Haux is the project of rising photographer-turned-musician Woodson Black.
His most recent release, ‘Heartbeat’, is a stunning piano-led track that once again showcases his ability to effortlessly combine film and storytelling with music.
The short film set in the Cape Cod seaside town of Truro, Massachusetts features Sam Laiz and model Chloe Nørgaard, and explores the depths of love. Woodson explains,
“I get the chills anytime I remember this day at the beach. The landscape was so desolate it somehow made us shiver even more. I tried my best to capture that haunting feeling of being completely alone with your thoughts; those relentless kind of thoughts that never leave you. I wanted to show that while there is always pain in remembering, there is tenderness too.”
His forthcoming sophomore EP & companion short film ‘Something To Remember’ is set for release on 30 March via Ultra Records.
European Tour Dates
12 May – Berne, Switzerland – ISC
13 May – Zurich, Switzerland – Exil
16 May – Vienna, Austria – Chelsea
17 May – Berlin, Germany – Musik & Frieden
19 May – Copenhagen, Denmark – Ideal Bar
21 May – Stockholm, Sweden – Bar Brooklyn
22 May – Hamburg, Germany – Nochtspeicher
23 May – Cologne, Germany – Yuca
24 May – Roubaix, France – la Cave aux Poètes
26 May – Utrecht, Netherlands – EKKO
28 May – Groningen, Netherlands – USVA
29 May – Paris, France – Le Point Ephémère
1 June – London, UK – Omeara
2 June – Glasgow, UK – Stereo
Melbourne-based folktronica artist BATTS returns with her beautiful new single ‘Somedays’.
Using space as a reference (specifically the NASA recording of Saturn’s rings), ‘Somedays’ showcases BATTS’ knack of creating psych-tinged pop that is extremely grounding, but also feels otherworldly at the same time.
Expect her mesmerising and melancholic debut EP ’62 Moons’, to be released through the newly announced THAA Records.
Sounds like: London Grammar, Ficci, GEMS, MS MR, Daughter, James Blake, Jon Hopkins, MØ, SOHN, Broods, M83
Wow, ‘You’ is some serious spine tingling stuff from Dream Estate, an exciting ambient pop outfit on the scene.
The band was originally founded by William Tse in 2015, but later was joined by Dan Hvorostovsky (bass, backing vocals), Dan Noble (lead guitar, backings vocals), and Joe Dawson (drums) in 2017. Since then, the band have been working alongside producer Sam Winfield (Fickle Friends, Pixel Fix, Amber Run, Motherhood).
Despite the deliciously boozy bass-lines and woozy vocals in ‘High’ that conjure up feelings of warm stoner summers, the song was written and recorded during the coldest and darkest part of the year, which is only a testament to Florda Well for their positive outlook.
We wrote about Idaho-based Apsley (aka Jacob Apsley) earlier this year and we’re excited to share his latest release, ‘Fear’.
The track has more of an demanding tone than Sold, reminding us of an early The 1975 with its muted guitar riffs and echoey, falsetto vocals.
Sounds like: Fenech-Soler, SOHN, Aquilo, The 1975, Friendly Fires, Delphic, The Chain Gang of 1974, The Naked and Famous, H A R T E B E E S T, Tourist, Bastille, Great Good Fine Ok, Hurts, X&Y, Young Empires
We want to push the new breed of indietronica music in Europe and beyond. Helping us succeed in this quest is Cork based Talos, the musical project of Eoin French.
His new track, ‘Odyssey’ is enticing in nature with ethereal vocals and divine production.
Talos explains about ‘Odyssey’, “In any endeavour we find ourselves at that point of doubt. Those moments where you question yourself. That’s what the line, ‘In this odyssey, it’s hard to leave…’ refers to. It’s a beautiful and testing cycle. “I was asking myself some pretty big questions. Am I doing the right thing? Is this worth it? Am I deluding myself?! And I think in the end, the answer is yes to all three. These feelings come and go. The thoughts pass. Sometimes the delusions get realised. And we move on.”
Talos’s debut album, ‘Wild Alee’ will be out on 21 April.
Sounds like: Broadhurst, Phoria, James Blake, Bon Iver, Aquilo,
Meet Glassio, the alt-pop project of Sam Rad and Charlie P.
Glassio have put together a playlist for us about the influences behind their recent atmospheric cover of Iggy & The Stooges‘ ‘Search & Destroy’.
You can listen to/find out more below.
“These are 11 songs that played a role in influencing our production of “Search & Destroy,” and that we still often reference when working on new music.
Individually, there might not be much in common with the cover, but there are elements from each that either exist in the cover or that we had on our mind when working on the track.
Most notably is the idm-electro inspired cover of “There Is A Light That Never Goes Out,” by German producer Schneider TM –originally performed by The Smiths. That served as a specific influence by taking something from one genre and fitting it into another.
I (Sam) have also been listening to a lot of UK garage and 2-step lately. Sticky is one of my favorite producers in that area, and the song we’ve included on here, “War Rhythm” played a big part in influencing a portion of the beat in the cover.
Lately, we’ve both been digging deep into old Philly soul, MFSB, and then lots of 90s and early 2000s R&B. That’s been having a major comeback lately, and you can hear it all over the Chance album. The voices on “Same Drugs” are particularly uplifting, and we wanted our voices in the gospel section of our cover to resemble the same mood.
“Heartbeats” by Joakim and “Transformer Man” by NeilYoung are both basically singer-songwriter songs performed through vocoders, and that idea was really attractive to us, so we added that very faintly in the vocals on the first verse.
Our cover ends with a BeachBoys-inspired ending, emanating the trapped feeling that the vocals at the end of “’Til I Die” give off.
The playlist also starts off with a song by a former classmate of ours at Clive Davis. We never spoke in person, but his album is pretty fantastic, and definitely removes you from your current headspace with lots of controlled and orchestrated noise-rock. We wanted the ending of our song to have that same feeling.”