Roland Tings is one of our favourite Australian producers of the moment.
A euphoric number at its heart, ‘Up Close’ by Roland Tings is the third single to be taken from his forthcoming ‘Salt Water’ LP, and a reassuring late-night potion.
Speaking on the process behind ‘Up Close’ and its positioning on the album, Tings explains, “I knew that I needed a really euphoric track in the first half of the record to propel the LP forwards. When I heard the original vocal by Alyss, I knew that it was perfect for what I wanted. The production of her voice was psychedelic, and the lyrics fit with exactly what I wanted the record to say.”
Inspired by life on the road, Newman decided to record much of the new album in relative isolation from a rented home on the Great Ocean Road near Melbourne. Immersed in his studio and buried in his work, he came up for air and returned to the environments that first inspired the album. “I put the demo on my phone and drove around the winding coastal road near my house, making mental notes on how it felt as I drove,” he says. “I could hear everything that needed to happen in the track. I rushed home, made the changes and then got in the car again. I repeated this for hours, driving this crazy road away from my house, then back again to make the changes I could hear in my head.”
‘Up Close’ is out now via Sony/Cascine.
Sounds like: Lane 8, Four Tet, Tame Impala, Rufus Du Sol, Caribou, Bicep, Dusky, TSHA
In a love letter to mother nature, London-based KYRI bares all in his new single, ‘Sanctuary’.
Using his voice for good, KYRI explores themes of rebirth, nature, spirituality and the deepest corners of our humanity with his music, heavily influenced from his childhood of Greek Orthodox churches, gospel choirs & forests, through to London’s intoxicating LGBTQ+ club culture.
Sounds like: The Weeknd, Rosie Lowe, Gallant, Birdy, James Blake
The brilliant Australian artist Saint Barae returns with an intimate and nostalgic offering through his latest single ‘Power + Control’.
In a raw and empowering message behind the song, Saint Barae begins to open up as he takes us into a very personal and intimate tale of handling his sexuality with the people that mean the most to him.
Since listening to Die Orangen‘s single, ‘Sonne’, we’ve become slightly obsessed with their psychdelia approach to industrial sounds.
Having originally forged their partnership in the diverse electronic music scene of Australia, Kris Baha and Angus Gruzman recently decamped to the thriving Berlin scene to develop their dark and pulsing industrial-inspired productions.
These ladies are having a fun time, and we want to be involved.
Royal Cinema was formed by longtime friends Johanna Cranitch, Isaac Carpenter and Sydney Wayser who, having spent years playing in their own solo projects and in other various touring bands such as The Cranberries, LORDE and Awolnation, decided they wanted an additional musical outlet where they could let loose and have fun.
Their new single is ‘CHA-CHING’ – a self-produced, pulsing pop track.
Tessa Dixson is back with another bittersweet single, in the form os ‘Hiding’.
Once again produced by Reinhard Vanbergen and mixed by Neil Comber (M.I.A., Charli XCX) is a silky and bittersweet affair.
Tessa’s torn but soulful voice is high up in the mix, locking you in from the first verse. The chorus is huge, there’s a sitar hook and warm backing vocals guiding you through the raw emotions of the song.
Sounds like: The xx, Kllo, Grace Carter, Lorde, Billie Eilish
The darker shades of pop music have risen to the top of the pile of late, with artists like Banks consistently enthralling a captivated audience and Billie Eilish sensationalism reaching much of the world. Aiming for a slice of that pie is Montreal’s Aaricia, who balances her darker ethos with a soaring, honeyed vocal.
Her new single is equal parts sugar and spice, with Aaricia outlining ‘For Two’ is about desire and fantasy. It’s about that one person you can’t resist. You can try to play it cool but, in the end, you know you’ll succumb to temptation.
Sounds like: Liyv, CLAVVS, Charlee Remitz, Tessa Rae
From the west coast of Ireland comes a distinct blend of alternative rock and post-punk that simultaneously rides a wave of nostalgia whilst sitting ahead of the contemporary curve. archmotors, a duo with prowess and skill that extends far beyond their meagre membership, second single to date ‘Sitcom’ is darkly humorous in the most compelling way.
Fans of older video games will be charmed by the ‘point and click’ style video accompaniment – a perfect pairing, tune in below.
Harry Nathan has once again teamed up with actress Odeya Rush (Ladybird, Goosebumps, Dumplin’) on their third music video together, for ‘Alright’.
The quirky ‘Alright’ involves a tasty disco-filled sandwich falling in love with a croissant – who wouldn’t want to take a nibble on that?
The two have worked side-by-side before, winning 24 independent short film awards worldwide for ‘Fool For Your Love’ and ‘Rooftops’.
The love story was a home-made effort that proved harder than the team had originally thought. Odeya says, “It started off with a simple idea to have Harry make a delicious sandwich. I pitched it as ‘something super easy to make.’ Though, as we got closer to shooting, the idea grew and I knew we couldn’t make something that didn’t excite or challenge us.”
Classically-trained Australian producer LUCIANBLOMKAMP shares his immersive new single, ‘Sound of the Morning’.
A potent version of the track (of which there are four dramatically different versions), inspired by the opening melody of TAPZ‘s ‘Shadow’, which, ironically, is no longer in the song after a few reworks.
Sounds like: Khalid, The Weeknd, Lastlings, Seekae, TAPZ
Upcoming producer Feather – aka the moniker of Minnesota born/Nashville native, Kyle Featherstone – shares his remix of ‘GTFO’ by Trove, a cross-over between anthemic pop and EDM.
Growing up playing piano, Feather was surprisingly inspired by groups such as Coldplay, Jack’s Mannequin, and Augustana. Fascinated by the blossoming electronic genre, he quickly left his touring band and began producing.
Nigerian-British avant-pop auteur and artist Tony Njoku shares the brilliant new Max Jedwab-directed video for ‘CONFIDENT’.
The intense single adopts a confessional, diary-like intimacy underpinned by whirring synths, which dissolve into effervescent chaos.
It is taken from his new album, ‘Your Psyche’s Rainbow Panorama’, released on 4 October via Silent Kid Records, in which he has taken inspiration from a work of Icelandic artist Olafur Eliasson’s glass walkway, entitled ‘Your Rainbow Panorama’.
Sounds like: Sacred Animals, Ben Khan, Flying Lotus, Ghostpoet, Gaika, Lightfoot
Zanski digs deeper with his creative new single, ‘Younger You’.
A laid-back RnB affair, Zanski has teamed up with vocalist Emilia Ali to deliver unparalleled vocal lines, rich harmonies, and sweet grooves that perfectly showcase his ability for some serious tuneage, with as much intrigue and substance as James Blake or Jai Paul.
Sounds like: Ben Khan, James Blake, Honne, Banks, Jai Paul
Hip hop DJ-turned writer and producer. Luke Wylde, and Australian singer-songwriter Rhea Robertson, are both giving you the opportunity to face your demons and finally be honest about with your feelings in new song ‘Save Yourself’.
The combination of Robertson’s dreamy jazz undertones and alt-pop sounds with Wylde’s bluesy interlude makes for an enticing track.
If things are getting tired, change it up. Wise words from Los Angeles-based Benji Lewis indeed.
His nostalgic new single ‘Fast Foward’ is the first taste of a brand new five-track EP that Lewis has planned for release in early 2020, it features the slick production of Los Angeles artist Kid Froopy and it also comes with a visually stunning Chris Weigen-directed music video.
Sounds like: The 1975, The Kite String Tangle, Antony Hegarty, Active Child, Gallant, Sam Smith, Solomon Grey, James Blake, Yazz, Jack Garratt, Disclosure
Nick Anthony – When I’m Gone (feat. Chloe Gendrow)
Artists these just seem to get younger and younger, and Nick Anthony at just 19-years of age has not only found success as a dance producer but soon realised that his talents have overflowed from dance into poppier, crossover sounds – which has become a sound distinctly his.
His latest, ‘When I’m Gone’, which features the vocal talents of Chloe Gendrow and taken from his forthcoming EP is the next chapter in his ever-evolving sound and sets and irrefutable mood.
Australian artist Hazlett creates indie songs with outstanding depth and beauty.
A well-toured musician and confessed self-therapist, Hazlett has a tendency to find beauty in the mundane of modern life, which is why I think we find his music so endearing.
His new single ‘Suncats’, produced by Freddy Alexander, is inspired by dancing sun reflections, and was born from a moment of post-break-up depression – “We all feel death but we don’t live life, heavy hearts have a crazy side.”
Sounds like: Bon Iver, Dermot O’Kennedy, Ben Howard
The multi-faceted talents create infectious, experimental pop in their basements studio in a London warehouse. They also run their own underground audiovisual club nights, as well as producing and remixing for other artists.
Napoleon Gold – Love Don’t Cut Me Down (feat. Haiva Ru)
French-born Antoine Honorez aka Napoleon Gold returns with his latest single ‘Love Don’t Cut Me Down’ featuring the vocals of Haiva Ru’s Allie Merril.
The track can be compared to an 80’s Fleetwood Mac song that’s been given an electronic boogie re-skin.
Speaking of the unique late-night feel of his music, Napoleon credits his life-long struggle with insomnia, “During my first year in Brussels for university, my insomnia became more and more frequent. I remember staying awake night after night, making music, watching the sunrise from my music desk – it had this beautiful orange and golden colour, I knew seeing this colour meant I had once again failed to sleep, but it also symbolised a new day, a new beginning. I decided to name that colour ‘Napoleon Gold'”.
Sounds like: Goldroom, Chela, RAC, Le Youth, JackLNDN
Grammy-Award nominated producer and vocalist, and Mura Masa collaborator, Tom Tripp returns with his latest single ‘TAM’, the first release off his forthcoming project ‘FLAG’.
The electro-laced funk track started life back in 2016, undergoing various iterations on Tom’s Laptop until a session with Grades earlier this year led to a final version that the self-proclaimed perfectionist was finally happy to share with the world.
Nashville-based alternative pop act, Daniella Mason, is back with a dreamy new visual that continues her ‘Mental State’ EP and ‘State of Mine’ sound series in which she aims to explore different parts of our humanity.
With her latest music video release – shot and edited by Dylan Reyes – Mason aimed to create a dream sequence that visualises the feeling of wandering throughout her mind and expands on its aimlessness.
Sounds like: Imogen Heap, The Japanese House, Robyn, Maggie Rogers, Billie Eilish, George Gretton, Luna Pines