Whilst she has travelled the world modelling, music has always been at the centre of HĒIR’s universe. Her debut EP, ‘Daddy Issues’ is a collection of songs described as “a gallery of thoughts” inspired following her parent’s split whilst she was a kid.
Speaking about the EP, she explains,
“I guess I just kind of grew up with a crazy desire of wanting to be independent, especially from a male figure. I always wanted to wear the pants and make the decisions. I think part of my ambition comes from a sense of emptiness and lack of satisfaction in a father figure. But I also wanted DADDY ISSUES to be an awareness, something positive, that makes you more of a woman, instead of the great cliché of being needy. It’s more of a “yeah I got em and I’m so fine with it. But I’VE GOT THE RIGHT TO SAY IT, you don’t.””
Her new single ‘Get Down Dance’ inspires excitement. It’s a nocturnal electro-pop tune built upon a modern production enriched by HĒIR’s seductive and hypnotical vocals.
Alt-pop band Sarpa Salpa always strive to create upbeat, danceable tracks with unexpected changes and hidden meanings. The new video for their single ‘Lost Time’ aptly features a selection of tour clips showing this.
With support from Jack Saunders and Bombay Bicycle Club, definitely tune into these guys.
Sounds like: Island Club, Larkins, FEET, Two Door Cinema Club
Very much up to date with indie-pop trends, UK based trio Cassia, shares latest jam, ‘Do Right’, which talks about waking up to what’s happening in the world and making a conscious decision of wanting to make a positive change.
The video is set in sunny isolation. We love their all round positivity and sun drenched calypso sound.
Sounds like: Dancing on Tables, Vampire Weekend, Bombay Bicycle Club, Still Woozy
R&B artist Chloe Tang shares her latest single, offering a less rosy-colored side of love and youth.
Full of angst, she tells us how it is in ‘Fanning The Flame’. This isn’t a romantic gesture, this is a slow burn about knowing you’re trapped in a bad romance and knowing you’re powerless to escape it.
Introducing the new project by Pietro Filippone – aka uomo.
His latest release, ‘All I Hear’, is the first song that Filippone has written by himself for the project. A decent bit of autotune in there, the softer house elements give the song a gorgeously gentle uplift.
Sounds like: Henry Green, Roosevelt, Goldroom, Hayden James, Elderbrook
DJ and producer Amtrac has teamed up with Grammy Award-winning British musician, DJ and producer Alex Metric on vocals in new single, ‘So Afraid’.
Looping vocals contemplate a simple question, “why you so afraid of love?” as Alex Metric’s breathy, enunciated voice lends an edge to the droning synths beneath, forming a steady crescendo of sound and passion that blooms.
UK duo Dirty Nice releases ‘100,000 Heartbeats’. A synth-wave pop at the core, it’s the perfect counterpart to the more lo-fi B-side, ‘Love Team’.
Originally presented as a special Valentines Day release, Dirty Nice sent a number of personalised cards to fans. Continuing this theme on their Instagram, an intergalactic cartoon epic has unfolded with a new card revealed every day.
Sounds like: Elder Island, Camel Power Club, Gorillaz, Everyone You Know, 10 O’Clock Chemical
Rising Danish pop songstress ELBA is making waves.
Starting her musical journey in the local choir at the age of six, it was clear her destiny was singing. Her new single ‘Remember Me’ showcases her powerful vocal range, and perfectly fits with the electro-pop production.
The Norweigan artists are smashing it this week, and it’s truly great to see Emilie Nicolas return.
Showing a new side to her music – less “cool pop” and more reflective – ‘Who’s Gonna Love You’ is centred around the difficulties of letting go of a relationship, succinctly capturing despair, unbridled joy, and the desire to dance.
Scottish band, Dancing on Tables, explores a more melancholic side in ‘Not To Need You’.
Written in Nashville alongside legendary songwriter Liz Rose (TaylorSwift, LittleBigTown, CarrieUnderwood), the hopeful song encapsulates the uphill battles everyone goes through in life but reminds us that there is always a light at the end of the tunnel.
Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975, Rat Boy, Circa Waves, The Amazons, Blossoms, Wild Nothing, Cassia, Catfish and the Bottlemen
Another Newcastle band for us this week – Llovers.
Releasing the infectious new cut, ‘Feeling Sound’, it’s clear that anyone listening to the track will be enamoured by their immense potential, thanks to their irresistible anthemic tendencies with sparkling riffs, sing-along choruses and playful songwriting.
London baroque pop band Weird Milk shares ‘Is That Love?’.
Having already supported indie risers Alfie Templeman and Pip Blom, and about to support APRE on their UK tour, their latest offering doesn’t disappoint.
Songwriter and drummer Charlie Glover-Wright explains, “The song itself is about a relationship turning sour as a lemon and the main character realising that they don’t need it anymore and they’ll be better off on their own.”
Sounds like: FEET, Sports Team, The Magic Gang, Genghar, The Last Shadow Puppets
You may recognise Kelli-Leigh’s vocals from such hits as ‘More Than Friends’ by Jame Hype, ‘I Got U’ by Duke Dumont and Second City‘s ‘I Wanna Feel’, but it’s time for the British singer/songwriter to step out into the light and reveal her first solo music of the decade.
The uptempo pop song, ‘Cotton Clouds’ describes a blissed out relationship. Lovely.
Dutch DIY duo The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg.
Sharing the fancy-free video for their cover of ‘Tenderfoot’ by The Lemonheads / Smudge, the latest release is inspired by their youth, as the dream-pop band continue their tasteful take on original classics.
German-based duo ÄTNA is raising pulses in their new video for ‘Come To Me’.
Retro and futuristically avant-garde at once, ÄTNA is creating their own work of art in a musical world, frequently pushing boundaries and playing with gender roles.
The visuals for ‘Come To Me’ feature a notable number of transport methods, as Demian attempts to reach confident singer Inéz in his last attempt to make an effort in their relationship before disappearing once and for all.
You can pre-order the album, ‘Made By Desire’ here.
Salt Cathedral asks for the simple pleasures in ‘CAVIAR’.
An impassioned rejection of materialism in relationships and a celebration of the liberation that comes with it, the track combines warm rhythms with icy vocal undertones.
Salt Cathedral is the duo of Nico and Juli, genre-defying artists who effortlessly draw from the vanguard of electronic music, a scope of Caribbean rhythms, and Colombian dance culture to create an infectious sound that transcends borders. Expect their debut album to be released in 2020 on Ultra.
West London-based Asha Gold sticks to her guns against the sceptics in her beat-led new single, ‘Too Good’.
After battling with the pressures and opinions of those close to her, who, at the time, were persuading her to persue more “practical” endeavours than music, Asha took to her bedroom where she recorded a voice note of the pre-chorus and chorus for ‘Too Good’. The next day, Asha finished up the song in around ten minutes on the piano; this being all the reassurance she needed to stay on track with her music career.
Hailing from Vancouver Island, the genre-blending “swoon rock” artist and hopeless romantic, Alexandria Maillot shares ‘Someone To Leep You Warm’, taken from her sophomore album ‘Benevolence’, out now.
Quirky storytelling and intricate percussion, Maillot is creating music that is truly unique.
Themed around the joy she gained after seeing her ex struggle to find a lover, the singer had this to say about the schadenfreudian number; “It’s a song about watching a former partner struggle to find companionship and getting enjoyment out of it.”
Alt-folk singer, Esmé Patterson returns with her expansive and dream-filled ballad, ‘Light In Your Window’.
We’ve all been there, glancing up to a light in our ex’s house, longing and hoping that we might catch a glimpse of them. Patterson perfectly captures that moment – the desire for a person, a feeling, a space in time that no longer exists, and the desire to move on.
The song marks her first for BMG and was recorded with fellow Coloradans Tennis in their garage in Denver.
Sounds like: First Aid Kit, Paper Bird, Courtney Barnett, HAIM
There an great deal of exciting pop sounds coming from Germany at the moment. One such contender is Berlin based experimental pop artist Novaa.
Her intriguing visuals for ‘AI Am In Love’ explore the theme of love, specifically falling in love with artificial intelligence, and continues through to her unique and exciting upcoming album, ‘The Futurist’.
French-American pop singer and songwriter Ariane speaks to champion the underdog. Combining Lorde’s dreamy and atmospheric vocals with the moody sound of Banks and Billie Eilish, Ariane creates a refuge for her listeners.
Ariane’s rhythms build up together with a simple drum kit toward a heavy bass/kind of solid drop highlighted with her smooth progressive voice.
Toronto based Tasha Angela is back with a new single entitled ‘Lost in Nostalgia’ in which she explores groovy productions mixed with tender vocals performance. ‘Lost in Nostalgia’ starts sharp with a minimalist approach that progresses smoothly and perfectly backed by Tasha’s beautiful voice.
‘A Little More’, is the dreamy new collaboration between singer-songwriter Amy Milner and producer Tim Larcombe (Lana Del Rey/Halsey).
The second track from a stunning forthcoming project, it’s a breathtaking piece of electronica that’s right at home among the likes of The Japanese House or Bon Iver. The track is accompanied by a visual, created from clips of Amy & Tim’s process recording the album, showcasing the depth and creative flair involved in their artistic process.
Sounds Like: The Japanese House, Luna Pines, James Blake, Bon Iver
DAD debuts her project with her new single ‘Alligator,’ with visuals from designers and illustrators Beverly Johnson & Cam Chan.
‘Alligator’ weaves lush instrumentation, catchy vocals hooks, and cheeky lyrical content as an ode to her ex-boyfriend, who, despite all his questionable actions, she still has to thank for leading her to Los Angeles.
Rising Swedish pop artist Ellen Krauss releases her brand new single ‘Let Me Have it’ through Tiller Inc. licensed to BMG Recorded Music.
An empowering stripped-back track about standing up to your oppressors and your inner demons, the song’s intro is calm. It features beautiful vocal progressions throughout and a guitar-based buildup, all the while reflecting Ellen’s strong and personal songwriting.
Sounds Like: Isak Danielson, Hov1, Smith & Thell, Carly Rae Jepsen, Tove Lo
Calper teams up with Son of Cabe on breathtaking new single, ‘Crowd’.
Both artists in their own right, Calper (aka UK/French songwriter Jamie Harper) and Son of Cabe (UK artist, producer and songwriter Conor McCabe) have a serious number of musical accolades between them.
‘Crowd’ follows a mellow and chilled route, as it develops into a soulful late-night electro tune, written about the importance of being yourself, and not following the crowd.
Nottingham-based artist Blle is set for the bright lights of pop stardom.
Started out by writing songs in her bedroom, she soon saw herself performing in every venue she could. The most recent result of all her hard work and dedication is ‘Don’t Be Surprised’, written about the downfall of a relationship.
Growing up in Sweden, surrounded by her Kurdish and very musical family, KELAA naturally gravitated to mixing the bold and sugary sounds of Scandipop with elements of traditional Kurdish folk – breaking new sonic grounds in the best way.
With this being her second single to date, expect this inspired artist to continue pushing boundaries.