No, his debut solo single ‘WALL’ is not a tech-house track, despite what his press shot may look like, but rather rich and fragile cinematic pop that builds and erupts into something simply mind-blowing.
‘WALL’ is neo-classical and electronic in its nature. Initially intended as a remix of the song of the same name by composer Nils Frahm, it quickly developed into a track of its own.
Sounds like: Aquilo, Solomon Grey, Son Lux, Nils Frahm, Ulrich Schnauss
Having just signed to Terrible Records (Blood Orange, Porches, Le1f), Norwegian producer and artist Gundelach shares the imaginative ‘Control’.
It is taken from the forth-coming ‘Baltus’ LP, and showcases Gundelach’s Nordic-noir sensibilities, using delicate synths, pulsating beats and his effortless falsetto voice to tell a story of deep personal depression.
Sound like: Ásgeir, Bon Iver, Honne, Boxed In, RY X, Vancouver Sleep Clinic, The Presets
We are excited about Benjamin’s Brother – an interesting indie-pop band from Tel Aviv.
Discussing topics such as violence, death, desire and love, and citing influences across several genres including Arabic, American folk and techno, it’s no surprise that their sound is expansive, yet tender.
Watch their video below, which was shot by Indy Hait, at the Tel Aviv Museum Of Art, on a 16mm film.
Sounds like: Tame Impala, SAMA, Mumford & Sons, Solomon Grey, Vancouver Sleep Clinic, Aquilo
Dutch electronic duo CUT_ share ‘It’s On’, a song about the denial towards the demise of a relationship.
But they don’t just write about internal issues found in human nature, but also discuss topics on mass psychology and by analysing these aspects of our society, CUT_ attempts to find a way of coping with the messed up world we’re living in.
We don’t know a great deal about Swedish singer/songwriter Timothy, but have really enjoyed listening to his second single, ‘Fly’.
Timothy explains, “The song is a long battle with a ghost of his, he interpreters his own song with a self-written poem. Wanting the listener to create their own story, rather than giving it all away.”
Sounds like: Bon Iver, Alex Vargas, Ry X, The xx, Keaton Henson, Matt Corby
Electronic duo Solomon Grey are gearing up to release their sophomore album ‘Human Music’, out on 16 February via Mercury KX Records. The record was mixed by Dave Fridmann (MGMT, Flaming Lips, Tame Impala) and features a full orchestra recorded in Budapest.
We caught up with Tom and Joe…
1. Describe your sound in three words.
Emotive, cinematic, classic (we held to hold back from writing average or something similar).
2. Where did the name Solomon Grey come from?
There was a day of flinging names around, Tom said Solomon Grey (the inspiration for that is another story) and we thought it sounded right. At the time we wanted people to think it was one person. We always enjoyed reviews wrongly thinking Floyd or Gnarls Barkley were one artist.
3. Your music is hugely emotive, and your visuals and live shows, hugely atmospheric. Which comes first when creating music?
We normally talk about the visual aspect of a track once the first few ideas are down. It’s always present in the idea from an early point. Also, atmosphere is vital to how we work with a tune. Always trying to find where a track sits and how to achieve that. We are always discussing and sharing ideas, it’s part of the joys of working as a duo.
4. You toured with Above & Beyond in 2016. What was that like?
Amazing. Performing live on the tour ended up inspiring a lot of how we wrote this latest album. Those venues, the acoustics, the seated audiences. The whole Above and Beyond family were so great to us, we owe them everything. Still can’t quite believe that we played the Hollywood bowl. What a privilege.
5. Your upcoming sophomore album, ‘Human Music’, is out next month, and follows Joe’s extremely difficult journey with his mother. Was this album particularly hard to make?
Joe, “in places. This is hard to explain but it was a very lovely time spending that last summer with Sandy. We were together for the end and it was special. I think the whole point of the album is that from the offset I thought something like this would be as you described it ‘an extremely difficult journey’ but it turned out to be a beautiful celebration of our lives together and an honour and pleasure to be there at the end. There were difficult moments of course but mostly it was a time I will cherish. We were best friends and it was good being there together at the end”. Tom, “Making the album was challenging because of the amount of musical ideas Joe brought but we got through it.”
6. We love new music at Indietronica. What new music are you listening to?
Arctic Lake recorded all their latest tracks next door and we think they are amazing. Msafiri Zawose has an album out called Uhamiaji which we keep playing on the way into work. Also, @iamofficer is recording his second album next door at the moment and we keep humming the melodies on our way home. It sounds beautiful, but he is still working on it so keep a look out for its release.
Sounds like: Aquilo, Heaven 17, Depeche Mode, Ásgeir, Chet Faker, James Vincent McMorrow, Hozier, Lane 8, The National, Son Lux, M83, James Blake, Bon Iver
Kasbo is an exciting Swedish producer whose music fits nicely alongside the likes of ODESZA and Aquilo.
His current release ‘Aldrig Mer’ (translating to ‘No More’ in English) combines organic elements including real instrument recordings and electronic synths, as well as the boundless vocals of rising UK duo TENDER.
Expect Kasbo’s debut album to come out on Foreign Family Collective/Counter Records on 23 March.
Cub Sport‘s new single ‘Good Guys Go’, questions just that – unreciprocated love, unfortunately a common theme in a lot of relationships.
The neon video, directed by Joe Agius is shot in real time with one roaming camera, and tries to capture an intense feeling of loss, inspired by images from fashion magazines and music videos by Michael Jackson, TLC, and Perfume Genius.
Haux is the project of rising photographer-turned-musician Woodson Black.
His most recent release, ‘Heartbeat’, is a stunning piano-led track that once again showcases his ability to effortlessly combine film and storytelling with music.
The short film set in the Cape Cod seaside town of Truro, Massachusetts features Sam Laiz and model Chloe Nørgaard, and explores the depths of love. Woodson explains,
“I get the chills anytime I remember this day at the beach. The landscape was so desolate it somehow made us shiver even more. I tried my best to capture that haunting feeling of being completely alone with your thoughts; those relentless kind of thoughts that never leave you. I wanted to show that while there is always pain in remembering, there is tenderness too.”
His forthcoming sophomore EP & companion short film ‘Something To Remember’ is set for release on 30 March via Ultra Records.
European Tour Dates
12 May – Berne, Switzerland – ISC
13 May – Zurich, Switzerland – Exil
16 May – Vienna, Austria – Chelsea
17 May – Berlin, Germany – Musik & Frieden
19 May – Copenhagen, Denmark – Ideal Bar
21 May – Stockholm, Sweden – Bar Brooklyn
22 May – Hamburg, Germany – Nochtspeicher
23 May – Cologne, Germany – Yuca
24 May – Roubaix, France – la Cave aux Poètes
26 May – Utrecht, Netherlands – EKKO
28 May – Groningen, Netherlands – USVA
29 May – Paris, France – Le Point Ephémère
1 June – London, UK – Omeara
2 June – Glasgow, UK – Stereo
Melbourne-based folktronica artist BATTS returns with her beautiful new single ‘Somedays’.
Using space as a reference (specifically the NASA recording of Saturn’s rings), ‘Somedays’ showcases BATTS’ knack of creating psych-tinged pop that is extremely grounding, but also feels otherworldly at the same time.
Expect her mesmerising and melancholic debut EP ’62 Moons’, to be released through the newly announced THAA Records.
Sounds like: London Grammar, Ficci, GEMS, MS MR, Daughter, James Blake, Jon Hopkins, MØ, SOHN, Broods, M83
Wow, ‘You’ is some serious spine tingling stuff from Dream Estate, an exciting ambient pop outfit on the scene.
The band was originally founded by William Tse in 2015, but later was joined by Dan Hvorostovsky (bass, backing vocals), Dan Noble (lead guitar, backings vocals), and Joe Dawson (drums) in 2017. Since then, the band have been working alongside producer Sam Winfield (Fickle Friends, Pixel Fix, Amber Run, Motherhood).
Despite the deliciously boozy bass-lines and woozy vocals in ‘High’ that conjure up feelings of warm stoner summers, the song was written and recorded during the coldest and darkest part of the year, which is only a testament to Florda Well for their positive outlook.
We wrote about Idaho-based Apsley (aka Jacob Apsley) earlier this year and we’re excited to share his latest release, ‘Fear’.
The track has more of an demanding tone than Sold, reminding us of an early The 1975 with its muted guitar riffs and echoey, falsetto vocals.
Sounds like: Fenech-Soler, SOHN, Aquilo, The 1975, Friendly Fires, Delphic, The Chain Gang of 1974, The Naked and Famous, H A R T E B E E S T, Tourist, Bastille, Great Good Fine Ok, Hurts, X&Y, Young Empires