Australian-born, Berlin-based artist Jackson Dyer shares the cinematic visuals for his playful and poetic new single, ‘CBSKY’.
Taking influences from both Australia and Berlin, and centred around conflicting emotions that many feel at the start of any great journey, Dyer explains, “‘CBSKY’ is a song of transition, hope, and yearning for what lies beyond the horizon.”
Sounds like: The Yukon Club, Rob Dekay, The Young Folk, Banner
We are super excited about TENDER‘s new single, ‘Slow Love’, taken from their album ‘Fear Of Falling Asleep’, out via Partisan Records.
Much like TENDER’s other offerings, ‘Slow Love’ has a delightful bassline throughout with soulful vocals, inspired by the moments that come just before sleep when silence descends, and doubt and fear and desire take over.
Sounds like: MOTHXR, Jungle, Glass Animals, HUNTAR, Caribou, Air, The National, Tame Impala, Boxed In, Honne, Colouring
Jinka’s track ‘Ghost 2 U’ is glitchy trip-pop at its finest.
Ghost 2 U” is the Transylvanian artist‘s most emotionally dynamic track to date.
It juxtaposes a heavy, industrial half-time drop reminiscent of acts like Cashmere Cat, Amnesia Scanner or Tommy Cash with touchingly fragile and intimate tale-telling verses.
Jinka’s vocals evolve over a loop of pluck-sounds that unavoidably take your imagination to an underground stalactite cave hidden in the souterrains of Berlin.
Australian trio daste. is comprised of Callum MacDonald, Braxton Tahi & Tyler Harden.
Focusing on the smaller details (with the ‘d’ in daste. standing for detail), their new track, ‘SOBER’ is a summery lo-fi number showcasing simple, yet effective songwriting, and shares the idea that a clear head is always better than a mediocre, intoxicated one.
There is always an air of romanticism with Italian culture and Italian duo Malihini are no exception to this rule.
Their new single ‘Delusional Boy’ has upbeat drums, neatly undercut by its recurring vocal refrain, “Delusional Boy/Delusional Girl” – the downbeat rejoinder conveyed with a typically euphonious duo vocal melody that juxtaposes between a falsetto male part with baratone-esq female vocals, which all in all, creates an extremely easy-to-listen-to pop track.
Expect their debut album ‘Hopefully, Again’, out on 8 March via Memphis Industries.
Sounds like: SAMA, Beach House, Tennis, Chairlift, Au Revoir Simone
There is a definite lo-fi, funk theme in this week’s gems. Introducing Jesse Hite – an exciting solo artist who has just shared his debut ‘When It All Comes Down’.
An American artist living in France, Hite effortless blends sounds thanks to this move across the Atlantic, as well as travels through Asia.
‘When It All Comes Down’ is the first single of a three-song EP to be released. The song is full of character, soulful lyrics, in which Mite manages to create as much blooming sound as music troop, Jungle between a large number of them!
Benji Lewis takes a contemplative stance in new single ‘Ride’.
It has an effortless simplicity, which Lewis wanted to come across on the single, written about relaxing, doing what is right for you, and just enjoying the ride. True to form, the track was recorded by Lewis and produced by Los Angeles artist Lincoln Jesser within a few hours.
Sounds like: The 1975, The Kite String Tangle, Antony Hegarty, Active Child, Gallant, Sam Smith, Solomon Grey, James Blake, Yazz, Jack Garratt, Disclosure
Caymanian-born, London-based R&B newcomer Maeve shares the striking visuals for her new single ‘Eden’.
Directed by Black Dog Films‘ filmmaker Jade Jackman, choreographed by Liv Lockwood and styled by designer Asai (Dazed 100), the hallucinogenic and bestial video borders between what is real and what is not, conveying a sense of abandonment and isolation found in a toxic relationship.
The song is taken from her debut EP ‘Beasts’, out now.
Golden Vessel (aka Max Byrne) returns with ‘Moonstone’, featuring friends Elkkle and Akurei.
The upbeat track once again incorporates Byrne’s signature cross-genre style, and futuristic production.
‘Moonstone’ is inspired by the historical investigation of missing moon rocks from NASA trips into space on Apollo 11. Legend has it that the specimens once brought back to earth in 1969 were distributed across the world in the famous Goodwill Moon Rocks initiative, only to, nearly 30 years later, have mostly vanished or become untraceable.
Sounds like: MØ, Brolin, The National, Gang of Youths, Bon Iver, Alex Vargas, TENDER, Kanyon, REFS
Reinvented Sydney-based, folk singer Nathan Hughes is KESMAR.
Working towards a more disco-orientated sound, with romantic bass lines and swirling synths, his new single ‘Feel It Again’ explores the darker side of romance, inspired by KESMAR’s recent breakup at the time.
Surprisingly, we’d not heard of Nashville-based singer/songwriter, Daniella Mason, before today, and quite frankly, we are blown away by her talent for crafting beautiful and intelligent pop music.
A journey of loss, Mason’s new record stands as one of four EPs that she’ll be releasing over the course of the next year as part of her State of Mine sound series. Each album — Emotional State, Physical State, Mental State, and Spiritual State — will explore the different parts of our humanity that we tend to suppress and have difficulty embracing.
Sounds like: Imogen Heap, The Japanese House, Robyn, Maggie Rogers, Billie Eilish
Charlee Remitz creates synth pop full of big dreams.
Having recently moved from Nashville to Los Angeles, the singer/songwriter’s music shines. Her new single ‘Forever Like This’ has lashings of 80’s inspired synths and breakaway vocals that tell a story of the first flashes of love.
It is the third single from her upcoming sophomore album, ‘Sad Girl Music’, out on 9 November.
We featured his new single, ‘Obsessed’ featuring Clara Hurtado, not that long ago and he’s come back with a lively new video for it. These two don’t take themselves too seriously, which is pretty refreshing.
If you follow CUB’s Twitter you will see more videos of him and Clara goofing around.
Finnish sister duo LCMDF release ‘Waterfalls’, taken from their ‘Sad Bangers’ album, out now.
Don’t be misled by the ironically positive pop keys and resulting euphoric climax in ‘Waterfalls’, as this is an ode to Generation Y, the modern day “baby boom” generation who were born in the 1980s and 1990s…and the ones who struggle in today’s society.
Australian trio, SAFIA, portray an endless summer with their music and their new single ‘Starlight’ is no exception.
Speaking on the release, SAFIA say,
“At its core ‘Starlight’ is a song about letting go, and the world that it creates is designed to capture that feeling. In retrospect the song also represents an important shift in perspective, both creatively and personally.”
Continuing to push boundaries, the band has also collaborated with VR/AR artist SUTU on animated single artwork that comes to life with the use of the Eyejack app. Download the EyeJack app HERE, tap ‘SAFIA’ and tap ‘Launch AR’ to watch.
Working with the likes of Alison Wonderland and Peking Duk and having reached over millions of streams, it’s about time SAFIA’s music reaches the British shores.
Sounds like: Owen Rabbit, RÜFÜS DU SOL, Twenty One Pilots