his already impactful sound.

‘Free Things’ is out via Downtown Artists and available for purchase on iTunes.

Sounds like: Boxed In, Tracy Chapman, Rationale, Rudimental, Alex Clare, James Blake, John Legend, Will Heard, The Levity

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Metronomy – I’m Aquarius

metronomy_1

Long-standing indietronica artists Metronomy are originally from Devon, UK, and have been making music together now for 14 years. Their latest release came after a two hour teaser in the form of a loop via their website, eventually offering fans the chance to premier the track by searching through the sky for the Aquarius constellation via an app, in a bid to ‘encourage astronomy.’

This new music has been long-awaited, with no new Metronomy music having been released since the 2011 ‘English Riviera’ album.

I’m Aquarius’ is a minimal yet tuneful track, with simple, stripped down instrumental accompaniments, tinny, clicking percussion, and of course, the usual, trademark breathy and lulling vocals of Joseph Mount, backed by Anna Prior’s repetitive ‘Shoop-doop-doop-ahh’ throughout. The track progresses near the end, to include instrumental solos from other synths and piano sounds, which creates a full and complete, uplifting and inspiriting treasure.

I, for one, cannot wait to hear the long-awaited album ‘Love Letters’ due for release of March 10th 2014. Pre-order ‘Love Letters’ now and get ‘I’m Aquarius’ straight away, here.

Sounds like; Caribou, Miami Horror, Carousel, Hey Champ

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