Kickass trio Wild Horse shares the slow-burning, yet anthemic single, ‘Don’t Want You To Go’.
With it’s soaring and dynamic energy, it gives us a snippet of what’s to come from their upcoming album, ‘We Are In An Identity Crisis… But We Love It!’.
Montreal-based electronic artist CRi is quickly becoming a household name within the ambient electronic scene.
Having already released on TOKiMONSTA’s label, Young Art, and Anjunadeep, his new single ‘Never Really Get There’ is driven by his anxieties and desires for introspection, represented in expansive synths and Jesse Mac Cormack‘s elegant vocals.
Oslo-based alt-rock/punk outfit Lazy Queen share the potent new single, ‘Sober’.
Discussing the complex nature of addiction – a subject close to lead singer Henrik’s heart – it’s a frenetic and unpredictable beacon of sound as the band explore to find balance and normality.
The album is a collection of thoughts and feelings, prepared whilst working alongside the best in the business. All the tracks on ‘EMPIRE’ have been written or co-written by Ellie Delvaux, recorded between London and Brussels and co-produced by Rich Cooper (Banks, Mystery Jets, Lucy Rose) and François Gustin (Girls In Hawaii).
So, take some time out, listen and digest the album in order, in one sitting, from start to finish.
Sounds like: Aurora, Elohim, BANK, Rhye, FKA Twigs, Abra, Oscar And The Wolf, Empress Of
Stockholm siblings The Endorphins shares ‘Parachute’.
A more soulful change in direction to their previous single, ‘Dead or Alive‘, the ’90s inspired R&B breaker was written about intensely falling head over heals for someone.
New York City-based Maude Latour‘s bubbly new single ‘Furniture’ is unapologetic as ever.
Written at the lowest point of a breakup, the song oozes bravery with an ounce of playfulness. This is her joyous breakup song, that she now shares with the world!
Local Crawley band TALU share their new single ‘Take You Home’.
Recording the drums in a warehouse and everything else in their living room and kitchen, the band captures the joy in everyday moments, offering a delightful slither of nostalgia that you’d desire from a modern day indie-pop band.
South London’s Alice MC shares her new single ‘My Love’, taken from her debut EP, ‘Storyteller’.
Despite her music fitting best within the jazz, soul and folk genres, Alice MC started by studying Opera at the Guildhall School. She soon realised her destiny was within the jazz worlds.
St. South is the moniker for Australian singer-songwriter-producer-multi-instrumentalist Olivia Gavranich.
She is known for creating blissful, nuanced and soulful electro on her own terms. Taken from her debut full-length album ‘Get Well Soon’, the visuals for ‘Growing Up’ refine the simplicity of life, out there in the world.
Sounds like: CAPPA, Tusks, Haux, Vancouver Sleep Clinic, Henry Green
Quite possibly their most commercial (and arguably most catchy) release to date, ‘Do You Really Wanna Know?’ is a beacon of hope during these anxiety-inducing days.
Expect their emotionally charged, deeply personal, hook-laden debut album ‘Open Up Your Head’ to be released on 14 August via Polydor.
Welsh Indie-pop quartet Kidsmoke releases the hypnotizing new single ‘The Bluest You’ on Libertino Records.
With a sensational and emotional build, the track picks apart the impact of mental health on loved ones, taking a more sombre tone than previous releases.
Pop-powerhouse and rebel LU KALA returns with her empowering new single ‘Want You,’ co-written and produced by Terrence Lam (Drake/Rihanna, Alessia Cara, Kaskade, Meghan Trainor).
Paving the way for female strength, she is ready to face herself when it comes to self-sabotage. Are you ready too?
Whilst she has travelled the world modelling, music has always been at the centre of HĒIR’s universe. Her debut EP, ‘Daddy Issues’ is a collection of songs described as “a gallery of thoughts” inspired following her parent’s split whilst she was a kid.
Speaking about the EP, she explains,
“I guess I just kind of grew up with a crazy desire of wanting to be independent, especially from a male figure. I always wanted to wear the pants and make the decisions. I think part of my ambition comes from a sense of emptiness and lack of satisfaction in a father figure. But I also wanted DADDY ISSUES to be an awareness, something positive, that makes you more of a woman, instead of the great cliché of being needy. It’s more of a “yeah I got em and I’m so fine with it. But I’VE GOT THE RIGHT TO SAY IT, you don’t.””
Her new single ‘Get Down Dance’ inspires excitement. It’s a nocturnal electro-pop tune built upon a modern production enriched by HĒIR’s seductive and hypnotical vocals.
Ambient grunge-pop band Crush will be your latest just that.
Their latest single, ‘All My Plants Are Dead’ exhales Millenial dilemmas, of struggling to look after your houseplants, and yourselves in a bittersweet yet discordant offering.
Alt-pop band Sarpa Salpa always strive to create upbeat, danceable tracks with unexpected changes and hidden meanings. The new video for their single ‘Lost Time’ aptly features a selection of tour clips showing this.
With support from Jack Saunders and Bombay Bicycle Club, definitely tune into these guys.
Sounds like: Island Club, Larkins, FEET, Two Door Cinema Club
Very much up to date with indie-pop trends, UK based trio Cassia, shares latest jam, ‘Do Right’, which talks about waking up to what’s happening in the world and making a conscious decision of wanting to make a positive change.
The video is set in sunny isolation. We love their all round positivity and sun drenched calypso sound.
Sounds like: Dancing on Tables, Vampire Weekend, Bombay Bicycle Club, Still Woozy
R&B artist Chloe Tang shares her latest single, offering a less rosy-colored side of love and youth.
Full of angst, she tells us how it is in ‘Fanning The Flame’. This isn’t a romantic gesture, this is a slow burn about knowing you’re trapped in a bad romance and knowing you’re powerless to escape it.
Magnus Bechmann‘s new release, ‘What Do You Know’ is the first single out from his upcoming album, which chronicles nine awkward situations from everyday life.
Considering a situation where you find yourself in a relationship that is better to get out of than to stay in, this is glistening indie pop that marks a bright new chapter in Magnus’ career.
Sounds like: Two Door Cinema Club, Bombay Bicycle Club
We know very little about experimental pop newcomer, This Boy from Denmark.
The duo’s first single, ‘Heart Is Broken’ drops just a few weeks ahead of their debut album – an unusual and bold move in a single release-dominated pop landscape.
Runrummer – I Like Getting High (But Not All The Time)
Whilt growing up, 25-year old East London-based singer-songwriter Runrummer (real name Livi Morris) faced a struggle to find herself as she came to terms with her sexuality and gender identity.
Addressing serious issues in the juxtaposed context of upbeat, electronic-pop anthems, she aims to inspire and strives to work with other creators in the LGBTQ+ space.
Introducing the new project by Pietro Filippone – aka uomo.
His latest release, ‘All I Hear’, is the first song that Filippone has written by himself for the project. A decent bit of autotune in there, the softer house elements give the song a gorgeously gentle uplift.
Sounds like: Henry Green, Roosevelt, Goldroom, Hayden James, Elderbrook
Bristol-based quartet Tungz combines effortless funk riffs with infectious vocal melodies and indie-pop sounds in new single, ‘Can’t We Just Be Friends Again’, out now via Heist or Hit.
It speaks of the confusion and the weird frustration that comes with wanting to snap back to being happy with someone you’ve only ever really been cool with before.
Sounds like: Ben Khan, Christine & The Queens, Patawawa, Bamily
DJ and producer Amtrac has teamed up with Grammy Award-winning British musician, DJ and producer Alex Metric on vocals in new single, ‘So Afraid’.
Looping vocals contemplate a simple question, “why you so afraid of love?” as Alex Metric’s breathy, enunciated voice lends an edge to the droning synths beneath, forming a steady crescendo of sound and passion that blooms.
UK duo Dirty Nice releases ‘100,000 Heartbeats’. A synth-wave pop at the core, it’s the perfect counterpart to the more lo-fi B-side, ‘Love Team’.
Originally presented as a special Valentines Day release, Dirty Nice sent a number of personalised cards to fans. Continuing this theme on their Instagram, an intergalactic cartoon epic has unfolded with a new card revealed every day.
Sounds like: Elder Island, Camel Power Club, Gorillaz, Everyone You Know, 10 O’Clock Chemical
Norwegian native, singer/songwriter and producer Rebekka Danielsson – aka EKKO – shares the visuals for ‘Off My Mind’.
Highly energetic, glorious pop with addictive melodic hooks and immaculate production this tune ticks all the boxes to be a serious club anthem and floor filler.
Expect her debut EP ‘Symptoms’ out later in the year.
Sounds like: Tove Lo, Chelsea Lankes, Allie X, ALMA, Kim Petras
Rising Danish pop songstress ELBA is making waves.
Starting her musical journey in the local choir at the age of six, it was clear her destiny was singing. Her new single ‘Remember Me’ showcases her powerful vocal range, and perfectly fits with the electro-pop production.
The Norweigan artists are smashing it this week, and it’s truly great to see Emilie Nicolas return.
Showing a new side to her music – less “cool pop” and more reflective – ‘Who’s Gonna Love You’ is centred around the difficulties of letting go of a relationship, succinctly capturing despair, unbridled joy, and the desire to dance.
Stockholm siblings Alva & August Heldt are The Endorphins.
As their name suggests, their feel-good future pop is set to induce endorphins. As they put it – “It’s about love, friendship, parties and sex“, and what’s wrong with that!
Listen to self-expressive ‘Dead Or Alive’ below.
Sounds like: The Magnettes, Banks, Fabich, Pastel, Midnight Pool Party, Keljet
Scottish band, Dancing on Tables, explores a more melancholic side in ‘Not To Need You’.
Written in Nashville alongside legendary songwriter Liz Rose (TaylorSwift, LittleBigTown, CarrieUnderwood), the hopeful song encapsulates the uphill battles everyone goes through in life but reminds us that there is always a light at the end of the tunnel.
Sounds like: Sea Girls, Biffy Clyro, Circa Waves, The 1975, Rat Boy, Circa Waves, The Amazons, Blossoms, Wild Nothing, Cassia, Catfish and the Bottlemen
Like an early Billie Eilish, Australian artist Stellie is transforming our take on pop.
Inspired by strong female voices, her tender and personal tales are indie-pop slow-burners that cut straight to the heart. Listen to her hazy new single, ‘How Do We Look So Good?’ below.
It’s great to see GusGus back with another stellar release.
The electronic innovators have released ‘Out Of Place’, highlighting the duo’s affinity for rolling synth-lines and sharp, pop-driven vocals. Listen below.
Sounds like: Simian Mobile Disco, Tears For Fears, Simple Minds, Röyksopp, Goldfrapp, Orbital, Roisin Murphy
Another Newcastle band for us this week – Llovers.
Releasing the infectious new cut, ‘Feeling Sound’, it’s clear that anyone listening to the track will be enamoured by their immense potential, thanks to their irresistible anthemic tendencies with sparkling riffs, sing-along choruses and playful songwriting.
London baroque pop band Weird Milk shares ‘Is That Love?’.
Having already supported indie risers Alfie Templeman and Pip Blom, and about to support APRE on their UK tour, their latest offering doesn’t disappoint.
Songwriter and drummer Charlie Glover-Wright explains, “The song itself is about a relationship turning sour as a lemon and the main character realising that they don’t need it anymore and they’ll be better off on their own.”
Sounds like: FEET, Sports Team, The Magic Gang, Genghar, The Last Shadow Puppets
You may recognise Kelli-Leigh’s vocals from such hits as ‘More Than Friends’ by Jame Hype, ‘I Got U’ by Duke Dumont and Second City‘s ‘I Wanna Feel’, but it’s time for the British singer/songwriter to step out into the light and reveal her first solo music of the decade.
The uptempo pop song, ‘Cotton Clouds’ describes a blissed out relationship. Lovely.
Dutch DIY duo The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg.
Sharing the fancy-free video for their cover of ‘Tenderfoot’ by The Lemonheads / Smudge, the latest release is inspired by their youth, as the dream-pop band continue their tasteful take on original classics.
Orlando-based 25 year old Talii has a wicked streak, as can be witnessed in her sultry and dark pop song, ‘Good To Be Bad’.
Born into a musically gifted and diversely talented family of musicians and performers, she began singing at age 3 and was playing the piano and writing songs by age 7. There is no denying her talent.
German-based duo ÄTNA is raising pulses in their new video for ‘Come To Me’.
Retro and futuristically avant-garde at once, ÄTNA is creating their own work of art in a musical world, frequently pushing boundaries and playing with gender roles.
The visuals for ‘Come To Me’ feature a notable number of transport methods, as Demian attempts to reach confident singer Inéz in his last attempt to make an effort in their relationship before disappearing once and for all.
You can pre-order the album, ‘Made By Desire’ here.
Salt Cathedral asks for the simple pleasures in ‘CAVIAR’.
An impassioned rejection of materialism in relationships and a celebration of the liberation that comes with it, the track combines warm rhythms with icy vocal undertones.
Salt Cathedral is the duo of Nico and Juli, genre-defying artists who effortlessly draw from the vanguard of electronic music, a scope of Caribbean rhythms, and Colombian dance culture to create an infectious sound that transcends borders. Expect their debut album to be released in 2020 on Ultra.
West London-based Asha Gold sticks to her guns against the sceptics in her beat-led new single, ‘Too Good’.
After battling with the pressures and opinions of those close to her, who, at the time, were persuading her to persue more “practical” endeavours than music, Asha took to her bedroom where she recorded a voice note of the pre-chorus and chorus for ‘Too Good’. The next day, Asha finished up the song in around ten minutes on the piano; this being all the reassurance she needed to stay on track with her music career.
Hailing from Vancouver Island, the genre-blending “swoon rock” artist and hopeless romantic, Alexandria Maillot shares ‘Someone To Leep You Warm’, taken from her sophomore album ‘Benevolence’, out now.
Quirky storytelling and intricate percussion, Maillot is creating music that is truly unique.
Themed around the joy she gained after seeing her ex struggle to find a lover, the singer had this to say about the schadenfreudian number; “It’s a song about watching a former partner struggle to find companionship and getting enjoyment out of it.”
