Peruvian-born Los Angeles-based Britt Lari self-releases her new single ‘Wild’.
The track, co-produced with Dominic Lalli of Big Gigantic, is more than a contemporary electro-pop track, it’s a colourful listen infused with a relentlessly funky, upbeat tempo and Britt’s dazzling vocal instrument.
Urging us to seek our own truth, the Canadian introspectively channels the energy of modern electronic music with the wistful nostalgia of contemporary indie music, evoking emotion in equal parts through both story-telling and sonic excellence.
ToyQueens describes his music as “alternative indie-emo with glittery pop and a melancholy dream-core aesthetic” and that’s just the beginning.
His new track ‘ChemicalBlood’ is certainly all of those things but with an indefinable quality that’s purely addictive. An anthem at its core, futuristic electronic sounds meet emo-era toplines that you simply won’t be able to get enough of.
Sounds like: Bleachers, the neighbourhood, badflower
Moise shares his downtempo indie soul record ‘Cellphone Receiver’. With echoes of rock, the lo-fi single blesses us with his distinct, rich and smooth vocal tone, as he explores a difficult past relationship.
Son of two Rwandan immigrants that came to America soon before the genocide to chase their dream, Moise finds inspiration writing about family, relationship and personal feelings through a rock-infused R&B and soul music from his city of Minneapolis.
Sounds like: Leon Bridges, Daniel Caesar, Steve Lacy, Dijon
Joe Ramsey’s keen ear for instant classics and mature songwriting will have you hooked on his new EP ‘Making Notes’.
The music industry is no stranger to songs of self-discovery during the pandemic but Joe approaches things from a different angle – exploring his experiences as a period of learning and appreciation and aptly, “making notes”.
What happens when some talented artists team up? A song destined for success, that’s what!
Dutch producer Boris Deckers de Breda aka BODÉ release ‘Wiz’ with San Antonio, Texas singer/songwriter Billy Vena – an honest record about being destined for music success, but with the price that comes with it, aka empty pockets.
Hard working London lads, Hoofa, share their anthemic new single, ‘Alone’.
With comparisons to indie band contemporaries such as Larkins and Sea Girls, as well and lyrical influences from more nostalgic acts such as The Beautiful South and PEACE, this is a perfect slice of jangly pop.
Sounds like: Kodaline, Larkins, Sea Girls, PEACE, The Beautiful South, Little Comets
Toronto vocalist/producer Tom Probizanski – aka Zanski – has an almost emo twist to his electronic take on R&B and alt-pop.
His new single ‘Consequence’ explores the theme of self-acceptance in the face of overwhelming internal struggle, a continual theme throughout his music, which varies in sound from gritty lo-fi electronica to vocal-rich, synth-heavy production, tailored with emotional lyrics and heavy themes.
St. South is the moniker for Australian singer-songwriter-producer-multi-instrumentalist Olivia Gavranich.
She is known for creating blissful, nuanced and soulful electro on her own terms. Taken from her debut full-length album ‘Get Well Soon’, the visuals for ‘Growing Up’ refine the simplicity of life, out there in the world.
Sounds like: CAPPA, Tusks, Haux, Vancouver Sleep Clinic, Henry Green
Cactus? is an innovative three-piece band from the industrial plains of Northern Italy.
Combining influences from the dance-punk phenomenon of mid-00s with the current Lo-fi Bedroom movement, adding to the mix 80s synths and samples – their new single ‘Shitdisco’, out now via Costello’s Records, is full of frenetic and unpredictable energy of crazy synths and poppy vocals.
Sounds like: Does It Offend You, Yeah?, Bloc Party
Indie-pop savant Stevie wolf is paving the way with his refreshing approach to unconstrained honesty.
Diagnosed with Tourette syndrome and major anxiety disorder, as well as meeting a lot of set backs when it comes to making music, hasn’t stopped him exploring the constaints of both personal and societal expectations.
Born from a simple plan – make music friends in a flatshare in former East Berlin, BLOODHYPE is a Berlin-based, independent gang of four that demand to be noticed.
Masterminded by frontman Weyland and UK producer John “P Nut” Harrison (AmyWinehouse, AliceMerton), their new single ‘Violent Heart’ caught us from the get-go. It’s an addictive slice of modern indie pop full of 80’s inspired self-pity.
Foreign Fields is US-based Eric Hillman and Brian Holl, who create a bewitching melting pot of acoustic sounds.
As with all promising folk contenders, the duo wrote and recorded their upcoming album, ‘The Beauty of Survival’ in the winter in a back-to-basics cabin with no heating built by a two-man father-and-son team in Western Wisconsin.
Looking like they are having the best time, the video footage was taken from many of their past videos plus some extra shots from 2010 to 2019.
HUMANS is a Canadian indie-electronic duo made up of musicians Robbie Slade and Peter Ricq. Focusing on performance and production styles of both the past and present, HUMANS have consistently impressed upon audiophiles with their technical and compositional skills.
Introducing Zach DeGaetano and Bridget Boltz – aka Mannequin Online.
Pushing sonic and ideational barriers with gritty, yet refreshing off-kilter pop, may their sound forever remain bright, gritty, and unapologetic. Listen to ‘I Do’ and check out the glorious Gorgeous guitar solo.
Sounds like: Goldroom, Poolside, VHS Collection, The Knocks, Miami Horror
We’re very excited to share ‘Stay Fantasties’ by wife and husband duo, Hollie and Keith Kenniff aka Mint Julep, an expertly manicured electric-pop venture that stands in stark contrast to the nebulous and experimental Helios and Goldmund outputs for which the latter member is known.
The vulnerable track shimmers underneath an amalgamation of textures and is out now on Western Vinyl.
Sounds like: Beauty Sleep, Tame Impala, Electric Youth, The Naked And Famous, Cocteau Twins, Helios
From one lonely artist to another…introducing transatlantic duo FARR (by way of Los Angeles and London) vocalist Roméo and producer Linden Jay (who has also produced for Rejjie Snow, LION SNOW, RITUAL and more).
Born from London loneliness, the soulful new track, ‘Heal Me’, was written with Carl Barat and Olly Burden and is full of heartfelt longing for missed loved ones.
Sounds like: RKCB, Jadu Heart, Dan D’Lion, James Vickery
Alt-folk singer, Esmé Patterson returns with her expansive and dream-filled ballad, ‘Light In Your Window’.
We’ve all been there, glancing up to a light in our ex’s house, longing and hoping that we might catch a glimpse of them. Patterson perfectly captures that moment – the desire for a person, a feeling, a space in time that no longer exists, and the desire to move on.
The song marks her first for BMG and was recorded with fellow Coloradans Tennis in their garage in Denver.
Sounds like: First Aid Kit, Paper Bird, Courtney Barnett, HAIM
There an great deal of exciting pop sounds coming from Germany at the moment. One such contender is Berlin based experimental pop artist Novaa.
Her intriguing visuals for ‘AI Am In Love’ explore the theme of love, specifically falling in love with artificial intelligence, and continues through to her unique and exciting upcoming album, ‘The Futurist’.
Swedish feminist and LGBTQ advocate, Ellen Krauss shares her bright video for the country-tinged pop song, ‘On The Bus’; a story full of heartbreak that has a kind of teenage nostalgia to it.
Since the age of four, Ellen has been secretly writing songs in her room in Stockholm, or in South Africa where her family occasionally lived. This is the first song released via BMG Recorded Music through a new partnership with the indie label, Tiller Inc..
Songwriter, producer, vocalist and budding-polymath Bevan shares ‘P.T.L’ featuring the luscious vocals of Holly Moore.
His experimental, disco-infused electronic project seems a far cry from teaching in the coastal town of Bournemouth. Inspired by track catchphrases in 80’s tunes, Bevan decided to create his own catchy number…’Part Time Lover’.
Sounds like: Friendly Fires, Midnight Pool Party, Ok Go, Roosevelt
Introducing super chilled out indie synth-pop trio, Couch Prints.
Originating in various apartments across the world and finally finding a home in Queens, New York, the song ‘Tell U’ reflects a feeling of transience and movement and leaving the past behind; whether that’s moving homes or ending a relationship or just changing yourself day by day.
So stop for a minute. Recline, listen, enjoy.
Sounds like: Porches, Men I Trust, Beach House, The Knife
Los Angeles by way of Nashville singer/songwriter Charlee Remitz has just released her album, ‘Sad Girl Music’. It’s full of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.
Charlee has put together a playlist together for Indietronica. Check it out below!
Troye Sivan – SUBURBIA
I’ve always admired Troye Sivan’s work in its entirety. His songs are beautifully structured–the melodies, the lyrics, the swelling synths and sparkling production beneath. I tend to stray from most modern pop. It’s become predictable. There are no dramatic or epic imperfections, which is something I think is so important in music. That subtle messy quality, which reminds you this person is human. This side effect of life is relatable. Love is found and lost. Troye Sivan transmogrifies the mundane–that’s what I most admire about this song. It is, in essence, a love letter to suburbia–the most mundane and simple part of our world. Where things look neat and perfect, but wars and exhausted battles are being fought within. Where transformation is often a thing of myth.
Lorde – Homemade Dynamite
Lorde is an elegant songstress. She draws a parallel between princesses and youth, kings and jesters. She has this incredible ability to string all these different parts of life into one teeming soup of tragic, melancholic celebration. There’s an insane relatability there, but also a disconnect, in that you can never imagine rising to such a prodigious understanding of life and its weary inhabitants. I’ve always imagined her heart is a different color than mine. A different shape even. It seems far more resilient and impervious to societal blue. I love how it observes our changing landscape, how it translates it into written word.
Hayley Kiyoko – Sleepover
This song is a wild clump of Forget-Me-Not. That sudden and intense remembrance of everything you had with a lover in your bed, especially knowing you may not ever have it again, as that love is swept away, downstream. But it isn’t nefarious, it’s sweet, it’s a lullaby. There’s no vengeance. I wanted to touch on that same elegance when I wrote about the end of my relationship.
Ariana Grande – Thinking Bout You
I’m not actually a massive Ariana Grande fan. But she does have BIG moments. Big, random, wonderful, spontaneous songs that pop up on each album. “Why Try,” “Thank U, Next,” and this track are all immediate, flawless favorites of mine. A branch of polished pop I can get behind. They all carry like a movie epic. The way they rise and fall, the way she tells a story, it’s like her vocals are afloat.
Aly and AJ – Take Me
This track is a dream. An ode to the 80s. I’ve largely called upon the 80s for inspiration with this album, right down to the fonts used. The 80s have this disconnected sparkle. Everything seems vivid and colorful and the stories are epic, teenagers riding in their classic cars, falling in love on spindle-wired phones. Unrequited love is in drastic overuse, but this story seems brand new. A blue heart turning remarkably pink by the song’s grand finale.
FLETCHER – You Should Talk
I didn’t fully understand this song until I went through a similar situation. Now, it’s the most relatable song to me in the world. There truly is no terror beyond the person you love finding love, comfort, sharing their self and body with someone new. Lately, I’ve been struggling most with the lack of empathy and warmth. The boy I loved, and will probably love forever, has no warmth left. No compassion. When he addresses me, it’s ice cold, and I’m left in his wake, shivering. I’m tired of the misunderstanding. The desire to find a closure that could exist if only he would open up just a bit and tell me his misses me too. It doesn’t need to be our revival, it just needs to be a final, “It was real, but now we let go.”
Katelyn Tarver – You Don’t Know
Simply put, this is the song I cried to, for so long. It’s being misunderstood. It’s wanting to be blue. It’s wishing people would stop poking at you. It’s being sad and not forcing yourself to wipe your tears. It’s ugly. It’s beautiful. It’s just letting it consume you for one moment because you’re sick of being strong. But there’s a triumph in that. Even if it feels like giving up. You’re not. You’re giving in so you can find the strength in unraveling.
John Mayer – In Your Atmosphere
The truest love of mine: John Mayer. Picking just one song was quite the struggle. I landed here because it falls–somewhat–in line with the rest of these. It has that cosmic feel the others do. Some carry it in their production, some in the story, some in the melodic structure. John Mayer is a wordsmith and “In Your Atmosphere” is the perfect break up song for someone like me–who loves being connected to another heart in the world when I’m traveling, who loves coming home to someone. Who loves that drum in my chest, the butterflies in my belly, the buzzing beneath my skin. That anticipation is a miracle. I’ve lost it. I feel terrified I took it for granted and won’t have it again.
Taylor Swift – Call it What You Want
A delicate love story. I remember listening through Reputation for the first time, and winding up in tears after its redemptive finale, with “Call it What You Want” and “New Year’s Day.” I’m not a crier without reason. How she found such a sweet and sound ending to an album that was otherwise filled with revenge, is beyond me, but she did. I wanted to end Sad Girl Music in a similar manner. I wanted it to come full circle. To feel like a journey. To drive, and then, to drift.
Lord Huron – Lost in Time and Space
I was very inclined to select his other, more popular 13 Reasons Why smash success, “The Night We Met,” but felt this track was one I more often heard in my head when I was in a rare moment of silence. Lost in time and space. Isn’t that what we all are? “Drowning in the seas of stars, lost in a galaxy of cocktail bars.” It’s miserable and uplifting. It’s sadness, it’s the distraction you search for, it’s the acceptance: all you have is you. You have you and the stars, and what else–really–do you need? Getting to that place. That final turning moment where you realize, love, as special and beautiful it is with another, love is best enjoyed when it’s found with yourself. When you become resolute–lost in time and space.