Continuing the rock vibes is Kip Macklejar and his new single, ‘The Coal Miner’s Daughter’. Surprisingly, Kip is from Copenhagen, and this is not your usual Scandi-music affair – you won’t find any ethereal dreamscapes here.
Reckless Norweigian punks, Lazy Queen shares ‘Last Call’. Reminiscent of raw garage demos recorded in garages in the early Noughties, the track sees lead singer Henrik take an objective view on personal struggles surrounding addiction & mental health.
Montreal-based electronic artist CRi is quickly becoming a household name within the ambient electronic scene.
Having already released on TOKiMONSTA’s label, Young Art, and Anjunadeep, his new single ‘Never Really Get There’ is driven by his anxieties and desires for introspection, represented in expansive synths and Jesse Mac Cormack‘s elegant vocals.
Nashville bootgaze/indie-rock outfit Creature Comfort share the fuzzy ‘Arcade Fire’.
Not to be confused with the track ‘Creature’ Comfort’ by the band Arcade Fire (a cheeky nod to Arcade Fire unexpectedly releasing ‘Creature Comfort on the same day Clark and his bandmates performed at Bonnaroo Music and Arts Festival in 2017), this is a psychedelic explosion with wavy electric guitar and unrelenting percussion.
Modern-day society – even pre Covid-19 – gives many of us reason to feel anxious or like we have the weight of the world on our shoulders. Luckily for us, we have a new and fresh interpretation for our existential crisis’ in the form of new Danish band Cherry Blossom Kids.
Stacked with lush guitars and subtle dreamy synths, ‘Take Care’ helps and encourages us to find the release from modern-day pressures and connect with our feelings in a healthier way.
Speaking about the track, Henriksen from the band says,
“The lyrics address the challenges that many faces as they find their place in the world, socially, but also in relation to their own profession. We are so obsessed with achievements and quick results that many people forget what feels right and not what feels like a duty to society.”
Following the extremely well-received release with Lord Silva, School of X releases ‘Bad Love’.
Inspired by Eks-skolen – an anti-establishment art collective that was based in Copenhagen in the 1960s – the emo-tinged song by School of X’s Rasmus Littauer (MØ, Liss, Clairo) is about the loss of trust or faith.
Born from a remote connection via Instagram and a mutual love of big cats, London-based Welsh/Finnish electro-pop duo Rochelle and Vee are Tigerpunsh.
Brand new onto the scene, their single ‘Shade’ holds a bursting energy throughout, with delicate Eastern synths and experimental pop elements. A great start to what could be a very exciting future for the girls!
Sounds like: Broods, EXES, MS MR, Vera Blue, RAINDEAR, Nova Club, Georgia
Having entered the music scene from the early age of 17, this rising star has already received national recognition within the UK.
In his signature soul-infused, pop sound, HUDSUN’s latest offering ‘Shutdown’ speaks of the frustration in attempting to break someone out of an emotional prison they have created for themselves wrapped up.
Alt-pop band Sarpa Salpa always strive to create upbeat, danceable tracks with unexpected changes and hidden meanings. The new video for their single ‘Lost Time’ aptly features a selection of tour clips showing this.
With support from Jack Saunders and Bombay Bicycle Club, definitely tune into these guys.
Sounds like: Island Club, Larkins, FEET, Two Door Cinema Club
Very much up to date with indie-pop trends, UK based trio Cassia, shares latest jam, ‘Do Right’, which talks about waking up to what’s happening in the world and making a conscious decision of wanting to make a positive change.
The video is set in sunny isolation. We love their all round positivity and sun drenched calypso sound.
Sounds like: Dancing on Tables, Vampire Weekend, Bombay Bicycle Club, Still Woozy
R&B artist Chloe Tang shares her latest single, offering a less rosy-colored side of love and youth.
Full of angst, she tells us how it is in ‘Fanning The Flame’. This isn’t a romantic gesture, this is a slow burn about knowing you’re trapped in a bad romance and knowing you’re powerless to escape it.
Introducing the new project by Pietro Filippone – aka uomo.
His latest release, ‘All I Hear’, is the first song that Filippone has written by himself for the project. A decent bit of autotune in there, the softer house elements give the song a gorgeously gentle uplift.
Sounds like: Henry Green, Roosevelt, Goldroom, Hayden James, Elderbrook
DJ and producer Amtrac has teamed up with Grammy Award-winning British musician, DJ and producer Alex Metric on vocals in new single, ‘So Afraid’.
Looping vocals contemplate a simple question, “why you so afraid of love?” as Alex Metric’s breathy, enunciated voice lends an edge to the droning synths beneath, forming a steady crescendo of sound and passion that blooms.
UK duo Dirty Nice releases ‘100,000 Heartbeats’. A synth-wave pop at the core, it’s the perfect counterpart to the more lo-fi B-side, ‘Love Team’.
Originally presented as a special Valentines Day release, Dirty Nice sent a number of personalised cards to fans. Continuing this theme on their Instagram, an intergalactic cartoon epic has unfolded with a new card revealed every day.
Sounds like: Elder Island, Camel Power Club, Gorillaz, Everyone You Know, 10 O’Clock Chemical
Rising Danish pop songstress ELBA is making waves.
Starting her musical journey in the local choir at the age of six, it was clear her destiny was singing. Her new single ‘Remember Me’ showcases her powerful vocal range, and perfectly fits with the electro-pop production.
The Norweigan artists are smashing it this week, and it’s truly great to see Emilie Nicolas return.
Showing a new side to her music – less “cool pop” and more reflective – ‘Who’s Gonna Love You’ is centred around the difficulties of letting go of a relationship, succinctly capturing despair, unbridled joy, and the desire to dance.
Danish artist Blondage (née Pernille Smith-Sivertsen) comes at us with her personalised love letter to music.
The single, ‘I Love Music’, showcases her own unique style, combining a bubbly, club-y pop feel and a love for experimental sounds and quirky melodic details.
It’s the title track from her sophomore EP, written during a time of immense self-discovery and transition – a declaration of liberation and a middle finger to the societal expectations of being a well-behaved woman.
German artist Jinka shares her explosive new single ‘U Bit My <3'.
Channelling emo and urban vibes with a playful way with wonky arpeggios of synthesized steel drums and piano samples that intertwine with a trap-leaning beat.
DAD (aka bedroom pop singer/songwriter Kei Wells) shares her new single ‘Fresher’.
DAD has teamed up with Grammy-nominated Austrian producer, artist and pianist Yakob. Our favourite of hers to date, this declaration of independence is the ultimate single girl’s anthem, with electrified pop sequences infused with synth-pop juice.
Wrabel and Gallant will feature on her forthcoming EP.
We’re super excited about the sounds of Norwegian artist Jon Olav.
His new single ‘I Am The Thing’ opens with sparse piano chords (we instantly think James Blake), and bubbles into itself with deliciously sinister pop hooks and crystalline vocals as Olav looks inward to contemplate the pluses and minuses of attention.
Approachable Members Of Your Local Community – Small Change
With the best name we’ve seen for a long while, Approachable Members Of Your Local Community (let’s call them AMOYLC for short) releases the catchy ‘Small Change’.
The quartet – who met at school – fuse elements of indie, electro, funk and disco into their unapologetically spirited sound. But their new single ‘Small Change’ has a serious message. Dedicated to the firefighters and communities affected by the Australian fires, “it’s clear that small change can have a big impact.”
Gold Member is a three-piece of producers and singer/songwriters.
Crossing genres between funk, soul and pop, their new single ‘Stay On’ is an easy, breezy piece of charge-soaked, soulful pop with a topical headline about Indigenous identity in white Australia, and the struggles of living in a system of cultural oppression.
A daydream about endless summer days, it’s the perfect antidote for a wet and cold January. The song was crafted early one morning using a drum loop and an oberheim synthesizer and is a call to a honeycoated time of romance and yearning.
Touring drummer for MØ and Major Lazer, Copenhagen-based Rasmus Littauer spends the majority of his time on the road. When he does get some rare downtime, he spends it writing and producing tracks for his solo project, School Of X.
His evocative synth single, ‘Write My Name’ is the final single release before his ‘Destiny’ EP, which takes us on a journey of leaving doubts behind and looking forward.
Indie music often alludes to themes of adolescence, but what happens when indie bands grow up? Should their songwriting not follow suit? Stranger Girl are the perfect example of that, they retain all the trademark sonic tropes but their songwriting addresses navigating love in their twenties, hoping to ‘Find The Humour’ post-breakup.
Listen below and check out the warm fuzzy guitars set the perfect backdrop for frontwoman Melissa’s Blondie-inspired pop-rock vocal melodies.