Sought after co-writer and collaborator Richard Orofino shares the pictorial visuals for his new single, ‘Rather Die’.
Effortless vocals and subtle 80’s synths dominate the song as Orofino declares a love song for the end of the world.
In discussing the song, Richard says, “You would expect it to be a fairly dark tune by its title, but the story describes imagining a world without the person you hold closest to your heart. Being able to say you would ‘rather die’ than live in this fictional reality is super dramatic, which is kind of the point of the song. The premise screams ultra-romance to a point of it being almost silly. I felt a natural inspiration from the ‘new romantic’ genre of the 80’s, alongside some modern Indie/pop anthemic landscapes. My vision was to create a love letter that feels like you’re driving into a black hole but still filled with hope.”
Expect his ‘Spell’ EP, due later in the year.
Sounds like: Gotye, Val Astaire, Ghostly Kisses, Arctic Lake, Arcade Fire, Future Islands
Electronic duo Solomon Grey are gearing up to release their sophomore album ‘Human Music’, out on 16 February via Mercury KX Records. The record was mixed by Dave Fridmann (MGMT, Flaming Lips, Tame Impala) and features a full orchestra recorded in Budapest.
We caught up with Tom and Joe…
1. Describe your sound in three words.
Emotive, cinematic, classic (we held to hold back from writing average or something similar).
2. Where did the name Solomon Grey come from?
There was a day of flinging names around, Tom said Solomon Grey (the inspiration for that is another story) and we thought it sounded right. At the time we wanted people to think it was one person. We always enjoyed reviews wrongly thinking Floyd or Gnarls Barkley were one artist.
3. Your music is hugely emotive, and your visuals and live shows, hugely atmospheric. Which comes first when creating music?
We normally talk about the visual aspect of a track once the first few ideas are down. It’s always present in the idea from an early point. Also, atmosphere is vital to how we work with a tune. Always trying to find where a track sits and how to achieve that. We are always discussing and sharing ideas, it’s part of the joys of working as a duo.
4. You toured with Above & Beyond in 2016. What was that like?
Amazing. Performing live on the tour ended up inspiring a lot of how we wrote this latest album. Those venues, the acoustics, the seated audiences. The whole Above and Beyond family were so great to us, we owe them everything. Still can’t quite believe that we played the Hollywood bowl. What a privilege.
5. Your upcoming sophomore album, ‘Human Music’, is out next month, and follows Joe’s extremely difficult journey with his mother. Was this album particularly hard to make?
Joe, “in places. This is hard to explain but it was a very lovely time spending that last summer with Sandy. We were together for the end and it was special. I think the whole point of the album is that from the offset I thought something like this would be as you described it ‘an extremely difficult journey’ but it turned out to be a beautiful celebration of our lives together and an honour and pleasure to be there at the end. There were difficult moments of course but mostly it was a time I will cherish. We were best friends and it was good being there together at the end”. Tom, “Making the album was challenging because of the amount of musical ideas Joe brought but we got through it.”
6. We love new music at Indietronica. What new music are you listening to?
Arctic Lake recorded all their latest tracks next door and we think they are amazing. Msafiri Zawose has an album out called Uhamiaji which we keep playing on the way into work. Also, @iamofficer is recording his second album next door at the moment and we keep humming the melodies on our way home. It sounds beautiful, but he is still working on it so keep a look out for its release.
Sounds like: Aquilo, Heaven 17, Depeche Mode, Ásgeir, Chet Faker, James Vincent McMorrow, Hozier, Lane 8, The National, Son Lux, M83, James Blake, Bon Iver