Sainte Barae – Power + Control
The brilliant Australian artist Saint Barae returns with an intimate and nostalgic offering through his latest single ‘Power + Control’.
In a raw and empowering message behind the song, Saint Barae begins to open up as he takes us into a very personal and intimate tale of handling his sexuality with the people that mean the most to him.
Sounds Like: Téléphonik Muzik, Tame Impala
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Die Orangen – Sonne
Since listening to Die Orangen‘s single, ‘Sonne’, we’ve become slightly obsessed with their psychdelia approach to industrial sounds.
Having originally forged their partnership in the diverse electronic music scene of Australia, Kris Baha and Angus Gruzman recently decamped to the thriving Berlin scene to develop their dark and pulsing industrial-inspired productions.
Pre-Order it on Apple Music
Sounds like: Nine Inch Nails, My Bloody Valentine, The Chemical Brothers
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Somebody’s Child – Jungle
Irish-born, indie artist, Somebody’s Child returns his frenetic new single ‘Jungle’.
Usng music as a platform to discuss topics of mental health, ‘Jungle’ is a nervous yet honest display of indelible guitar riffs and beautifully coarse vocals.
Sounds like: Foals, Mystery Jets, Arctic Monkeys
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Royal Cinema – CHA-CHING
These ladies are having a fun time, and we want to be involved.
Royal Cinema was formed by longtime friends Johanna Cranitch, Isaac Carpenter and Sydney Wayser who, having spent years playing in their own solo projects and in other various touring bands such as The Cranberries, LORDE and Awolnation, decided they wanted an additional musical outlet where they could let loose and have fun.
Their new single is ‘CHA-CHING’ – a self-produced, pulsing pop track.
Sounds like: B52s, Goldfrapp, Sofi Tukker
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Tessa Dixson is back with another bittersweet single, in the form os ‘Hiding’.
Once again produced by Reinhard Vanbergen and mixed by Neil Comber (M.I.A., Charli XCX) is a silky and bittersweet affair.
Tessa’s torn but soulful voice is high up in the mix, locking you in from the first verse. The chorus is huge, there’s a sitar hook and warm backing vocals guiding you through the raw emotions of the song.
Sounds like: The xx, Kllo, Grace Carter, Lorde, Billie Eilish
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HÅN – It’s Better When I Sleep
Taking more of a The Japanese House vibe, HÂN shares the dreamy new single, ‘It’s Better When I Sleep’.
Considering the topic of sleeping, simply as it is – a necessary process that is both “intimate and reassuring, but also imaginary and illusionary”.
Take shelter and listen now.
Sounds like: Daughter, Skott, The Japanese House
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Aaricia – For Two
The darker shades of pop music have risen to the top of the pile of late, with artists like Banks consistently enthralling a captivated audience and Billie Eilish sensationalism reaching much of the world. Aiming for a slice of that pie is Montreal’s Aaricia, who balances her darker ethos with a soaring, honeyed vocal.
Her new single is equal parts sugar and spice, with Aaricia outlining ‘For Two’ is about desire and fantasy. It’s about that one person you can’t resist. You can try to play it cool but, in the end, you know you’ll succumb to temptation.
Sounds like: Liyv, CLAVVS, Charlee Remitz, Tessa Rae
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archmotors – Sitcom
From the west coast of Ireland comes a distinct blend of alternative rock and post-punk that simultaneously rides a wave of nostalgia whilst sitting ahead of the contemporary curve. archmotors, a duo with prowess and skill that extends far beyond their meagre membership, second single to date ‘Sitcom’ is darkly humorous in the most compelling way.
Fans of older video games will be charmed by the ‘point and click’ style video accompaniment – a perfect pairing, tune in below.
Sounds like: The National
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CLAVVS – Leviathan
House parties are pretty cool. You get drunk, you hook up with people, but you also meet future band members. This is what happened for Amber Renee and Graham Marsh one summer night in Atlanta in 2013.
Their mutual passion for hip hop and Radiohead soon developed, and they became known as the electronic duo, CLAVVS (formerly CLAWS in a bid to distinguish themselves some more).
Their sound is progressive, dark, hypnotic alt-pop driven by spacey synths and anthemic drums. All with the welcoming, but tenacious vocals from Amber.
Listen to ‘Leviathan’ below. What a brilliant way for CLAVVS to kick off 2016.
Their sophomore album, ‘halfblood’, is available for pre-order until 18 February with a limited run of 100 copies.
Sounds like: Monogem, Violet Skies, TENDER, Radiohead, Millicent, Echoes, Micky Blue, ASTR
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