Ed Prosek‘s new single ‘Now and Then’ marks the first chapter in a compelling new story for the talented solo artist. Picking up the folks riffs from his roots, he looks ahead with a fondness towards growing old.
‘Take Your Time’ and smell the flowers. That’s the message in Beau Turrentine‘s latest song, with its woozy and enticing demeanour that channels sweet and blissful dream-pop tones. It’s out now via Terrible Records.
Chillhum shares ‘Waste My Time’ featuring a vocal duet with Devyn Sawyer. It’s another slice of intricate and experimental bedroom pop with acoustic-electric R&B from the budding singer-songwriter/guitarist/producer.
Ed Prosek takes an unexpected turn and shows us his creative vision in his video for new single, ‘Make It Easy’. As talented as Ed Prosek may be, the star of this particular feature is no doubt Nino – a small white dog which you can’t help but stare at. We cannot 100% confirm the breed, sorry! The video features Nino singing the song in its entirety, allowing a sense of fun into a deeply personal lyric.
The record itself occupies a unique space between soulful singer-songwriter and pop artist, Jack Garrett. An obvious appeal to this record is the outstanding vocal talent Ed possesses, summoning us with a soulful and powerful tonal edge. This is of course occupied by the undeniable writing talents of the British native.
Expect his EP ‘Flesh & Blood Part Two’ to be released in the summer.
Sounds like: Jack Garratt, Frightened Rabbit, Bruce Springsteen, Ten Fé, Chet Faker, Talos, Solomon Grey, Aquilo
Introducing EMMA-nominated Finnish band, The Holy.
With a heavy focus on the live setting, their music is led by atmospheric piano chords and layered alt-rock, to create an equally inspiring set of tracks in their utopian themed album, ‘Mono Freedom’, released on 17 April via Playground Music.
Speaking further, frontman Eetu Henrik Iivari explains,
“The record and the lyrical themes are inspired by Alan Weisman’s book The World Without Us; a classic science book that explores a bunch of scenarios of what would happen to Mother Earth if humans were to disappear today.”
Sounds like: Ten Fé, The National, Bruce Springsteen, NEU!, The Twilight Sad, U2, The Slow Show
Introducing the new project by Pietro Filippone – aka uomo.
His latest release, ‘All I Hear’, is the first song that Filippone has written by himself for the project. A decent bit of autotune in there, the softer house elements give the song a gorgeously gentle uplift.
Sounds like: Henry Green, Roosevelt, Goldroom, Hayden James, Elderbrook
DJ and producer Amtrac has teamed up with Grammy Award-winning British musician, DJ and producer Alex Metric on vocals in new single, ‘So Afraid’.
Looping vocals contemplate a simple question, “why you so afraid of love?” as Alex Metric’s breathy, enunciated voice lends an edge to the droning synths beneath, forming a steady crescendo of sound and passion that blooms.
UK duo Dirty Nice releases ‘100,000 Heartbeats’. A synth-wave pop at the core, it’s the perfect counterpart to the more lo-fi B-side, ‘Love Team’.
Originally presented as a special Valentines Day release, Dirty Nice sent a number of personalised cards to fans. Continuing this theme on their Instagram, an intergalactic cartoon epic has unfolded with a new card revealed every day.
Sounds like: Elder Island, Camel Power Club, Gorillaz, Everyone You Know, 10 O’Clock Chemical
Rising Danish pop songstress ELBA is making waves.
Starting her musical journey in the local choir at the age of six, it was clear her destiny was singing. Her new single ‘Remember Me’ showcases her powerful vocal range, and perfectly fits with the electro-pop production.
The Norweigan artists are smashing it this week, and it’s truly great to see Emilie Nicolas return.
Showing a new side to her music – less “cool pop” and more reflective – ‘Who’s Gonna Love You’ is centred around the difficulties of letting go of a relationship, succinctly capturing despair, unbridled joy, and the desire to dance.
A very cold Saturday evening it may have been, but the queue for Brighton’s Dome was brimming with bright, smiling faces ready for an evening’s entertainment with the newfound household name Sam Fender.
A name in the mouth of a lot of people over the past two years, there’s no doubt you’ve heard a least a track of his or two, and therefore no need cover his songwriting, which is clearly resonating with fans the world over.
That does lead to my main observation from the evening, aside from the powerhouse performance from the man himself and his stellar band, which is the fanbase that was absolutely rammed into the venue. As Sam let his winding storytelling spin a story of adolescent love, life and everything in between through his inimitable Northern charm, it became clear that there was everyone from demographics across the board in attendance, young teens to older folk all there for the sheer delight.
With such a stratospheric and short rise to the top of the pile, don’t expect Sam to be slowing down anytime soon.
Sounds like: Bruce Springsteen, The Hunna, The Amazons, Marsicans, Viola Beach
British five-piece, Ten Fé have announced their second album ‘Future Perfect, Present Tense’. It’s due for release on 8 March 2019 via Some Kinda Love/PIAS and is a ambiguous album full of pessimistic and optimistic traits.
We caught up with guys.
1. Describe your sound in three words.
Deep Soul Brothers.
2. How did you all meet?
Leo and I met at a party in North London, began writing and recording together and formed the band. Then Rob and Johnny joined as they were old school friends of Leo’s from Birmingham. When we were looking for a drummer, we were put in touch with Palex by a producer friend of ours, tapped him up, and first time he laid down that sexy Hammond shuffle we knew he was our man.
3. We can’t believe Ten Fé is gearing up to release a second album. Tell us about the process of creating ‘Future Perfect, Present Tense’ and how it differs from your first album?
Yes, we can’t quite believe it either. We thought it would only take a few weeks, but we only finished about month ago.
We began recording in Oslo late last year with a guy called Christian Sprengfelt in his studio there, which was completely run on vintage music gear, and band equipment. It was the first time we’d gone into record as a five piece rather than just as a duo, and we’d had Fleetwood Mac, War on Drugs and the like on heavy rotation, so we were going for a classic ‘band’ sound, dynamic, but also lean, tight and pop.
4. What was it like working with Luke Smith?
We came to Luke when we were already someway down the line with the recordings. It was great because we knew him already from some of those early Fé singles we did together, he was able to get his head into the music straight away, and had strong ideas for how to take the songs forward. It was a really productive few weeks we spent with him in May, just as the summer was beginning, the sun pouring in to the studio all through the afternoon, vibing on the tunes, and just hanging with him was wicked.
5. You are going on a world tour next year. Where are you most excited about visiting?
Excited about all of it. Lots of new places we’ve never been to before both here, in Europe and the States. We’ve got a few dates in the U.S. driving through the south west, places like Denver, and Phoenix, I’m sure no one is looking forward to those drives more than our bass player Rob, who will surely be at the helm.
6. We love new music at Indietronica. What new music are you listening to
I’ve been listening to Amen Dunes record for a while now, his grooves, and his songwriting is deep. Westerman – is another recent favourite, from London, well worth checking out. We went to see a guy called Honey Harper play during the summer, he is a country singer from Atlanta but based here in London, very soulful, he will be supporting us out our next London show on the 15thNovember – one more reason to come down.
Sounds like: Bruce Springsteen, Night Drive, The Rapture, Jagwar Ma, CliffLight, War on Drugs, The Cure, Fleetwood Mac
Born in California, but spending equal time in both Brighton and Berlin, Prosek has an innate ability to create explorative songs with honest vocals and intimate lyrics, which is no surprise since he has been mentored by the legendary producer Rupert Hine (Stevie Nicks, Rush).
His new single ‘I Was Wrong’ takes a slightly different direction to his former releases, and sees Prosek delving into his musical origins, all with a sweet glimmer of sounds reminiscent of Frightened Rabbit, which will undoubtedly bring a tear to your eyes.
Expect a six track EP in Spring 2019.
Sounds like: Frightened Rabbit, Bruce Springsteen, Ten Fé, Chet Faker, Talos, Solomon Grey, Aquilo
Who is Madge? Well, you’re about to find out. Possibly.
Madge is a DIY-pop project from L.A, who creates candy-licked songs about dark emotional matter. her single ‘How To Play’ is more literal and fun than her usual endeavours, “something simple, repetitive, and literal.”
Deliah, is the collective name for a group of four musicians and producers from Liverpool and London with a unique and distinctive fusion of cinematic, almost musical sounds, taken from influences within soul, electronica, funk and indie.
Speaking of their new single ‘Infinite’, the band say,
“Infinite: focuses on the next part of the journey – mastering a craft. The time and effort put into creating, and achieving, potential can be lost through a struggle and ambition that can have no definitive end point.Who defines something as ‘good’, or a success? Who defines someone as ‘good’, or a success? When is the artist, or craftsman, finished in this endeavour? And, was the finished product worth the struggle.”
Having just signed to Terrible Records (Blood Orange, Porches, Le1f), Norwegian producer and artist Gundelach shares the imaginative ‘Control’.
It is taken from the forth-coming ‘Baltus’ LP, and showcases Gundelach’s Nordic-noir sensibilities, using delicate synths, pulsating beats and his effortless falsetto voice to tell a story of deep personal depression.
Sound like: Ásgeir, Bon Iver, Honne, Boxed In, RY X, Vancouver Sleep Clinic, The Presets
We are excited about Benjamin’s Brother – an interesting indie-pop band from Tel Aviv.
Discussing topics such as violence, death, desire and love, and citing influences across several genres including Arabic, American folk and techno, it’s no surprise that their sound is expansive, yet tender.
Watch their video below, which was shot by Indy Hait, at the Tel Aviv Museum Of Art, on a 16mm film.
Sounds like: Tame Impala, SAMA, Mumford & Sons, Solomon Grey, Vancouver Sleep Clinic, Aquilo
Dutch electronic duo CUT_ share ‘It’s On’, a song about the denial towards the demise of a relationship.
But they don’t just write about internal issues found in human nature, but also discuss topics on mass psychology and by analysing these aspects of our society, CUT_ attempts to find a way of coping with the messed up world we’re living in.
We don’t know a great deal about Swedish singer/songwriter Timothy, but have really enjoyed listening to his second single, ‘Fly’.
Timothy explains, “The song is a long battle with a ghost of his, he interpreters his own song with a self-written poem. Wanting the listener to create their own story, rather than giving it all away.”
Sounds like: Bon Iver, Alex Vargas, Ry X, The xx, Keaton Henson, Matt Corby