Tag Archives: Charlee Remitz

Kylie Spence – Walk Away

From a small town in Montana, Kylie Spence is a pop artist with a knack for empathy. Starting at the age of 12, she began writing songs telling stories beyond her youth. Over the next few years she would go on to perform covers and originals at local open mics and coffee shops, realizing her passion to connect with listeners. 

Walk Away, kicks in strongly with Kylie’s tender voice, progressing to a catchy bridge building up to a minimalist yet catchy atmosphere backed up with wonderful vocal-chops out of Kylie’s voice.

In the track, Kylie is repeatedly led on by a boy she strikes a connection with at a party who keeps talking to all the other girls in the room. Tired of the games, Kylie decided to walk away from this toxic stranger, setting the tone for an empowering song. 

Sounds Like: LUME, Eden Farrow, Charlee Remitz

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Weekly Gems 83

Sainte Barae – Power + Control

Sainte Barae

The brilliant Australian artist Saint Barae returns with an intimate and nostalgic offering through his latest single ‘Power + Control’.

In a raw and empowering message behind the song, Saint Barae begins to open up as he takes us into a very personal and intimate tale of handling his sexuality with the people that mean the most to him.

Sounds Like: Téléphonik Muzik, Tame Impala

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Die Orangen – Sonne

Since listening to Die Orangen‘s single, ‘Sonne’, we’ve become slightly obsessed with their psychdelia approach to industrial sounds.

Having originally forged their partnership in the diverse electronic music scene of Australia, Kris  Baha and Angus Gruzman recently decamped to the thriving Berlin scene to develop their dark and pulsing industrial-inspired productions.

Pre-Order it on Apple Music

Sounds like: Nine Inch Nails, My Bloody Valentine, The Chemical Brothers

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Somebody’s Child – Jungle

Somebody's Child - Jungle

Irish-born, indie artist, Somebody’s Child returns his frenetic new single ‘Jungle’.

Usng music as a platform to discuss topics of mental health, ‘Jungle’ is a nervous yet honest display of indelible guitar riffs and beautifully coarse vocals.

Sounds like: Foals, Mystery Jets, Arctic Monkeys

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Royal Cinema – CHA-CHING

These ladies are having a fun time, and we want to be involved.

Royal Cinema was formed by longtime friends Johanna Cranitch, Isaac Carpenter and Sydney Wayser who, having spent years playing in their own solo projects and in other various touring bands such as The Cranberries, LORDE and Awolnation, decided they wanted an additional musical outlet where they could let loose and have fun.

Their new single is ‘CHA-CHING’ – a self-produced, pulsing pop track.

Sounds like: B52s, Goldfrapp, Sofi Tukker

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Tessa Dixson – Hiding

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Tessa Dixson is back with another bittersweet single, in the form os ‘Hiding’.

Once again produced by Reinhard Vanbergen and mixed by Neil Comber (M.I.A., Charli XCX) is a silky and bittersweet affair.

Tessa’s torn but soulful voice is high up in the mix, locking you in from the first verse. The chorus is huge, there’s a sitar hook and warm backing vocals guiding you through the raw emotions of the song.

Sounds like: The xx, Kllo, Grace Carter, Lorde, Billie Eilish

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HÅN – It’s Better When I Sleep

HÂN

Taking more of a The Japanese House vibe, HÂN shares the dreamy new single, ‘It’s Better When I Sleep’.

Considering the topic of sleeping, simply as it is – a necessary process that is both “intimate and reassuring, but also imaginary and illusionary”.

Take shelter and listen now.

Sounds like: Daughter, Skott, The Japanese House

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Aaricia – For Two

Aaricia

The darker shades of pop music have risen to the top of the pile of late, with artists like Banks consistently enthralling a captivated audience and Billie Eilish sensationalism reaching much of the world. Aiming for a slice of that pie is Montreal’s Aaricia, who balances her darker ethos with a soaring, honeyed vocal.

Her new single is equal parts sugar and spice, with Aaricia outlining ‘For Two’ is about desire and fantasy. It’s about that one person you can’t resist. You can try to play it cool but, in the end, you know you’ll succumb to temptation.

Sounds like: Liyv, CLAVVS, Charlee Remitz, Tessa Rae

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archmotors – Sitcom

archmotors

From the west coast of Ireland comes a distinct blend of alternative rock and post-punk that simultaneously rides a wave of nostalgia whilst sitting ahead of the contemporary curve. archmotors, a duo with prowess and skill that extends far beyond their meagre membership, second single to date ‘Sitcom’ is darkly humorous in the most compelling way.

Fans of older video games will be charmed by the ‘point and click’ style video accompaniment – a perfect pairing, tune in below.

Sounds like: The National

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Playlist: Charlee Remitz

Charlee Remitz

Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

Charlee has put together a playlist together for Indietronica. Check it out below!

Troye Sivan – SUBURBIA

I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.

Lorde – Homemade Dynamite

Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.

Hayley Kiyoko – Sleepover

This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.

Ariana Grande – Thinking Bout You

I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.

Aly and AJ – Take Me

This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.

FLETCHER – You Should Talk

I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”

Katelyn Tarver – You Don’t Know

Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.

John Mayer – In Your Atmosphere

The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.

Taylor Swift – Call it What You Want

A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.

Lord Huron – Lost in Time and Space

I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.

Sounds like: Dominique, CAPPA

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Weekly Gems 42

Daniella Mason – Emotional Rollercoaster

Daniella Mason

Surprisingly, we’d not heard of Nashville-based singer/songwriter, Daniella Mason, before today, and quite frankly, we are blown away by her talent for crafting beautiful and intelligent pop music.

A journey of loss, Mason’s new record stands as one of four EPs that she’ll be releasing over the course of the next year as part of her State of Mine sound series. Each album — Emotional State, Physical State, Mental State, and Spiritual State — will explore the different parts of our humanity that we tend to suppress and have difficulty embracing.

Sounds like: Imogen Heap, The Japanese House, Robyn, Maggie Rogers, Billie Eilish

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Charlee Remitz – Forever Like This

Charlee Remitz

Charlee Remitz creates synth pop full of big dreams.

Having recently moved from Nashville to Los Angeles, the singer/songwriter’s music shines. Her new single ‘Forever Like This’ has lashings of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.

It is the third single from her upcoming sophomore album, ‘Sad Girl Music’, out on 9 November.

Sounds like: Dominique, CAPPA

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CUB – Obsessed Feat. Clara Hurtado

CUB by Matt Stephens

CUB by Matt Stephens

CUB blends pop and dance sounds.

We featured his new single, ‘Obsessed’ featuring Clara Hurtado, not that long ago and he’s come back with a lively new video for it. These two don’t take themselves too seriously, which is pretty refreshing.

If you follow CUB’s Twitter you will see more videos of him and Clara goofing around.

Sounds like: Jake Alder, Diplo, Mura Masa, Zedd

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Cool Sounds – Cassandra

Cool Sounds

Australian band Cool Sounds ooze a breezy swagger, with a tad of fun awkwardness.

The video for their new single, ‘Cassandra’, is an uncomplicated, rollicking riff-driven track, with a distinctly live feel.

Watch it below.

Sounds like: Kurt Vile, Washed Out, Whitney, Mac DeMarco

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LCMDF – Waterfalls

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Finnish sister duo LCMDF release ‘Waterfalls’, taken from their ‘Sad Bangers’ album, out now.

Don’t be misled by the ironically positive pop keys and resulting euphoric climax in ‘Waterfalls’, as this is an ode to Generation Y, the modern day “baby boom” generation who were born in the 1980s and 1990s…and the ones who struggle in today’s society.

Sounds like: Icona Pop, NONONO

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YOUTH – Fire

YOUTH

Newcomer YOUTH (aka songwriter and producer Steven Mudd) is also one half of the critically acclaimed indie-pop duo, Golden Coast.

His debut single ‘Fire’ is energetic from the get go, with a steady drum beat and finger clicks throughout, perfectly blending with the anthemic feel of the song.

Sounds like: Imagine Dragons, Golden Coast

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