Swedish artist STORME has a unique talent for making luminous electronic pop songs about nature. She spent much of her childhood exploring local woodland – a paradise of pine trees and untouched wilderness, punctuated by lakes that shimmer in sunlight in daytime, then lap quietly beneath sprawling stars at night.
The result of this is pretty evident on her new single ‘Kite‘, a sun-drenched paean to the mindfulness of relaxing made unique by her signature, angelic voice.
Speaking about the song, she explains: ““Kite is the first real Summer song I’ve written – it’s about an inner journey. There was a day in early June when I was walking in the woods. I felt my body relax, and I could really breathe again, for the first time in a long time. I almost felt like a bird chasing the sun.”
It’s hard these days to find singers who sing in their natural accents, so imagine our surprise and delight within seconds of tuning into ‘is your bedroom ceiling bored?’.
Sody’s stunning vocals greet us and lock in the attention of the listener with her unmistakable tone and talent. The track is not a completely fresh song however, the song previously released as a solo track called ‘Bedroom Ceiling’ earlier in 2020, before the more production heavy rendition featuring Cavetown, accompanied by a brand new music video.
Not only is it an absolute joy to see these two linking up and creating such a marvellous track, but this is the first proper music video that we have seen since the beginning of lockdown. Not only is this song moving to the core, ‘is your bedroom ceiling bored?’ is a visual reminder that we may soon be returning to normal.
““Is Your Bedroom Ceiling Bored?” is for my fellow overthinkers,” Sody explains. “It’s when you’re staring at your ceiling at 4am looking for answers and wondering what someone is thinking. It’s when you write paragraphs to someone over text but then delete it and respond ‘I’m okay’. I imagine so many of us are experiencing this in isolation which unites us all!”
UK-based Georgie shares the expressive ‘Chasing Kites’ taken from her album, out now. Georgie was the first signing to Soul Kitchen Recordings (the label set up by Jake Bugg’s management company: Soul Kitchen), and it’s the only song on the album that she didn’t write or produce during the lockdown. Listen below for that uplifting feel.
Swedish artist and producer Kasbo shares his emotionally-charged new single ‘Play Pretend’. Featuring Ourchives’ soaring vocals, the track marks a new chapter ahead of his second studio album ‘The Making of a Paracosm’ will be out on 23 October via Foreign Family Collective / Counter Records, and features a passionate embrace amongst nature.
American-born French residing Jesse Hite combines music from the West Coast of the US with synth-laden electro inspired by his French antics. His new single ‘I’m Glad You Called Me’ combines poppy hooks with a generous nod to 80s disco.
A new wave of rockstars are taking over, and with Billie Eilish‘s seal of approval, Dominic Fike is making huge waves with his modern take on emo-pop. The track ‘Double Negative (Skeleton Milkshake)’ is one of the more indietronica-friendly tracks taken from his genre-bending new album, ‘What Could Possibly Go Wrong’.
Glass Animals shares the David Wilson (Tame Impala, Christine and the Queens) directed video for new single, ‘It’s All So Incredibly Loud’. Written about three seconds of life, in which during that short heartbreaking moment, devastation creates a deafening silence, followed by a point of no return.
Sounds like: alt-J, Tender, Pale Hands, Foreign Air, Everything Everything, Son Lux
Imagine a world in which Billie Eilish had a lovechild with Corrine Bailey Rae, seriously how would that sound? How awesome – the fusion of modern production pop elements, soft vocal tones and jazzy guitars. Well, the wait to find out is over as debut artist Florence Arman arrives with her single, ‘Naked’.
Taken from her forthcoming seven-track EP, ‘Naked’ is the perfect introduction to Florence, meeting her at her most personal, discussing the painful consequences of letting someone into her life at an intimate level. It’s a song about vulnerability, about being hurt, but refusing to let those experiences define you.
Her Billie Eilish-esq, breathy vocal delivery is enchanting, to say the least. Florence Arman has arrived with a sound that can only be described with the use of her name, and this is how the greats are birthed, keep an eye on this one.
What happens when some talented artists team up? A song destined for success, that’s what!
Dutch producer Boris Deckers de Breda aka BODÉ release ‘Wiz’ with San Antonio, Texas singer/songwriter Billy Vena – an honest record about being destined for music success, but with the price that comes with it, aka empty pockets.
Hard working London lads, Hoofa, share their anthemic new single, ‘Alone’.
With comparisons to indie band contemporaries such as Larkins and Sea Girls, as well and lyrical influences from more nostalgic acts such as The Beautiful South and PEACE, this is a perfect slice of jangly pop.
Sounds like: Kodaline, Larkins, Sea Girls, PEACE, The Beautiful South, Little Comets
Toronto vocalist/producer Tom Probizanski – aka Zanski – has an almost emo twist to his electronic take on R&B and alt-pop.
His new single ‘Consequence’ explores the theme of self-acceptance in the face of overwhelming internal struggle, a continual theme throughout his music, which varies in sound from gritty lo-fi electronica to vocal-rich, synth-heavy production, tailored with emotional lyrics and heavy themes.
Young Australian-based artist Lola Scott transports us to Scandi-pop territory with her new song ‘Take Me Back’.
Written from the perspective of being at the end of a long term relationship, it’s easy to reminisce at how easy it was to dive right into love with no fears.
This frankness in her songwriting is thanks to Scott’s hard work over the last 12 months, as well as learning piano and guitar at an early age, courtesy to her dad’s record collection of new-wave, post-punk synth-pop and alternative rock.
Sounds like: Lykke Li, Billie Eilish, Susanne Sundfør, HAIM, Clairo, Niki & The Dove, Oh Land, The Knife, Broods
Scottish band, Dancing on Tables, explores a more melancholic side in ‘Not To Need You’.
Written in Nashville alongside legendary songwriter Liz Rose (TaylorSwift, LittleBigTown, CarrieUnderwood), the hopeful song encapsulates the uphill battles everyone goes through in life but reminds us that there is always a light at the end of the tunnel.
Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975, Rat Boy, Circa Waves, The Amazons, Blossoms, Wild Nothing, Cassia, Catfish and the Bottlemen
Another Newcastle band for us this week – Llovers.
Releasing the infectious new cut, ‘Feeling Sound’, it’s clear that anyone listening to the track will be enamoured by their immense potential, thanks to their irresistible anthemic tendencies with sparkling riffs, sing-along choruses and playful songwriting.
London baroque pop band Weird Milk shares ‘Is That Love?’.
Having already supported indie risers Alfie Templeman and Pip Blom, and about to support APRE on their UK tour, their latest offering doesn’t disappoint.
Songwriter and drummer Charlie Glover-Wright explains, “The song itself is about a relationship turning sour as a lemon and the main character realising that they don’t need it anymore and they’ll be better off on their own.”
Sounds like: FEET, Sports Team, The Magic Gang, Genghar, The Last Shadow Puppets
You may recognise Kelli-Leigh’s vocals from such hits as ‘More Than Friends’ by Jame Hype, ‘I Got U’ by Duke Dumont and Second City‘s ‘I Wanna Feel’, but it’s time for the British singer/songwriter to step out into the light and reveal her first solo music of the decade.
The uptempo pop song, ‘Cotton Clouds’ describes a blissed out relationship. Lovely.
Dutch DIY duo The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg.
Sharing the fancy-free video for their cover of ‘Tenderfoot’ by The Lemonheads / Smudge, the latest release is inspired by their youth, as the dream-pop band continue their tasteful take on original classics.
With today’s announcement of Genesis announcing a new tour, it seems even more apt that Brussels based singer, Tessa Dixson, is ready to release her aptly titled debut album ‘GENESIS’ on 13 March.
First single, and the track that kicks off the album, is Tender Me, a brooding slow-burner of electronic pop enriched by Tessa’s unique vocal style.
“One rainy afternoon, I was very bored and was just dicking around on my phone and I came across this drawing that was just passing by on my Instagram of what seemed like two human bodies with flower heads giving each other water”, Tessa explains, “The illustration was so simple but so pure and true as to what a relationship should be like. Two flowers growing and learning together, giving each other water to thrive and flourish.”
Watch the visuals below.
Sounds like: The xx, Kllo, Grace Carter, Lorde, Billie Eilish
Born from a simple plan – make music friends in a flatshare in former East Berlin, BLOODHYPE is a Berlin-based, independent gang of four that demand to be noticed.
Masterminded by frontman Weyland and UK producer John “P Nut” Harrison (AmyWinehouse, AliceMerton), their new single ‘Violent Heart’ caught us from the get-go. It’s an addictive slice of modern indie pop full of 80’s inspired self-pity.
Foreign Fields is US-based Eric Hillman and Brian Holl, who create a bewitching melting pot of acoustic sounds.
As with all promising folk contenders, the duo wrote and recorded their upcoming album, ‘The Beauty of Survival’ in the winter in a back-to-basics cabin with no heating built by a two-man father-and-son team in Western Wisconsin.
Looking like they are having the best time, the video footage was taken from many of their past videos plus some extra shots from 2010 to 2019.
HUMANS is a Canadian indie-electronic duo made up of musicians Robbie Slade and Peter Ricq. Focusing on performance and production styles of both the past and present, HUMANS have consistently impressed upon audiophiles with their technical and compositional skills.
Introducing Zach DeGaetano and Bridget Boltz – aka Mannequin Online.
Pushing sonic and ideational barriers with gritty, yet refreshing off-kilter pop, may their sound forever remain bright, gritty, and unapologetic. Listen to ‘I Do’ and check out the glorious Gorgeous guitar solo.
Sounds like: Goldroom, Poolside, VHS Collection, The Knocks, Miami Horror